Scene 4: Conflict Act 4: Setting: Classroom Characters: Lorraine‚ James‚ Esmeralda‚ Classmates‚ Teacher Lorraine - Narration: My conflict with my friends left me unwanted‚ all alone. But still at least I have James who really cares for me. No one will ever break us apart. Note: Esmeralda should be near James (Teacher Enters) Teacher: Good morning Class! Classmates: Good morning Teacher! *class sits down* Teacher: So‚ you have a new classmate who just transfered here from Paco Catholic
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In Act 2‚ Scene 6 of Mandragola by Machiavelli‚ Ligurio‚ Nicai‚ and Calimaco are discussing how convince Luzeria to ingest the Mandragola and sleep with another man. They decide that the Luzeria’s confessor‚ Frate Timoteo‚ would be the best way to persuade Luzeria. Further‚ when Calimaco ask “Who’ll dispose the confessor?” Ligurio replies “you‚ I‚ money‚ our wickedness‚ theirs” implying that all men good‚ whether perceived or in actuality‚ and bad can be motivated by something‚ especially money.
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Macbeth’s first two soliloquies‚ at the end of Act 1 and the beginning of Act 2‚ are similar in some ways‚ and different in others. Macbeth tries to decide whether or not to kill Duncan in the first soliloquy‚ and in the second is responding to a vision of a dagger pointing to Duncan’s chamber. In his first soliloquy‚ Macbeth cannot decide whether to kill Duncan in the hope of taking his place as king. At first he thinks "If it were done when ’tis done..." hoping that after Duncan was killed‚ there
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Act 1‚ Scene 1 Roderigo‚ a wealthy Venetian‚ and Iago‚ a member of the Venetian military‚ argue. Roderigo complains that Iago is failing to help him in his courtship and is actually on the side of Othello‚ a man Roderigo despises. Iago frantically reassures him that he hates Othello and tells him that Othello failed to promote him. Instead‚ Othello promoted a man to lieutenant considered exceptionally unqualified for the position – Michael Cassio. Cassio was skilled in academics and strategy but
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Antigone Scene 1: Tone In Antigone by Sophocles‚ the character of Creon is portrayed as volatile‚ narcissistic‚ and hypocritical. All these qualities can be clearly seen in his tone during scene 1 of Antigone where Creon addresses the chorus as their king‚ and also receives new of Eteocles’ burial. His tone when addressing different parties and also his shifts in tone give the reader an invaluable insight into his personalities and goals. The scene opens with Creon addressing the chorus in his
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Of all the characters in Shakespeare’s Othello‚ none is more complex and unknown to the audience than Iago. He is portrayed by every character as an honest and trustworthy person. Yet‚ as the audience is well informed by the end of the first act‚ he appears to be quite the opposite. He’s a duplicitous character‚ honest and kind on the outside‚ but truly a pure‚ evil and malignant person on the inside. Throughout the entire play he turns all his friends‚ who trust him most‚ against each other
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In this scene‚ Tom leaves to the fire-escape and ponders on where he grew up. Amanda eventually joins Tom where they apologize and forgive each other. Tom then tells Amanda that a man named Jim O’connor is coming over for dinner tomorrow night. Amanda is absolutely ecstatic with this news‚ but she is also nervous that she will not have enough time to clean the place in time. Tom tells Amanda not to get too excited because Jim is not coming to exclusively meet Laura. Tom also says that Laura is crippled
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Section 4 Contracts Act 1950 – COMMUNICATION WHEN COMPLETE 4 (1) The communication of a proposal is complete when it comes to the knowledge of the person to whom it is made ( ie the acceptor (emphasis added)). 4(2) The communication of an acceptance is complete:- (a) As against the proposer‚ when it is put in a course of transmission to him‚ so as to be out of the power of the acceptor; and(Case Ignatius v Bell and also Byrne v Van Tienhoven) (b) As against the acceptor‚ when it comes
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Shakespeare’s Macbeth‚ violence has been entwined into every scene of the play. Likewise‚ the soliloquy from Act I Scene III is not only a self-revelation for Macbeth‚ but gives the audience a glimpse of the violence that would later occur that even scared Macbeth during this soliloquy. Additionally‚ the soliloquy gives the audience insight into Macbeth indecisive mind‚ which is an attribute that made him become a ruthless king in the end. In Act I Scene III after Macbeth received his prophecy from the witches
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Figurative Language Metaphor: In Act III‚ Scene II of Macbeth (no quotations‚ italics)‚ Shakespeare compares certain dangers that still need to be eliminated; in this case‚ Banquo and Fleance‚ to a “scorched snake”. This is a suitable comparison because a snake and a threat both portray danger and uncertainty. By specifically mentioning a “scorched snake”‚ we are able to conclude that Macbeth’s killing spree will continue throughout the play since he will never feel like he has gotten rid of his
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