Analysis of Romeo & Juliet‚ Act II‚ Scene II In this scene‚ Romeo climbs over a wall and ends up in front of Juliet’s room window. In Shakespeare’s version‚ Romeo is talking towards her window‚ as if talking to Juliet‚ then Juliet comes out onto the balcony and talks to herself about Romeo. In Luhrmann’s version‚ Romeo ends up next to a pool‚ which Juliet’s room overlooks. He almost falls because he is startled by the lights‚ then climbs the wall towards Juliet’s window. He sees the nurse and starts
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Hamlet; Act IV‚ Scene 6-7 Summary; Scene 6 Horatio receives a letter from hamlet. In the letter‚ he writes that the ship he was on bound for England was attacked by pirates. In the battle‚ Hamlet boarded the pirate ship‚ when the ships disengaged from battle Guildenstern and Rosencrantz continued on their way to England‚ while Hamlet was on his way back towards Denmark. To keep the pirates from keeping hamlet hostage‚ he promised them a good deed in future times. He tells Horatio to give these
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In Act 2 scene 1 Macbeth is presented as a man who is certain about his evil actions. He has no hesitation‚ and will not stop in his efforts to commit regicide. This is evident in the command ‘come‚ let me clutch thee’ as he speaks to the knife. The knife represents his evil desires and ambition‚ it also acts as a reminder for the deed he must commit. It tells us he is embracing his corrupt and malicious thoughts and the verb ‘clutch’ enforces this‚ highlighting his certainty about his actions. This
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The setting of this scene is in Manhattan‚ New York City. More specifically‚ it takes place in the office building of a prominent real estate company. Thomas Rael’s meeting room corresponds to King Lear’s round table‚ and it is here where Rael announces that he is dividing up the shares of his company. The season is winter‚ to represent the conflict that arrises between Rael and his children‚ and it is set in modern day. This allows for the integration of modern technology such as phones and cars
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Explore the ways that Shakespeare uses soliloquies to express the emotions of Romeo in the play ‘Romeo and Juliet’ Shakespeare uses many literary devices such as imagery‚ personification‚ antithesis‚ dramatic irony as well as rich vibrant adjectives and nouns‚ to make the play ‘Romeo and Juliet’ emotive and powerful. All of these are employed in the prologue as well as in soliloquies of Act 2 Scene 2 and Act 5 Scene 3 to express the emotions of Romeo. In the prologue the context of the story is
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Previously in Romeo in Juliet we discover that they are from two warring families. Juliet is a Capulet and Romeo is a Montague. They meet fall in love and get married without anyone knowing. Juliet’s cousin‚ Tybalt kills Romeos best friend‚ Mercutio. Romeo then kills Tybalt and gets banished. Juliet’s father then tries to force her to marry Paris so she fakes her death. Romeo hears that Juliet is dead and returns to Verona. The audience are drawn to the last scene because of the dramatic irony
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MACBETH..Act !‚ Scene 1 and 2. About the Play: In 1606‚ William Shakespeare wrote a play‚ Macbeth‚ which has gone down in history as one of the best tragedies ever written. It is known to be the shortest and bloodiest tragedies of Shakespeare. The simplest way of explaining the plot would be to say that it is a story of a man urged by his wife‚ and foretold by prophesy‚ to commit murder in order to gain power….a plan which fails‚ with tragic consequences. But more specifically‚ it is a classic
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Initially‚ in Act I of Romeo and Juliet‚ Romeo’s language is more infatuated and distressed‚ but after he meets Juliet in Act II‚ his language alters and becomes more lighthearted and mature. In Act I of Romeo and Juliet‚ Romeo is fantasizing about a girl named Rosaline. He perceives her as extremely gorgeous and also thinks he is in love with her. However‚ he has never spoken to her. As a result‚ Romeo is being melodramatic about many things. His speech pattern is more poetic and is centered around
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Original Text | Modern Text | | Enter ANTONIO‚ SALARINO‚ and SOLANIO | ANTONIO‚ SALARINO‚ and SOLANIO enter. | 5 | ANTONIOIn sooth‚ I know not why I am so sad.It wearies me; you say it wearies you.But how I caught it‚ found it‚ or came by it‚What stuff ’tis made of‚ whereof it is born‚I am to learn.And such a want-wit sadness makes of me‚That I have much ado to know myself. | ANTONIOTo be honest‚ I don’t know why I’m so sad. I’m tired of it‚ and you say you’re tired of it too. But I have
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As the pair approach the performance‚ Solonia begins to understand Allessandro’s awe of the puppet master Sergius‚ for unlike the family’s performance‚ what she sees now seems a spectacle‚ and the squeeze of people who are gamboling to get to the stage front before the show commences‚ verifies that his is a respected one. She takes note that the staging is more professional‚ and the area surrounding it resembling a small arena rather than the curbside wagon which allessandro and family works from
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