Question 1: Give an account of the socio-historic context of the work Cry In the early 17th Century‚ European settlers in North America turned to African slaves as a cheaper‚ more plentiful labour source than indentured servants. After 1619‚ when a Dutch ship brought 20 African ashore at the British colony of Jamestown‚ Virginia‚ slavery spread throughout the American colonies. Though it is impossible to give accurate figures‚ some historians have estimated that 6 to 7 million slaves were imported
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Cry Alvin Ailey ‘Cry’ is a dance choreographed by a very talented and well-recognised choreographer named Alvin Ailey. This was created in 1971. Ailey has created many incredible works but I must say that ‘Cry’ was one of his most outstanding works of art. The dance’s intent is to portray the struggle & strength of the African American women who were in the slave trade; how women so enslaved & trapped can still manage to be so free. Everything in this piece was thought of in specific detail
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ASSESSMENT TASK CRY – ALVIN AILEY Select TWO contrasting movement phrases. For each phrase: Describe the main motif identified Discuss the purpose of the motif within the context of the work Describe how the motif is manipulated and varied to create the phrase with respect to the elements of composition (space‚ time and dynamics) Analyse how the phrase contributes to the context of the work and why the choreographer selected this phrase to portray the intent of the work. Alvin Ailey’s renowned
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Alvin Ailey Alvin Ailey was a dancer‚ choreographer‚ and teacher whose vision and leadership lead him to create one of the major art institutes of our time. The famous Alvin Ailey Dance Theater. A choreographer is a person who creates dance compositions and plans and arranges dance movements and patterns for dances. Movement is a language as rich and expressive as written or spoken language. We understand and use movement language so naturally‚ we are often unaware of the many ways we use it
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The life and times of Alvin Ailey Alvin Ailey was born on January 5‚ 1931 in Rogers‚ Texas to Lula Elizabeth Ailey. Lula was only 17 years old at the time of his birth. His father abandoned the family when Alvin was only six months old. Because the era Alvin was born in was the Great Depression‚ the Aileys moved around often. Growing up during the great depression also meant that his mother had a hard time finding work. Unfortunately‚ Alvin also grew up during a time of racial segregation‚ violence
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and Choreographers Alvin Ailey Alvin Ailey‚ Jr. was an African American modern dancer‚ dance teacher and choreographer‚ who founded the Alvin Ailey American Dance Theater. Ailey was a gifted creator of dance expressing the African American cultural experience and history. His choreographic works live on in performances by the company he founded. The Alvin Ailey American Dance Theater toured extensively and regularly in Europe and Asia during Ailey’s lifetime‚ making Ailey a familiar name worldwide
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Alvin Ailey It was really impressive performance I ever seen. I like all programs and their performance was too attractive and interesting. I like lighting and music because it looked very decent with the performance. In addition‚ they organized it very well. I really like it. The following paragraphs give a few facts about Alvin Ailey and his background. Alvin Ailey was born in Rogers‚ Texas on January 5‚ 1931 and moved to Los Angeles‚ California at the age of twelve. There‚ on a junior high
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was called Alvin Ailey American Dance Theater. The place of the performance is 131 W 55th Street between 6th and 7th avenues. The date and time of the performance was Saturday‚ Dec 16‚ 2017 at 2:00pm. I was 20 minutes late to the first performance because of the heavy traffic‚ but i did see a portion of the first dance. Heysel and I both saw this dance performance together. The order of the dances were The winter in Lisbon choreographed by Billy Wilson‚ Night Creature ‚ Cry and Revelations which all
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Conceived out of a concept devised by Alvin Ailey‚ Cry took its inspiration from the suffering of the African American Woman. "She represented those women before her who came from the hardships of slavery‚ through the pain of losing loved ones‚ through overcoming extraordinary depressions and tribulations. Coming out of a world of pain and trouble‚ she has found her way-and triumphed." In this three part solo‚ the dancer‚ clad in a white leotard and long ruffled skirt‚ brings the audience on a journey
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DECONSTRUCTRON Critical Review: Cry (Alvin Ailey) DANCE; The Long Shadow Of Ailey ’s Great ’Cry ’ By VALERIE GLADSTONE Published: November 26‚ 2000 THE audience wouldn ’t stop cheering when Judith Jamison danced Alvin Ailey ’s masterpiece ’ ’Cry ’ ’ at its premiere on May 4‚ 1971‚ at City Center. ’ ’They went crazy‚ ’ ’ Ms. Jamison says. Ms. Jamison‚ the artistic director of the Alvin Ailey American Dance Theater since Ailey ’s death in 1989‚ recalled that night in an interview one afternoon
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