be more sympathetic. To what extent do you agree or disagree with the director? When the play was staged on Broadway in New York in 1955 Elia Kazan‚ a friend of Williams who has directed many of his other plays on Broadway including ‘A Streetcar Named Desire’‚ directed it. Kazan had reservations about the original Act Three and asked Williams to rewrite it. He felt that Big Daddy should not disappear after Act Two‚ that the impact of the conversation between Big Daddy and Brick in Act Two should
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struggle between women and men. In the play written by Tennessee Williams‚ A Streetcar Named Desire‚ the author specifies the characteristics of both gender. Showing men as aggressive‚ while‚ showing women as delicate. However‚ Williams conceives that Blanche and Stella show two different types of femininity in the play‚ nevertheless‚ both of them are dependent on men‚ showing that females have a sexual desire. This sexual desire has also been seen in Stanley in scene 3 when Stanley called for Stella
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Illusions in A Streetcar Named Desire In Tennessee Williams’ play‚ A Streetcar Named Desire‚ there are many examples where the characters are using illusions in an attempt to escape reality. The best example is found by looking to the main character. Blanche Dubois was a troubled woman who throughout the play lives her life in illusions. The story begins with Blanche going to New Orleans to stay with her sister Stella‚ and her husband Stanley for a while.
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Consider the characters of Stanley‚ Blanche and Stella and their behaviours in Scene 1. Using your own words‚ describe whether you think is reinforcing or challenging hegemony in “A Streetcar Named Desire”. I think Tennessee Williams is not challenging hegemony in the play “A Streetcar Named Desire” and it’s maintaining the cultural and social topics of the time. To start off‚ the characters of Stella‚ Stanley and Blanche are showing prejudices and discrimination by their actions‚ behaviour
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appeal for the audience’s sympathy and pity. To what extent do you feel that the character of Blanche DuBois can be viewed as a tragic victim. Word count = 1‚500 By Georgia Tucker Blanche Dubois‚ The leading role in Tennessee Williams’ play A Streetcar Named Desire is often viewed as a tragic victim - This is a woman who doesn’t want realism‚ She wants magic‚ but even despite the way she lives her life‚ she will always be at the mercy of a very realistic and brutal world‚ which could be one of many
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A Study in Color: A Streetcar Named Desire Throughout A Streetcar Named Desire‚ Tennessee Williams associates various colors with his characters in revealing their elements of honesty‚ societal status‚ and otherwise hidden parts of their lives to shed a light on expectations that the social order forces on different classes and types of people in American society. Blue is mentioned intermittently with Blanche and consistently in association with Stanley’s cold‚ lower-class status. Blanche’s main
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Sound Designer: State the interpretation and approach of your director. Do you personally agree‚ or disagree‚ with the interpretation and approach of your director? Why? The sound designer has an extreme importance in the play. The sound designer need to study techniques‚ theories and music to have a great understand to be able to introduce sounds and music in the play in order to show emotions and feelings. According to the President of the American Association of the Community Theatre (AACT)
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How effectively does the film portray the key themes and characters of Williams play? In 1949‚ Tennessee Williams released a novel entitled “A Streetcar named Desire”. Two years later Elia Kazan directed and released a movie based on the novel. She tried to recreate the film as closely as she could to the written play. How well did Kazan do this? Did she leave out key parts or did she cover them all? Did she model the characters perfectly according to the novel? Was she spot on or was she way off
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In a Streetcar Named Desire‚ women have a constant‚ recurring need to have support from a male counterpoint. From Stella leaving her plantation‚ to Blanche needing a steady stream of support from all the male characters she encounters‚ women are proven to have a need to feel supported and important by men. Stella leaves her plantation‚ with the knowledge that “The best [she] could was to make [her] own living.” And so Stella left the safety of her farm in order to make herself feel important and
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find amusing or moving or disturbing. Explain how the scene provokes this response and discuss how this aspect of the scene contributes to your understanding of the play as a whole. The penultimate scene of Tennessee William’s play “A Streetcar named Desire” in which the protagonist Blanche Dubois is raped by her brother-in –law‚ Stanley Kowalski‚ is deeply disturbing to the audience. Williams uses this scene as a climax of both the play’s plot and a number of key themes At the start of the
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