Lynn English 211 3 May 2017 “O coward conscience‚ how dost thou afflict me? The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There’s none else by.” (5.5.133-136). Richard III is a remarkable‚ if not irregular‚ rendition of the renowned historical figure‚ Richard III. In it‚ Shakespeare poses Richard as a villain with no remorse towards others—without any fear. This is evident when Richard awakes and holds an internal dialogue in
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scenes of both. (50/50) Due: Thursday 16th Shakespeare’s play King Richard III and Al Pacino’s documentary Looking for Richard are two text composed more than 400 years apart that can be linked through their themes and techniques. The influence of these themes or values however‚ is subject to the context of the audience. Both texts explore the characterisation of the main character Richard and how he is presented. They explore the craft of performance‚ presenting two different
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Through exploring connections between Shakespeare’s Richard III and Al Pacino’s Looking for Richard the values of the era are often a product of the context of the text. However‚ through studying the theatricality of man and the pursuit of power‚ it is clear these notions transcend time and context. Shakespeare valued the way an actor could act within a play and theatre was valued in this context. Shakespeare also demonstrated how Richard pursued political power‚ whilst Shakespeare himself pursued
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Accomplishments of Richard III Richard III was a strong and effective leader who improved England’s government and enforced fair laws. Although Richard III is most known as an cruel leader who was accused of several murders‚ he was a benevolent leader and did the best he could to help his subjects. Richard was also very charitable; he founded several important councils‚ did his best to enhance the cultural level of his people‚ especially the poor and strived to create an equal and fair land by
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developed and explored. By a comparative study of texts parallels in context can be established and evaluated‚ with the alternate visual mediums key in enhancing the audience experience. Al Pacino’s “Looking for Richard‚” (1996) provides a more coherent view of William Shakespeare’s “Richard III‚” (1592)‚ using similarities between texts to accommodate a modern audience. Both texts represent common themes of war‚ demonstrating the inherent evil of mankind through characterisation‚ with respective societal
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Richard III Essay The story of Richard III tells the tale of one of history’s most tyrannous kings who stopped at nothing to claim the throne. Set in colonial England‚ it’s a powerful story that is still relevant today of betrayal‚ honor‚ and the nature of man. It is also masterfully written‚ as Shakespeare uses language to depict imagery and provoke thoughts. Shakespeare uses literary devices to illustrate Richard’s tyrannous character in act 4 when Elizabeth and Margaret are grieving over their
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Loncraine’s 1995 film of Shakespeare’s Richard III play‚ while considerably altered to fit in with the context of the industrial 1930’s timeframe‚ still retains the values and themes of Shakespeare’s Richard III play such as Richard’s rampant thirst for power‚ the familiar good versus evil theme and influence of persuasive language‚ otherwise known as propaganda. Richard is portrayed as a Hitler figure in the film using similar colours and uniform to the Nazis. The key distinction between the
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The attack of "conscience" that King Richard suffers in Act 5‚ Scene 5 of Shakespeare’s Richard III (133-157) can be seen as the psychological climax of the drama‚ one that is critical to both Richard’s development as a character and the play’s ultimate success. Richard’s struggle to reconcile the many different roles he attempts to play into one unified self‚ reflected in the tone and composition of his speech‚ adds depth and humanity to his character; at the same time‚ his ultimate failure to maintain
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King Richard III by William Shakespeare Shakespeare’s King Richard III (1592) is the last historical play of his tetralogy including the three parts of King Henry VI . T he plays depict the collapse of English control over parts of France and the bitter and fierce internal struggles between the Houses of Lancaster and York in the fight to gain the crown of England. King Richard III is regarded (Hume 202) as a piece of prop aganda support ing the Tudor monarchs who succeeded Richard
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(014532302) Maria Salenius The Tudors: Fact and Fiction (ENG243) 24 April 2015 The Function of the Dream Scenes in Richard III Richard III is claimed to be one of Shakespeare’s earliest plays (Lull). The drama can be seen either as a stand-alone or as part of a tetralogy‚ sharing interlinking elements with the Henry VI series (Grene). Due to its status as an early play‚ Richard III provides an exemplary window into Shakespeare’s design as a playwright‚ especially in relation to the presentation of
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