History Day ideas Colonial Era • Salem Witch trials • The Stamp Act • “No taxation without representation” Revolutionary War Era • Thomas Paine • Thomas Jefferson • John Locke: right to rebellion • Adam Smith and Free Trade • Bill of Rights • Redcoats and patriots • John and Abigail Adams US to Civil War • Nat Turner’s Rebellion • Louisiana Purchase US Civil War • John Brown • Frederick Douglas
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Economic Methodology in a Nutshell Daniel M. Hausman The Journal of Economic Perspectives‚ Vol. 3‚ No. 2. (Spring‚ 1989)‚ pp. 115-127. Stable URL: http://links.jstor.org/sici?sici=0895-3309%28198921%293%3A2%3C115%3AEMIAN%3E2.0.CO%3B2-P The Journal of Economic Perspectives is currently published by American Economic Association. Your use of the JSTOR archive indicates your acceptance of JSTOR ’s Terms and Conditions of Use‚ available at http://www.jstor.org/about/terms.html. JSTOR ’s Terms
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and is recorded in sonata-allegro form. The second movement is slow and includes lyrics and is also sonata-allegro form. The third movement is dancelike and in turn slow and is a minuet and trio. The last movement‚ the fourth‚ is spirited and is a rondo form. 1 The movie starts of in Vienna‚ Austria sometime in the early 1800’s. An old and perhaps emotionally disturbed Antonio Salieri attempts suicide‚ and in doing so‚ apologizes for killing Mozart. He survives and is admitted to an insane asylum
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Romeo and Juliet: Film vs Movie The 1996 cinematic adaptation of the esteemed Shakespearean play Romeo and Juliet not only managed to modernize the classic tragedy but also clarified the message Shakespeare first offered while doing so. This was demonstrated by its Director‚ Baz Luhrmann’s‚ adaptation of Act III‚ scene i. Throughout the scene‚ Luhrmann focused on both character and plot development‚ but gave specific attention toward the creation of each character’s three dimensional personality
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company‚ but then slips up‚ admitting she knew where Curley had really went. She then begins to become more aggressive when they ask her to leave‚ saying ‘Think I don’t like to talk to somebody ever once in a while?’‚ ‘Think I like to stick in that house alla time?’ She also begins to snap back at the men and flares up‚ throwing those insults‚ calling them "bindle stiffs" and confesses again to her loneliness by asking herself why she is even talking to them. The men judge her as "a tart‚" and ample
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to have given it the title. This composition consists of three movements of which we will further examine movement II‚ Adagio Cantabile. This movement is placed in high contrast with the other two‚ particularly in tempo. It follows a five part rondo form and A B A C A structure with an 8 bar coda at the end. Section A (mm.1-16) begins with the 8 bar main theme in A♭ major with a gentle vocal-like melody in the soprano. The antecedent of the phrase hits a half cadence at m. 4 with the consequent
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On November 29th‚ 2016 I attended a symphonic band concert at the University of North Carolina at Greensboro. The performers in this symphonic band were full of students who are enrolled at UNCG. At this concert there were plenty of instruments being played such as; flute‚ oboe‚ bassoon‚ clarinet‚ saxophone‚ horn‚ trumpet‚ trombone‚ euphonium‚ tuba‚ double bass‚ piano‚ and percussion. In this specific concert there happen to be no soloist‚ the performers performed each piece of music together. The
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Charles-Camille Saint-Saëns was a Romantic composer. He was born on October 9‚ 1835 in Paris‚ France and died on December 16‚ 1921 in Algeria. Some of Saint-Saens most famous pieces are Carnival of the Animals‚ Cello Concerto‚ and Introduction and Rondo Capriccioso. Saint-Saens is most famous for playing the piano and organ. Saint-Saens mostly wrote concertante works. He was a child prodigy on the piano. His first recital was in 1846 at the age of 11. In 1855 he studied composition and the organ
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It was one of three preludes played that night by Siwon Kim‚ and it was from Debussy’s Book 2. This piece was amazingly structured combined with rondo like structure‚ following every single beat and rhythm of the music. I believe the name itself gives amazing art to the piece. It gave the concert an electrifying and satisfactory ending. The texture was structured in a homophonic way and created with
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bittersweet and abrupt‚ relying on many staccatos in the rhythm of the melodies. The dance consisted of many beautiful elongated lifts and extensions on behalf of both the man and the woman. The final couple danced to Nocturne Op. 9‚ No. 2 which uses the rondo form tenderly. Clearly‚ in a dispute‚ the couple exudes passion within the fury of their relationship. I favored this couples dance due to their layered storyline and the unique style of
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