In the opening scene of the modern adaptation of "Romeo and Juliet"‚ the qualities of the feuding families: The Montagues and The Capulets are successfully exposed to the audience by the use of presentational devices. The director‚ Baz Luhrmann‚ has paid deliberate attention to these areas‚ which successfully portray the rival family member’s temperaments. The use of different lighting‚ colour‚ music‚ sound effects‚ costume and make up are applied to represent the different families to show the distinction
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Baz Luhrmann’s Romeo and Juliet: A Cinematic Icon Baz Luhrmann’s rendition of William Shakespeare’s Romeo and Juliet will forever remain one of the most iconic adaptations of all time. Luhrmann’s use of bright color‚ odd scene setups and camera shots‚ interesting modifications on the original story‚ and emphasis on religious irony make the film unforgettable and add to the suspense and creativity of the film. Vivid color saturates every scene in the film from neon crosses standing in the
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Baz Luhrmann’s adaptation of the play “Romeo and Juliet” has many strengths. The elements of character‚ plot‚ and setting were all areas of strength. The characters cast in Luhrmann’s version was a strength with their similarity to the original characters in Shakespeare’s play. Luhrmann did his job by modernizing them‚ but he still kept them in ties with the play. Mercutio‚ while still being Romeo’s best friend and being related to the Prince‚ held all of his character while still portraying a realistic
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How has Baz Luhrmann made Shakespeare’s play ‘Romeo & Juliet’ accessible to a modern audience? Baz Luhrmann has made a cinematic adaptation of Shakespeare’s play “Romeo & Juliet” to make the original play easily understandable for modern audiences. He has made it more accessible by incorporating familiar locations and scenes‚ references to other works‚ genre’s and styles‚ marketing it to a teenage audience‚ the use of clever sound techniques‚ characterisation‚ and through the use of clever camerawork
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Of Being a virgin viewer of Baz Luhrmann’s Romeo and Juliet‚ I found myself dissatisfied as I began to see the famous balcony scene reveal itself on the courtyard floor. “Where is the barrier‚ the ‘stony limits’ that separates the lovers from each other?” I inquired. How could the most renowned scene of William Shakespeare’s most popular play be missing? I continued to watch in astonishment as the daring scene developed into a masterpiece. Baz Luhrmann and Franco Zeffirelli both achieved
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adaptations of ’Romeo and Juliet’‚ it is clear to see that the two directors have used a number of different techniques‚ quite differently at times‚ to put across their particular interpretations of the play. These methods and different interpretations are very obvious if one studies the same scene as portrayed in each film. We looked at Franco Zeffirelli’s 1970’s version of the play and Baz Luhrmann’s recent adaptation produced in 1996 and focused on their interpretation of the scene where Romeo and Juliet
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Baz Luhrmann transformed William Shakespeare’s play of Romeo and Juliet‚ to a fast moving‚ modern adaptation‚ the film Romeo + Juliet. Luhrmann has transformed the context‚ setting‚ costume‚ music‚ language and the themes in Romeo and Juliet. Although Luhrmann has transformed some things‚ he has redefined the love story gone wrong and made a film about the corruption in society. Luhrmann has transformed the original Shakespeare play using various film techniques and language devices‚ such as in the
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has on the viewer; in 1996 Baz Luhrmann came out with his own film version of the classic tale. Like most recreated versions he made many impactful changes that overall added to the drama at the end of the play. For example he chooses to show that the law is chasing Romeo‚ takes out the fight scene with Count Paris‚ and Romeo Drinks the poison after Juliet wakes up. The first noticeable
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Baz Luhrmann is known for having a highly individualised directing style which is often referred to as flamboyant‚ due to his lack of naturalism in his philosophy‚ being “[He] makes what [he] wants‚ how[he] wants” – Baz Luhrmann. From his debut in cinema with “Strictly Ballroom” (1992)‚ to his most recent film “The Great Gatsby” (2013)‚ Baz Luhrmann’s directoral style has evolved and adapted over his twenty four years in the industry. Luhrmann’s style of directing has been characterised by wide
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In this essay‚ I will write about the evolution of Baz Luhrmann as a director and how he has used post-modern film techniques to better portray his ideas‚ with all divides broken down in order to create something that goes against the “norms” society‚ specifically through three films. Luhrmann creates an artificial sense of naturalism by exaggerating everything‚ thereby evening out the exaggerations of all of his other depictions. The first fil that I will be writing about is “Strictly Ballroom”
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