The Arnolfini Portrait‚ created by Jan van Eyck‚ is a complex oil painting that was created in 1434. It is a representational work because it references real life events‚ which in this case‚ are the marriage rituals of that day in age between husband and wife. For the very first time in history‚ van Eyck became the perfect eye-witness in the truest sense of the term. This portrait is very complex due to the fact of its iconography. It is very symbolic and has been interpreted in several‚ countless
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“A Portrait of the Artist as Filipino” Nick Joaquin Act I ”Bitoy Camacho‚ an old friend of the Marasigans‚ pays them a visit one afternoon after many years of absence. He is greeted by the two daughters of Lorenzo Marasigan‚ a famous painter‚ who in his declining years has been living in isolation and abject poverty. Recently‚ he finished his latest and perhaps last major work of art‚ a painting he entitled Portrait of the Artist as Filipino. The sisters Paula and Candida welcome Bitoy. They
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The artwork I made for this self portrait project incorporates two approaches of both collage and drawing. It shows a composition of these massive figures of me. And each of them is making a different gestures. Composition is one of the most powerful elements that contribute to build my piece. This is an asymmetrical composition because it has similar visual weights in two sides. Figures in both two sides are filled with decorate tapes‚ each of them has different pattern. They all come together
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Renaissance‚ Donatello created a sculpture of David by recreating a scene from the Bible. As time passed Michelangelo created a newer version of David that wasn’t so youthful and had more detail than Donatello’s David. Sculpting had evolved over time when Bernini finally created an elaborate David in mid-fight. All of these sculptures were acceptable in the time in which they were created but as time went by people’s preferences had changed and so had the purpose of the sculptures.
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the development of Assyrian art when sculpture was otherwise rare. Lamassu were powerfully evocative of strength‚ speed‚ and intelligence. It was considered by the Assyrians as a protective guardian of their houses‚ palaces‚ gateways‚ and cities. It also symbolized as a sign of Assyrian power which was displayed to foreign dignitaries and ambassadors. There is no historical evidence showing that Lamassu was worshipped as a god. Indeed‚ most of the sculptures were placed at gateways‚ palaces‚ underneath
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I chose option 1: The intern‚ as an intern for the Supreme Court Justice I view first hand all that is involved in the U.S. Supreme Court and their decision making. The U.S. Supreme Court is seen as the one of the highest courts‚ due to it having its own original jurisdiction in limited categories. This Court is extremely importation and it plays a huge role in society. The Supreme Court is able to have authority over any federal or state case and helps to find out whether the case is violating
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CULTURAL SELF-PORTRAIT AND REFLECTION By Manuel Chong Filipino-Chinese. That is what I am. The term “Filipino-Chinese” simply refers to a Chinese descent born and bred in the Philippines. Being a third generation Chinese in the Philippines‚ I did not grow up in a culture that is purely Chinese nor is it purely Filipino. The older generation of Filipino-Chinese is trying their best to pass on to the younger ones the traditional Chinese teachings which they acquired and learned from their ancestors
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A Portrait of the Artist As Filipino First Scene Nick Joaquin THE SCENES FIRST SCENE: The sala of Marasigan house in Intramuros. An afternoon towards the beginning of October‚ 1941. THE PEOPLE Candida and Paula Marasigan‚ Cora‚ a news photographer Spinster daughters of Don Lorenzo Susan & Violet‚vaudeville artists Pepang‚ their elder married sister Don Perico‚ a senator Manolo‚ their eldest brother Doña Loleng‚ his wife Bitoy Camacho‚ a friend of the family Patsy
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The Dynamics of Leadership Development: A Personal Leadership Portrait David Benenoch Capella University Author Note David Benenoch‚ Doctoral Learner‚ School of Public Service Leadership‚ Nonprofit Management Specialization‚ Capella University‚ Minneapolis‚ MN Correspondence concerning this article should be addressed to David Benenoch‚ Capella University‚ Minneapolis‚ MN. Contact: dbenenoch@capellauniversity.edu. Abstract This paper examines the definition of leadership
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little influence--or at least little direct influence--on the Egyptian art. The characteristic features of the art of the Old Kingdom were derived almost exclusively from the works of the Bronze Age (4500-3000 B.C.). Made in that period‚ there were sculptures of animals that were the predecessors of the statues of Egyptian gods and goddesses in the shape of animals. There were terra-cotta figures of women--probably the slaves from the African tribes--which probably were to represent the Mother Goddesses
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