Introduction: In Greek plays‚ the chorus invariably adds complexity and depth to the play and the message it is trying to portray. However to say that the chorus hinders or impedes our understanding of the play is a grievous inaccuracy. Just because an element adds to the complexity of the play‚ it does not necessarily mean that it would detract the audience’s understanding of the play. In this instance the opposite in true of the chorus. The role of chorus as shown in Sophocles’ Oedipus King the
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In “Medea” by Euripides‚ the chorus plays many roles in the formation of the play. In this case it starts by showing a group of women as the chorus‚ which was unusual at that time it was written. In the play‚ “Medea”‚ the tragic hero faces many challenges and inner struggles‚ that expose her to certain situations‚ that were either caused by her actions or fate. Throughout the play the chorus serves as a “confidante” for Medea; the strength of their relationship is express through the support‚ sympathy
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Aeschylus- Agamemnon Characters- The Watchman Clytaemnestra The Herald Agamemnon Cassandra Aegisthus The Chorus 1). The Watchman: The watchman sets the time and place for the play (Agamemnon’s palace in Argos‚ the house of Atreus); he describes the many miserable nights he has spent on the rooftop of the palace watching for the signal fires that will herald the
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| Aeschylus’ Oresteia: Agamemnon | Close Reading Essay| | | “Now you pass judgment! Exile from this land‚ the hatred of the people‚ public curses. But him! What charges did you ever bring against him? For all he cared he might as well have been killing an animal. Oh‚ he had plenty of sheep to choose from‚ but he sacrificed his own child‚ my labor of love‚ to charm away the cruel storm-winds of Thrace. He was the one you should have banished from this land‚ as punishment
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A chorus in a Greek tragedy is fundamental however in modern plays it is no longer a crucial element. The chorus consists of a small group of people‚ usually between twelve and fifteen‚ who account the events of the play‚ and foreshadow its development. They are meant to act as a character but are positioned away from the main action. As a character‚ the chorus has many functions; it interacts with other characters‚ and gives its opinion on the situations without regard to the chance of their opinion
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marrying another woman and abandoning her. Like most Greek plays‚ the chorus is used to guide the audience’s opinions and feelings. Euripides uses the chorus to influence the audience’s the perception and sympathy of Medea throughout the play. In the play‚ the chorus‚ consisting of a group of Corinthian women‚ originally supports Medea’s desire for revenge‚ but its view changes as the play progresses. At the beginning of the play‚ the chorus supports Medea due to the unequal treatment of women in society
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authors that discuss the role of women in Greek Society. Women hold traditional Greek roles in society taking on the role as wife and mother. These roles are generally viewed as subordinate roles to men in Greek times. This can be seen through the poetry of Sappho. It can be argued that women also hold very powerful negative or positive roles in Greek society. This can be seen in the works of Aeychlus and Homer. Sappho is a poet who portrays the women as having traditioal roles in Greek society where
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Aeschylus’ Agamemnon and Sophocles’ Oedipus the King are considered as the best written tragedies that we have from the two great playwrights. These two plays have their plot constructed under Aristotle’s guidelines of a successful tragedy‚ and therefore are taught in many literature and classics classes as great examples of Greek drama. The plays contain some major similarities as well as differences in their method of plot progression‚ which comes from the slight difference of their understanding
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Hamlet and Agamemnon are two extraordinary and timeless plays. Both plays deal with the big themes of love‚ loss‚ pride‚ the abuse of power and the fraught relationships between men and gods. Hamlet and Agamemnon‚ the protagonist of the plays that were named after them‚ are two tragic heroes that commit some terrible crime without realizing how foolish and arrogant they have been. Both protagonist are of higher status‚ and have power. However‚ Hamlet is more tragic than Agamemnon‚ for several reasons
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Antigone By Sophocles; translated by Ian Johnston Dramatis Personae (Fill in relationship information for each character listed.) ANTIGONE: ________________________ ISMENE: ______________________________ CREON: ____________________________ EURYDICE: ___________________________ HAEMON: __________________________ TEIRESIAS: ___________________________ Polynieces: __________________________ Eteocles: ______________________________ Oedipus: Father of Antigone‚ Ismene‚ Polynices
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