came under attack from a new wave of predominantly French intellectuals such as the philosopher and historian Michel Foucault‚ the philosopher and social commentatorJacques Derrida‚ the Marxist philosopher Louis Althusser‚ and the literary critic Roland Barthes.[2] Though elements of their work necessarily relate to
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Photography was introduced in 1839. From 1839 to now‚ photography is improving a lot and affect the world in many ways. In science way‚ we can see the improve of photography to help a lot of ways to discover the things we do not know‚ such as astronomy‚ etc. In science‚ we can use the camera and telescope to capture the thing what is in a Thousands of light years. In 1840‚ John William Draper‚ the Professor of Chemistry‚ who captured the first photograph of the moon and it to be the first photo of
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Langue and Parole John Phillips The distinction between the French words‚ langue (language or tongue) and parole (speech)‚ enters the vocabulary of theoretical linguistics with Ferdinand de Saussure’s Course in General Linguistics‚ which was published posthumously in 1915 after having been collocated from student notes. La langue denotes the abstract systematic principles of a language‚ without which no meaningful utterance (parole) would be possible. The Course manifests a shift from the search
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Barr‚ Kevin. "Narrative Structure in Film: ’Pulp Fiction’ & ’Citizen Kane’" Suite101.com. N.p.‚ 8 Feb. 2011. Web. 27 Oct. 2012. . Summary: The article "Narrative Structure in Film: ’Pulp Fiction’ & ’Citizen Kane’” from Suite101.com by Kevin Barr evaluates the directing style of Quentin Tarantino in Pulp Fiction by delving into the reasons behind the unconventional narrative style (linear vs. fractured narrative). As such with how Vincent is shot dead by Butch‚ but returns on-screen a few scenes
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Techniques for Prose Analysis Assumptions of close-reading prose: 1. Writing style is itself an expression of philosophy; or‚ to put it another way‚ form contains ideas 2. The formal aspects of writing - diction‚ sentence structure etc. - may work against the literal sense of the writing - or enhance it. 3. The subtleties of connotation and diction form a layer of meaning which is additional to the surface meaning of the text. 4. Every prose text comes with a host of expections - of genre‚ writing
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Critic Roland Barthes said‚ “Literature is the question minus the answer.” Literature is the question minus the answer is exactly accurate way to describe what literature. Literature is the question minus the answer is saying that literature doesn’t come straight out and give you direct answers it is more complex use literary elements to give the answers so you have to work more on and think more complex than if you were reading a normal book. Ralph Ellison the author of Invisible Man uses his literary
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”2 The control the words of critics had over art is gone and viewers are able to let their unconscious decide what art is. Nothing can better explain the place of the critic with this new art as Roland Barthes’s essay title does: post-modern art has brought “The Death of the Author.” In his essay Barthes explains how in
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reader’s role in creating the meaning and experience of a literary work‚ modern reader-response criticism began in the 1960s and ’70s‚ particularly in America and Germany‚ in work by Norman Holland‚ Stanley Fish‚ Wolfgang Iser‚ Hans-Robert Jauss‚ Roland Barthes‚ and others. Important predecessors were I. A. Richards‚ who in 1929 analyzed a group of Cambridge undergraduates’ misreadings; Louise Rosenblatt‚ who‚ in Literature as Exploration (1938)‚ argued that it is important for the teacher to avoid imposing
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Modifying the Story Summer Solstice through the Screenplay Entitled “Tatarin” A Partial Thesis Presented To Mrs. Evelyn S. Agato In Partial Fulfillment of the Subject RD 100 - Research Design Leader Divine Angeline Leaño Members Erinn Chua Jan Erik Miras Jamie Robertson San Juan Clarissa Tan Cherryl Tolentino October 2011 Department of Media Studies College of Arts and Sciences Trinity University of Asia Abstract The purpose of this thesis is to come up with a clear
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Deconstructing Authorship In his first paragraph Barthes uses Balzac’s Sarrasine’s castrato character’s inner voice to examine who’s really doing the talking in a written work‚ since there are layers of meaning in the identity within the particular quote. One of my favorite aspects of post-modernist literature is its playfulness with the notion of authorship and recursive identity within a given work. John Barth’s "Giles Goat Boy‚" a favorite and seminal work for me‚ starts with a forward deliberately
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