living and not with the breathless dead. As Antigone prepares to be taken to her “rockbound prison‚” she surrenders her resolute façade and reveals her vulnerable‚ humbled side as she feels estranged and doomed as an outcast forever from her loved ones and society as whole (939). Antigone begins calling out to her city saying “O you mock me!” personifying Thebes‚ giving the city power over herself; power to judge her transgressions (930). Antigone uses many apostrophes as she calls out to Thebes
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Cicero’s definition of duty is a term in which in this course‚ is far reached than what we would have ever thought duty would stand for. Defining duty can be said to be a commitment or obligation to someone or something that causes them to pursue a certain action. Duty is split into two parts which consist of dealing with what is the “supreme” good and second‚ practicing rules which are strictly regulated in all means of daily life. Another classification of duties are duties which are middle or complete
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The Themes of Antigone Antigone is credited as one of the best works of Sophocles‚ ranked by most modern critics above Oedipus the King. There are many aspects of Antigone that make it the play critics love to ramble about. "Antigone must be received as the canon of ancient tragedy: no tragedy of antiquity that we possess approaches it in pure idealism‚ or in harmony of artistic development" says one critic named Berhardy. Tragedy is usually concerned with a person of great stature‚ a king
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follow whether good or bad are can only be blamed on us. Sophocles’s Antigone portrays human emotions and consequences that follow two distinct choices. We can broaden the spectrum by saying that Creon represents public policy and Antigone represents individual conscience. According to E.S. Shuckburgh we must examine which is more important “state law or divine conscience”. (Shuckburgh xviii) Antigone is a story about two people who choose to make choices that each are passionate
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The Excitement of Antigone Sophocles manages to make internal events as exciting as external events in the play Antigone. Family and religion are sensitive subjects to this day and increase the excitement of events that wouldn’t be exciting otherwise. By emphasizing family affairs and religious beliefs‚ Sophocles makes internal and psychological dealings as exciting as they would be given external sources. The struggle between people is intensified when there are family relations and brings
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someone they see as inferior to them‚ they usually feel obliged to preserve their power through displaying their dominance. Thus‚ when Creon‚ in Sophocles’ Antigone‚ is disobeyed by a woman‚ he feels the need to inflict punishment to not only her‚ but also the people connected to her. Throughout Scene II‚ although Creon is notified that Antigone was the caught trying to bury her brother‚ he seems to be doubtful of the possibility. Even when she is questioned and “den[ies] nothing‚” he does not
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Samantha Albert Mr. Jordan Antigone Fear/ Pity Fear and Pity Shown in Antigone The Greek Philosopher Aristotle defined tragedy as a form of drama that evokes fear and pity in the audience. The tragic play Antigone conflicts that definition because although pity is evoked throughout the play‚ modern audiences have difficulty experiencing fear because they fail to acknowledge the role fate plays in their everyday lives. At the end of
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During ancient Greece men and women had many differences when it came to roles in the society. Men and women were not even close to being on the same level as each other. Men had all of the power‚ and women had no power and were given very little respect; they could not vote or own land. A woman’s place was in the household‚ and their main role was to produce young. With this information we can see how Antigone being a women affects the way Creon treats her. Creon is a fair but strict ruler. He
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Questions of Antigone What is Antigone‚ in the Phenomenology of Spirit‚ doing for Hegel? What point does the tragedy help to articulate? Essentially‚ Antigone serves to illustrate the dissolution of the Ethical World‚ the Sittlichkeit of ancient Greece‚ the first manifestation of Spirit proper. But how exactly does this work? When we unpack the role of Antigone in the Phenomenology questions and ambiguities emerge. Does Hegel choose sides in the conflict between Antigone and Creon? Is Antigone an individual
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Women Vs. Men * Ismene is for the submissive role of women‚ quote on page 4 * On page 13 Creon talks about taming Antigone. Antigone needs to be tamed because women are supposed to be submissive and Creon’s ability to rule is in his ability to have everyone‚ especially women submissive. * On page 14‚ Creon’s comment about snakes suggests that women are snake like in nature‚ with a manipulative duplicity to their nature. He suggests that women hide their evil qualities behind attractive
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