Techniques for Prose Analysis Assumptions of close-reading prose: 1. Writing style is itself an expression of philosophy; or‚ to put it another way‚ form contains ideas 2. The formal aspects of writing - diction‚ sentence structure etc. - may work against the literal sense of the writing - or enhance it. 3. The subtleties of connotation and diction form a layer of meaning which is additional to the surface meaning of the text. 4. Every prose text comes with a host of expections - of genre‚ writing
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How did Charlemagne Build and Govern his Empire? Charlemagne was one of the most successful rulers of his time period. How did he build and govern his empire the way he did? He used a combination of his personal charisma and intelligence‚ the feudal system‚ the Church‚ and war in order to create the greatest Empire since the time of the Romans. His dislike of corruption‚ and his power in battle all contributed to his success as Emperor. Charlemagne himself was the key to his own success. He himself
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Critic Roland Barthes said‚ “Literature is the question minus the answer.” Literature is the question minus the answer is exactly accurate way to describe what literature. Literature is the question minus the answer is saying that literature doesn’t come straight out and give you direct answers it is more complex use literary elements to give the answers so you have to work more on and think more complex than if you were reading a normal book. Ralph Ellison the author of Invisible Man uses his literary
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”2 The control the words of critics had over art is gone and viewers are able to let their unconscious decide what art is. Nothing can better explain the place of the critic with this new art as Roland Barthes’s essay title does: post-modern art has brought “The Death of the Author.” In his essay Barthes explains how in
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reader’s role in creating the meaning and experience of a literary work‚ modern reader-response criticism began in the 1960s and ’70s‚ particularly in America and Germany‚ in work by Norman Holland‚ Stanley Fish‚ Wolfgang Iser‚ Hans-Robert Jauss‚ Roland Barthes‚ and others. Important predecessors were I. A. Richards‚ who in 1929 analyzed a group of Cambridge undergraduates’ misreadings; Louise Rosenblatt‚ who‚ in Literature as Exploration (1938)‚ argued that it is important for the teacher to avoid imposing
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Modifying the Story Summer Solstice through the Screenplay Entitled “Tatarin” A Partial Thesis Presented To Mrs. Evelyn S. Agato In Partial Fulfillment of the Subject RD 100 - Research Design Leader Divine Angeline Leaño Members Erinn Chua Jan Erik Miras Jamie Robertson San Juan Clarissa Tan Cherryl Tolentino October 2011 Department of Media Studies College of Arts and Sciences Trinity University of Asia Abstract The purpose of this thesis is to come up with a clear
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Deconstructing Authorship In his first paragraph Barthes uses Balzac’s Sarrasine’s castrato character’s inner voice to examine who’s really doing the talking in a written work‚ since there are layers of meaning in the identity within the particular quote. One of my favorite aspects of post-modernist literature is its playfulness with the notion of authorship and recursive identity within a given work. John Barth’s "Giles Goat Boy‚" a favorite and seminal work for me‚ starts with a forward deliberately
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CHAPTER 1 The concept of ‘Postmodernism’- A Theoretical Approach It is a cliché by now to say that we live in a postmodern world‚ and it is true that the word ’postmodern’ has become one of the most used‚ and abused‚ words in the language. Still‚ it is striking that not many people can say with assurance what this term actually means and involves. Some theorists suggest that ‘postmodernism’ refers to a mood or an attitude of mind‚ others define it as a literary‚ cultural
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How does desire disrupt the representation of unified identity in John Ford’s ‘Tis Pity She’s a Whore? Representations of sexuality in Early Modern literature reveal a variety of attitudes‚ but they can be characterised by the ambivalence which they display towards the subject of desire and its consequences for the self. The destructive potential of desire is revealed in John Ford’s Tis Pity She’s A Whore‚ widely considered to be one of the most radical works of Jacobean theatre‚ not only for
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Carol Payne‚ an associate professor of history and photography theories at Carleton University‚ wrote an article titled “How Shall We Use These Gifts?” Imaging the Land in the National Film Board of Canada’s Still Photography Division‚ in 2007. Her article was written to examine photographs and photo-essays that were produced by the National Film Board of Canada’s Still Photography Division‚ during the 1950s and 1960s. The images reflect Canadian landscapes and natural resources. These images
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