In his essay "Hidden Intellectualism‚" Gerald Graff argues that intellectualism is not something that can only be archived through proper eduaction like school or college‚ but with subjects that people consider non academics as sports and cars. The writer consider "street smart" to those people who learn things outside of an academic environment‚ for example in the streets of their neighborhood. The writer argues that educators should let students decide on the subject that thay are more
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Rhetorical Analysis Paper From the beginning‚ the FLO TV personal television ad that first aired during the 2009 Super Bowl grabbed my attention by using Jim Nantz‚ the legendary sportscaster‚ to commentate on the entire commercial. Hitting on the rhetorical appeal of ethos‚ because even if I wasn’t looking at the TV at the time‚ as soon as I hear Jim Nantz voice‚ it makes me want to see what he’s talking about. Jim’s giving the play by play on the man in the commercial‚ Jason Glasby‚ giving
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texts. Gerald Graff agrees that students need to read models of intellectually challenging writing‚ he also finds fault with the schools and colleges for not tapping into the street smarts and integrating them into beneficial‚ academic work. Graff believes that “they would
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in forms of intellectualism‚ Gerald Graff considers Sports and other forms of “street smarts” do seem to be their own form of intellectualism. The new Hidden Intellectualism that is found within these “street smarts”. Hidden intellectualism to Graff in early life was the argument/debate on who is the toughest and what sports team was the best. When arguing about these things graph found himself doing the things intellectuals do in “academic” conversations. Graff was feeling “what it felt like to
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essay titled "Hidden Intellectualism‚" Gerald Graff discusses the nonacceptance of nonintellectual street smarts vs academic book smarts. I agree with Graff’s views on street smarts being a hidden intellectually from society and academics. Gerald Graff is correct in thinking that modern education strongly favors classic literary subjects over real world "street" subject matters. As I read "Hidden Intellectualism" I could not help but empathize with Graff instantly. I was transported back to middle
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Assignment 1: Rhetorical Analysis Rhetorical analysis closely examines the text‚ author‚ audience and context one is interested in knowing more about. Their usually is a conflict in the information that one is trying to learn more about in order to make a decision or simply better understand the subject. A good faith attempt at a clean slated mind that suspends judgment of your own opinions‚ morale’s‚ and values is a requirement to gain a good analysis. You also‚ obviously‚ need a text with an
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In part 2 of They Say/I Say‚ authors Gerald Graff and Cathy Birkenstein begin the process of teaching how to present the writer’s counter-argument‚ the “I say.” The “I say” segment is where you discuss and offer your own argument to what they have said or wrote. The three most common ways of using “I Say” are agreement‚ disagreement‚ and a combination of the two. Graff and Birkenstein goes on to explain that when you agree‚ disagree‚ or even both‚ you should not mildly or incompetently do either
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GENERADOR DE VAN DE GRAAFF [pic] 1. Generalización El generador de Van der Graaff‚ GVG‚ es un aparato utilizado para crear grandes voltajes. En realidad es un electróforo de funcionamiento continuo. Se basa en los fenómenos de electrización por contacto y en la inducción de carga. Este efecto es creado por un campo intenso y se asocia a la alta densidad de carga en las puntas. A machine‚ first demonstrated in 1929 by the American physicist Robert J. Van der Graaf (1901-1967)‚ which
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Given our overall commitment to linking the text-interpretive and experimental traditions‚ rhetorical theory appears ideally suited to the task of generating specific predictions‚ amenable to experimental test‚ about the impact of stylistic variation in advertising visuals. With its semiotic foundation‚ the rhetorical tradition can provide a wealth of ideas for differentiating and integrating aspects of visual style (see‚ e.g.‚ Durand 1987). Furthermore
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Introduction Like any rhetorical analysis essay‚ an essay analyzing a visual document should quickly set the stage for what you’re doing. Try to cover the following concerns in the initial paragraphs: Make sure to let the reader know you’re performing a rhetorical analysis. Otherwise‚ they may expect you to take positions or make an evaluative argument that may not be coming. Clearly state what the document under consideration is and possibly give some pertinent background information
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