"Rick Deckard" Essays and Research Papers

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    Blade Runner

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    engaging her in a relationship be the equivalent of bestiality? -- Reviewer from Hell “Blade Runner” is a very good movie and raises many interesting questions concerning human questions of personhood. The movie follows the rough police officer Deckard‚ who is a blade runner‚ his main mission is to hunt down and eliminate the replicates who had hijacked an earth-bound ship. The movie raises five particular philosophical questions. First it asks us “What does it mean to be human?” Does this mean

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    When Deckard exterminated Irmgard Baty‚ Roy Baty erupted out “a cry of anguish” (Dick 205). Although Roy Baty was an android and should have been incapable of expressing empathy‚ his agony revealed that androids could express passionate feeling. When Rosen discussed the killing of Pris Stratton with Deckard‚ she felt “empathy” or something similar “Toward this Pris android” [sic] (Dick 175). Rosen seemed

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    Character Notes Rick Deckard Rick Deckard is a “Blade Runner”‚ a special agent in the Los Angeles police department employed to hunt down and “retire” replicants‚ played by Harrison ford. He is a hard-boiled sort of character meaning he is dominated by an over riding cynicism and a generally fearless composure combined with great strength and skill. He is the engine behind which the audience can place their faith in for humanity‚ as they watch how he reacts to the replicants‚ in particular

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    BUSH FIRE A FEW YEARS AGO. TONGA RADIO SAID TU’IMALILA’S CARCASS WOULD BE SENT TO THE AUCKLAND MUSEUM IN NEW ZEALAND. Reuters‚ 1966 ONE A merry little surge of electricity piped by automatic alarm from the mood organ beside his bed awakened Rick Deckard. Surprised — it always surprised him to find himself awake without prior notice — he rose from the bed‚ stood up in his multicolored pajamas‚ and stretched. Now‚ in her bed‚ his wife Iran opened her gray‚ unmerry eyes‚ blinked‚ then groaned and

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    the differences that have been shown. The theme of empathy throughout both texts has been shown through two different characters causing the effect to change. Rick Deckard has the hero sort of sign through human’s eyes throughout the novel whereas Roy Batty has the hero symbol in a replicants eyes throughout the film. The motivation for Deckard in the novel is to buy a real animal‚ playing on his want and needs‚ which is also a sign of empathy. Having this motive shows the selfish side of people and

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    A major change in the plot is Deckard’s development of a romantic relationship with Rachel‚ an android. In the novel‚ Deckard falls in love with Rachel and they have sex. Rachel is not in love with him‚ but uses sex as a tool to keep Deckard away from her android friends. She eventually tells Deckard that she had slept with many bounty hunters to protect her friends‚ but Deckard maintains his android killing role (although he cannot bring himself to kill Rachel). This relationship is extremely romanticized

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    The more technologically advanced the androids are built‚ the more they understand and disagree with being treated as slaves. Consequently‚ many androids begin to illegally escape to Earth and attempt to pose as humans. Bounty hunters‚ such as Rick Deckard‚ hunt down the androids to “retir[e] —i.e.‚ kill —” (31) them. To test whether

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    Anthropomorphism Affects Empathy Towards Robots‚ the researchers conclude that people are more likely to empathize with robots that look more human than with mechanical-looking robots. This reaffirms the view that empathy acts as a uniting force amongst humans; Deckard refers to androids as “a solitary predator” (Dick 11). However‚ with the advanced technology depicted in the book‚ humans venture further from humanity constantly. They utilize the Penfield Mood Organ‚ which allows them to program and change their

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    Aristotle In Blade Runner

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    fade. Deckard undergoes a process of own-dehumanization by purging the infected society of the ‘higher’ beings. Whilst on the other hand‚ Roy Batty‚ in his quest to perpetuate life‚ raging against the dying of the light‚ evolves from a ‘senseless’ machine to reaching a quasi-divine condition‚ he was hindered from by his own nature. Concerning Aristotle’s notions of ‘recognition’ and ‘reversal‚’ the audience‚ thanks to clues insinuated throughout the film‚ eventually recognizes that Deckard himself

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    the humans in the context of the narrative. The omission of certain parts of the original narrative in turn eliminates certain characters and central concerns from the film adaptation. Thus‚ the social characterisation of the main protagonist‚ Rick Deckard is altered and Scott’s interpretation is directed at the vulnerability and maltreatment of the replicants. A great deal of the narrative orientation is omitted‚ including the establishment of the “mood organ” and Deckard’s wife‚ Iran. The complete

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