ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol.2.S.1.‚2015 THE ROLE OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through
Premium T. S. Eliot
southern Greece’s Peloponnesian Peninsula. Religion‚ politics and popular culture all play a part in understanding Lysistrata‚ a play that was written to explain the ending of this war. In the play‚ gods and goddesses are referenced constantly and the people did what they had to do to make the gods happy. In Athens;
Premium Athens Parthenon
World Civilization 1 Lysistrata When Aristophanes wrote Lysistrata he gave a new perspective on the role women played in Greece. He empowered women during a time when women had very little say in society. Of course strictly fictional‚ Aristophanes writes about how women could end the Peloponnesian war. After years of war‚ Lysistrata comes up with a plan to bring peace. Through her knowledge and wit she rallies the women from Greece to deploy her plan. Lysistrata stays calm in heated arguments
Premium Classical Athens Ancient Greece Sparta
Recently I had the opportunity to attend to a Greek comedy called the lysistrata at Whatcom Community College. The show really connected to similar themes in our curicculum of IDS 161. In the opening scene of Lysistrata‚ it enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this clichéd‚ housewife character. Lysistrata is not only angered because the women won’t prioritize war and the peace of their country‚ but she is ashamed that the
Premium Woman Classical Athens Gender
Monica Wojciechowski Dr. Luttrell Lysistrata Discussion Paper Feminism in Ancient Greece did not exist. Women were simply seen as dumb and inferior human beings who live to serve the hardworking intelligent men. In Lysistrata‚ in trying to satirize women fighting for the end of the Peloponnesian War‚ Aristophanes actually underscores the prevalence of sexism in his society. To the casual reader‚ Lysistrata is seen as an Ancient Greek feminist manifesto‚ however in reality it
Premium Comedy Ancient Greece Gender
The Role of the Chorus in Medea An important element in ancient Greek tragedies is the chorus‚ a near constant presence that typically played little to no role in the events that take place in the plays. In Medea‚ this idea stands true. The Chorus in Medea consists of Corinthian women‚ who mostly just lament the horrific things that are happening throughout the play. Euripides‚ the creator of the tragedy‚ seems to use the Chorus as an outside perspective‚ using them to illustrate his themes. The
Premium Tragedy Euripides Theatre of ancient Greece
The Chorus influences our response to Medea and her actions in both a positive and negative manner. The Chorus‚ a body of approximately fifteen Corinthian women who associate the audience with the actors‚ is able to persuade and govern us indirectly through sympathy for what has been done to Medea‚ a princess of Colchis and the victim of her husband’s betrayal of love for another woman. The Chorus also lead us to through sympathy for Medea to accept her decision of taking revenge on princess Glauce
Premium Medea KILL Jason
Lysistrata “There is no beast as shameless as a woman” Aristophanes was a craft comedy poet in the fourth century B.C. during the time of the Peloponnesian War. Aristophanes’ usual style was to be satirical‚ and suggesting the eccentric. The most absurd and humorous of Aristophanes’ comedies are those in which the main characters‚ the heroes of the story‚ are women. Smart women. One of the most famous of Aristophanes’ comedies portraying powerfully capable
Premium Peloponnesian War Classical Athens Ancient Greece
Lysistrata Characters: Lysistrata - Lysistrata is an Athenian woman who is sick and tired of war and the treatment of women in Athens. Lysistrata gathers the women of Sparta and Athens together to solve these social ills and finds success and power in her quest. Lysistrata is the least feminine of the women from either Athens or Sparta‚ and her masculinity helps her gain respect among the men. Cleonice- is the next-door neighbor of Lysistrata and is the first to show up at Lysistrata’s meeting
Premium Sparta Gender Woman
(Della Gatta). Remarkably then‚ Antigone and Lysistrata both feature strong and assertive titular heroines‚ despite the androcentric culture in which they were were conceived and performed. Rather than challenging the patriarchal organization of society‚ however‚ these plays reinforce the slanted male characterization of women as inferior because men performed all of the roles and because Sophocles and Aristophanes wrote their plays for an entirely
Premium Gender Woman Ancient Greece