is taken and forever revitalized. Photography takes the essence of memory and seals it into the history of those involved in the process. Susan Sontag’s didactic text “On Photography” digs deep into the meaning of photography and claims that it has unlimited power within modern society. Her exclamation that “cameras are fantasy-machines” exerts the idea that photography brings the world closer together‚ yet seems so distant as if it were all but an illusion. Sontag starts off her text by asserting
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Photography is a medium that has been documenting everything over years throughout history. A practice that is often debated and discussed about the relationship of the action and photograph itself. In the chapter entitled In Plato’s Cave from her book On Photography‚ photo theorist Susan Sontag refers to various photographs and photographers and analyzes the wider questions that individuals should be discussing in regards to the medium. Exploring her thesis as she states that “a photograph is not
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in the ocean with the ominous feeling of the gloomy clouds surrounding every corner of the photograph. Photography is a basis of knowledge to shed light upon what we know today. We are surrounded by it in our daily lives‚ but do we really see everything that lies behind a photograph? Photos capture memories and remind us of good times in our lives. However‚ today‚ society has turned photography from a tool to capture a memory into a device that is used by anyone who has an expensive camera or even
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photographed’ (Sontag‚ 2004). Does photography have a special role in the mediation of our lives‚ and how‚ according to Sontag‚ is this role changing? INTRODUCTION Attempting to comprehend the role of photography in the mediation of our lives would have to account‚ apart from historical evidence‚ an understanding of the importance and the necessity of the photograph in every day life. In a society that is constantly bombarded by images from different mediums‚ photography has transformed
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In her lecture “War and Photography‚” Susan Sontag discusses the role of photographs in raising awareness about human rights issues while simultaneously looking at the effectiveness of graphic images. She asks her audience to engage with how they respond to images that are a result of “concerned photography‚” and how those images impact their understanding and memory of the human rights event. Sontag also grapples with how shocking images lose their effectiveness over repeated viewings‚ or over the
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Susan Sontag an author Regarding The Pain of Others and of four novels‚ and seven non-fiction books. States that "Photographs tend to transform‚ whatever their subject; and as an image something may be beautiful - or terrifying‚ or unbearable‚ or quite bearable - as it is not real life." These words spoken by Susan Sontag explain almost every aspect that goes into evaluating a photograph. For instance a picture
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Susan Sontag‚ in "Against Interpretation‚" takes a very interesting critical standpoint on the idea of literary interpretation. Unlike most literary critics‚ Sontag believes that literary criticism is growing increasingly destructive towards the very works of art that they‚ supposedly‚ so greatly "appreciate" and "respect." Her standpoint could not be more accurate. Reading her work generates numerous questions‚ the most important of which is quite possibly‚ "How are we to take her final statement
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Response for Chapter 1 After read the book of Susan Sontag’s On Photography‚ the idea of essential of photography comes into my mind. Photography is really important in our daily life. It can capture the moments of the life‚ whatever it is happy or upset. In this book‚ the writer discusses how perspective changing through by photography. In chapter one‚ Sontage gives readers a idea which “the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole
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When comparing the descriptive technique of Susan Sontag’s On Photography book between ALL MY LIFE FOR SALE by John D. Freyer and eBay‚ we will find that Mr. Freyer demonstrated a merely subjective description that was mentored solely by his own point of view. The assumption that “every photographer should read this book” in the beginning of his description‚ and asserting this assumption later by using an overstated sentence like: “Even the mom and pop photographers”‚ and further emphasizing by generalizing
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1.2 The major literary works of Susan Sontag In Sontag’s life‚ she totally wrote four novels‚ they are "The Benefactor” (1963)‚ “Death Tool"(1967)‚"The Volcano Lover"(1992) and "In the United States" (2000);besides‚ there is one short stories “I ‚ etcetera" and a few scripts. Then she also published eight other works‚ among these works ‚ the famous works are "Against Interpretation" (1966)‚ "The Radical Form of Will" (1969)‚ "On Photography" (1977)‚ "The Disease Metaphor" (1988)‚ "The point" (2001)
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