Bernard Madoff’s Ponzi Scheme Successful millionaire‚ Wall Street celebrity and esteemed philanthropist who ran the largest Ponzi scheme turned in by his own children. Some of the laws he broke include: securities fraud‚ wire fraud‚ money laundering and mail fraud among others. As a result of his scheme and disregard for the law many people were affected and lost their savings and retirement plans. The consequence to his actions: life in prison and all of his belongings auctioned off by the U
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Analysis Anthem for Doomed Youth‚ 1917 by Wilfred Owen Anthem for Doomed youth1 What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs‚ – The shrill‚ demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not
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Much of the poetry of the 17th century was heavily romantic‚ focusing on damsels and decadent parties where the Roman wine God Bacchaus ruled supreme. Amongst the movements’ teachings was the idea of "Carpe Diem" - the Latin phrase for "seize the day". Herrick‚ fascinated by this ancient philosophy‚ centred many of his poems on the theme‚ cautioning people to use their time wisely. Robert Herrick was one of the "Tribe of Ben"‚ a group of poets who followed and were inspired by the works of the dramatist
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Sonnet I from William Percy‚ Sonnets to the Fairest Coelia. London‚ 1594. Analysis of the communicative situation and the topic‚ about the figuartive language‚ the metre and the central problem. 1. Communicative Situation and Topic In the following I am going to analyse the poem “Sonnet I” by William Percy which is the first part of his series “Sonnets to the Fairest Coelia” (1594). The poem deals with a man suffering from unreturned love which leads to an unexpected change of his attitude
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and a couplet with the rhyming scheme of a Petrarchan sonnet in the first three quatrains. The most unusual rhyme though‚ is the couplet AE in which he brings back his principal claim and intertwines it with his conclusion‚ and at the same time he accentuates it with a line that does not rhyme with any other. This provokes the turn of the sonnet to be at the middle of the conclusion rather than in line 9‚ another daring aspect of the sonnet. This particular rhyme scheme gives each stanza its own rhythm
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Sonnet Petrarch (Francesco Petrarcha) (1304-1374): The Petrarchan Sonnet Background: • Wrote a collection called variously Canzoniere (canzone means song)‚ Rerum vulgarium fragmenta (Fragments of vernacular things)‚ or Rime Sparse (Scattered Rhymes) • Considered the Father of the sonnet‚ from Ital. sonetto‚ meaning a little song or sound • Wrote a volume containing 366 poems in the Tuscan vernacular; 317 of which are sonnets • Divided the poems into two parts. Some scholars believe this
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Analysis Of William Blake’s Poems Infant Joy Notes This simple poem is two stanzas of six lines each. The two stanzas each follow an ABCDDC rhyme scheme‚ a contrast to most of Blake’s other poetic patterns. The rhyming words are always framed by the repetition of "thee" at the end of the fourth and sixth lines‚ drawing the reader’s attention to the parent‚ who speaks‚ and his or her concern with the baby. The infant’s words‚ or those imagined by the parent to be spoken by the infant‚ are set
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make their audience to focus a lot more on the song’s words and meanings behind them. There are not that many lyrics in this song‚ so each word undoubtedly has a deep meaning. The verse has an abab rhyme scheme while the chorus does not rhyme at all. The verse has this scheme to enforce the image of the autonomous marching of "tin soldiers". The chorus flows more and acts as a call to arms to the audience which adds to the effect that the instruments have. The song is set up in this
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‘The only thing to come now is the sea’. Both lines offer a defiant sense of finality. Blackberrying and Blackberry-picking each have irregular or no rhyme schemes which portrays the unpredictability of life whereas Nothing Gold Can Stay has a regular ‘abab’ rhyme scheme. Nothing Gold Can Stay is also a short poem and this and the simple rhyme scheme are to ensure that the message reaches the reader directly and remains with them. Nothing Gold Can Stay and Blackberrying both contain personification
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being beaten by his drunk father to a graceful waltz. Despite the dulcet cadence of the poem’s syntax‚ Roethke’s diction in certain lines of the poem disrupt the idealist dance that a son and father are participating in. With its simple ABAB rhyme scheme and trecet iambs‚ the true action of the poem is often lost among the sing-song quality of the lines; the rhythm almost acts as background music for the waltzing son and father. Themes of adoration and love are portrayed when the son “hung on”
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