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    Browning

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    Childe Roland to the Dark Tower Came Posted on February 18‚ 2013 by Bryan Scalici Childe Roland to the Dark Tower Came I would like to comment on how Browning characterizes Roland’s past in “Childe Roland to the Dark Tower Came”. As he travels the ridiculously bleak landscape leading to the Dark Tower‚ the only living thing he encounters is an emaciated demon horse. Roland‚ already downtrodden by the setting‚ sees this horse and feels simultaneous pity and hatred‚ and comes to point where he needs

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    Robert Frost‚ “Out‚Out—“ 1. In line 15‚ Frost describes the saw as being sinister. He infers that the saw has a mind of its own‚ by stating that the saw jumped out of the boy’s hand and cut the boy’s hand terribly. Frost also makes it seem as if the saw is in a way‚ like a friend. He does this by demonstrating that using the saw is an advantage for the boy because it is making his job ten times easier. Without the saw‚ the boy would spend hours cutting through the wood. 2. In Frost’s poem

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    ‘Porphyria’s Lover’ by Robert Browning As A Dramatic Monologue: Dramatic Monologue: The Dramatic Monologue was a popular form of poetry in Robert Browning’s time. It is a form of writing in which the speaker in the poem is a dramatized imaginary character. The monologue is cast in the form of a speech addressed to a silent listener. Its aim is character study or psycho-analysi. In a dramatic monologue‚ the person who speaks is made to reveal himself and the motives that impelled him at some crisis

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    The Laboratory by Robert Browning & Macbeth (Act 1) Similarities Both texts are loosely based on real life events. The characters in both texts are anticipating a murder that they will commit. They both lust for something and are extremely excited about the prospect. “may pour my spirits into thine ear” and “unsex me” ~ Lady Macbeth will do anything to become queen even if she says free me from all my femininity so I can become a murderer. “wild” ~ cannot control her excitement and cannot

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    through the masterful use of poetic devices and language Browning is able to create two living and breathing characters in sixty or less lines. When one examines these works one has to that they are quite the achievements for they not only display the persona ’s of two distinct men but also when compared show large differences while dealing with essentially the same subject. A brief examination of the structural aspects of "Porphyria ’s Lover" is needed before further analysis is done. One can

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    Explication Of: My Last Duchess‚ By Robert Browning The situation- This poem tells a story of a man that is paranoid about his wife and how much he admires her. This is a narrative poem. The poem’s expresses a mood of desperation and the character is worried. The speaker is the Duke of Ferrara and the poet is speaker through the Duke and telling us a story. The tone of the poem is anger and love. He admires her sculptures but also is angery at her because he suspects her of cheating. The structure-

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    Bishop

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    ELIZABETH BISHOP. T.S. Eliot once said that genuine poetry can communicate before it is understood. I feel that this is true of Bishop’s poetry. Elizabeth Bishop is unlike any of the other poets I have studied. Her poetry is deeply emotional and confessional and many of her sources of inspiration are quite unusual. However‚ there is no doubt that she is a talented poet and I really enjoyed studying her poetry. Bishop experienced great loss during her life. This grief is evident throughout her

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    instead of men. However in people`s opinions and minds‚ wives have a lesser value than husbands in everywhere. Of course in the poem “My Last Duchess” by Robert Browning‚ the speaker also considers his wife is just a woman whom needs to be quiet all the time. The poem begins with him drawing the attention of the person whom he is talking to‚ who‚ asks about the smile of the last duchess in the portrait‚ is silent during the entire poem. Since the move of a Browning dramatic monologue is psychological

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    Essay Bishop

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    draft‚ and not a final copy; therefore‚ it does not have page numbers and cannot be quoted in future publications. The published version of the essay is in the following book available in print and online versions in the Seneca library: Elizabeth Bishop in the 21st Century: Reading the New Editions. Eds. Cleghorn‚ Hicok‚ Travisano. Charlottesville and London: University of Virginia Press‚ June 2012. Part II (of the 4 part book with 17 essays by different people) Crossing Continents: Self‚ Politics

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    The Apology

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    “The Apology” by Plato Summary Plato’s “The Apology” is the speech Socrates makes at a trial in which he is accused with not recognizing the gods recognized by the state‚ inventing new deities‚ and corrupting the youth of Athens. Despite its title‚ however‚ the speech is not an “apology”. The word “apology” comes from the Greek word “apologia” which means a defense‚ or a speech made in defense. It can then be inferred that Socrates is not apologizing for his “wrongdoings”‚ but is instead defending

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