Side 6 af 8 sider c Beskriv kort skytten Mellors’ sprog i nedenstaende romanuddrag. Underbyg din besvarelse med eksempler fra teksten. Skriv dit svar pa dansk. Connie er gift med den adelige Lord Chatterley‚ men hun har et ka:rlighedsforhold til skytten Mellors. I uddraget nedenfor er Connie og hendes soster Hilda besog hos Mellors. Det er forste gang Hilda moder Mellors. pa "Do sit down‚ Hilda‚" said Connie. "Do!" he [Mellors] said. "Can I make you tea or anything‚ or will you
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Frankenstein’s Female Perspective The story of doctor Frankenstein and the creation of his monster has been a long time classic. Mary Shelley put a great deal of effort throughout the story to awaken certain responses and feelings out of her readers. Anne K. Mellor is one reader who was effected so much she wrote a response in a critical essay called Possessing Nature: The Female in Frankenstein. Mellor’s main focus of criticism was Shelley’s choice of creating solely a male monster‚ and doctor Frankenstein’s
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Clifford have a great love for the other‚ they seam to be just friends who live together. The idea of a strictly physical love is shown briefly through Mellors and his marriage to his first wife. Though the two had a stable marriage based on physical love‚ it eventually deteriorated to the point of them living separately. Bertha rejected Mellors when he started to show tenderness towards her. Both examples are used by Lawrence to justify that though some marriages/relationships start out well‚
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How can a feminist reading of ’Lady Chatter-ley’s Lover’ illuminate Lawrence’s depiction of men and women? ’Lady Chatterley’s Lover’ is renowned for its supposed obscenity and daring nature. Perhaps this obscenity is necessary in exploring Lawrence’s message of female liberation as our protagonist escapes her loveless marriage. Yet‚ through feminist interpretation‚ it may be viewed that this freedom is no more than Lady Chatterley jumping from one gender constraint to another and so women are portrayed
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The first portion of this reading is an excerpt from Frankenstein by Mary Shelley‚ in this excerpt the author tells the story of Frankenstein and the creation of his monster that did not end the way he had dreamed of. This excerpt begins with Frankenstein deciding that he wanted to create a brand-new living species and went to work right away to bring a dead corpse alive and to achieve this dream. He worked on this project on his own‚ secluded from all people. Because of the strenuous hours put into
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SUBMITTED BY KIFAYATULLAH (M.Phil) RESEARCH SUPERVISOR Dr. Ibrahim Khattak Department of English & Applied Linguistics Qurtuba University Of Science & Information Technology Peshawar
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very young at the time‚ and she never fully recovered from her grief. In her novel on Mary Shelley‚ Anne Mellor writes‚ "Her frequent brushes with death the losses of four children‚ of her husband‚ and of [friends]-- left her fatalistic and chronically depressed‚ excessively anxious for [her son’s] health and welfare‚ and prone to an intense loneliness which she felt unable to alleviate" (Mellor 183). In a way‚ this work is so central to her life because she produced it when she was in the prime of
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Gothic Form. Pennsylvania State University Press‚ 1989 Ingold‚ Tim. Companion Encyclopedia of Anthropology. New York: Taylor & Francis‚ 1994. Print. Loveridge‚ Mark. Another Monster in Frankenstein? Notes and Queries. 1990. Web. 10 Apr. 2012. Mellor‚ Anne K. Making a Monster. Mary Shelley: Her Life‚ Her Fiction‚ Her Monsters. Methuen‚ 1988 Shelley‚ Mary. Frankenstein. New York: Kaplan‚ 2011.
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a technological society" (Mellor‚ 1988:38). The interesting thing about Frankenstein is that there can be multiple readings of the text. It can be seen as a conservative criticism of science‚ a Promethean belief of the unlimited progress of science‚ the feminist anti-female principle angle to the story‚ even a religion versus science story. What I will explore through this essay is each of
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York: AMS Press‚ 1989. 15 - 30. "Aspects of Coleridge ’s Distinction Between Reason and Understanding‚" Coleridge ’s Visionary Languages: Essays in Honour of J: B: Beer. Eds. Tim Fulford and Morton D. Paley. Cambridge: D: S: Bremer. 1993. 165 - 180. Mellor‚ Anne K. English Romantic Irony. London: Methuen‚ 1980. Mileur‚ Jean-Pierre. Vision and Revisions: Coleridge ’s Art of Immanence. Berkeley: University of California Press‚ 1982. "Deconstruction as Imagination and Method‚" Coleridge ’s Theory of Imagination
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