Throughout Al Pacino’s Looking for Richard and Shakespeare’s King Richard III‚ there are many similarities between both texts. This can be seen through values such as the importance of integrity as well as trust. However‚ it is only to a certain extent that both texts portray these similar values. Throughout Al Pacino’s modern remake of Looking for Richard‚ many modern cinematic techniques such as the specific use of colours‚ rearrangement of the original text as well as comparisons made in commentary
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Both Richard iii and Othello have two of Shakespeare strongest villains. Iago from Othello shows his strength of manipulation from the very beginning of the play Shakespeare shows how strong this character is and that without his strength and power throughout the play Shakespeare would have had trouble portraying a story. Also it would have been the same throughout Richard iii‚ due to his power of making people do exactly what he wants them to do. Iago is introduced and he is portrayed as an evil
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Reality Approx4 2per e.g. List act scene line 2per e.g. Richard III- Richard‚ himself is very aware of the gap between his outwards reality and inward reality. As a consequence he carefully constructs his façade while fully acknowledging his Machiavellian motivations to the audience in his asides. Clarence going to prison and Richard says he will try to get him out but doesn’t do it. The ghosts visits Richard (night before battle)
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Challenging King Richard III as a villain or a hero. A hero within his own mind Williams Shakespeare’s King Richard III grew up in the turbulent time of the latter years of the War of the Rose between years 1455-1485. Born in England in 1452‚ King Richard III was not famous and well known for his services to England as their King rather; he was best known for being accused of murdering his two nephews to protect his throne. Shakespeare portrayed Richard III as being a tyrannical ruler. Villains performs
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Shakespeare’s ‘Richard III’ and Pacino’s ‘Looking for Richard’ ground the evil of Richard differently in their respective texts. Shakespeare’s Richard is not merely an ambitious villain‚ but the personification of a metaphysical evil – a Machiavellian prince whose vice-like character is derived from the medieval morality play. Broad contextual shifts have resulted in Pacino recreating a villain for our times‚ emphasising mainly the political characteristics of a tyrant-king rendered recognisable
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Shakespeare’s 1592 play ‘King Richard III’ and Pacino’s 1996 docudrama‚ ‘Looking for Richard’. Despite the different contexts of the Elizabethan Era and the post-modern world respectively‚ the texts share the universal themes of Richard’s pursuit of power and the effect of political power on one’s morality which broadens our understanding of the adverse effect of power. “The ends justifying the means” is a principle in ‘King Richard III’ where the protagonist Richard‚ a Machiavellian leader‚ lusts
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Write a comparison between ’Richard III’ by William Shakespeare and ’The Homecoming’ by Harold Pinter To introduce‚ the extract taken from the play ’Richard III’‚ is scene Act 1 Scene 2. It can be considered one of the many iconic scenes in Shakespeare’s ’Richard III’; and arguable one of‚ if not‚ the most iconic for its importance in showing the power of influence displayed by Richard over Lady Anne. Whereas‚ in ’The Homecoming’ this scene is between Ruth (the wife of Teddy) and Lenny (Teddy’s
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Introduction to W. Shakespeare’s Richard III Richard III is among the plays that Shakespeare wrote about the history of England. The events in Richard III come directly after the 3rd part of Henry VI. These two plays make Shakespeare’s first tetralogy; Henry VI that has 3 parts and Richard III are altogether 4 plays in which the events are related. He used Raphael Holinshed’s Chronicles of England‚ Scotland‚ and Ireland(1587) as the main source of his “History Plays” (or Chronicle Plays–sometimes
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library.temple.edu/databases/a-z‚ References 1. ^ Forker page 507 note 24 2. ^ Gurr (1990: 55) 3. ^ Shapiro‚ I. A. "Richard II or Richard III or..." Shakespeare Quarterly 9 )1958): 206 4. ^ The Riverside Shakespeare: Second Edition. Boston: Houghton Mifflin Company‚ 1997‚ 845. 5. ^ Elliott‚ John R. "History and Tragedy in Richard II"Studies in English Literature‚ 1500–1900‚ Vol. 8‚ No. 2‚ Elizabethan and Jacobean Drama (Spring‚ 1968)‚ 253–271. 6. ^ Richmond
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The crowning of Richard III marks the turning point from his rise into power to his demise. Up until he becomes king‚ Richard is the underdog albeit‚ a ruthless and evil one. Thus far‚ the entire play has been focused on Richard’s attempts to assume power and seize the throne. However‚ once he becomes crowned King Richard‚ the focus of the play shifts to Richard’s attempts to maintain power and hold the throne. Essentially‚ the challenge for Richard is no longer gaining power‚ but
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