INT. MAYA’S BEDROOM – MORNING MAYA BRADFORD is sprawled out on her bed sleeping‚ camera pans the room. Her alarm goes off‚ and she lifts her head suddenly. She looks over at her clock it says 7:00 am‚ she hits it off and smacks her face into her pillow. She looks peaceful until she hears a cry from the next room. Maya then gets up‚ sits on the edge of her bed rubbing her eyes. She makes her way to the next room. INT. BABY’S ROOM She enters the room where a tear-filled baby stands awaiting
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parents last visited before they died five years ago. The oldest brother explains his reasons for choosing the place and his siblings understand. After that‚ he arranges the tasks of researching about Christmas Island to each of his siblings. The Script: Sven: | Hey‚ I’m getting married soon. | Amy‚ Lily‚ Rose & Sam: | Really?! When?! With who?! | Sven: | Actually‚ to say the truth…My partner is a man. | Amy‚ Lily‚ Rose & Sam: | WHAT?!! | Amy: | Brother‚ are you serious? | Rose:
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From Script to Stage‚ The Function of the Director BY EZIMA VALENTINE UKOH Abstract From the very beginning of civilization‚ the theatre has helped us discover and understand ourselves and our relationship with our world‚ with others‚ and with God (or the gods.) As such‚ it is and always has been an affirming force in the world. Unlike any other art‚ the total‚ intense focus of theatre is on the human being‚ his or her existence‚ and his or her relationship with life. It is a part of human nature
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A Visit to The Wizard of Oz -5 people play script A Visit to The Wizard of Oz by Wu Hsiu-yao Cast Wu Yu-chieh: Child A‚ Scarecrow‚ and Vicky’s mother Huang Chi-ying: Vicky Yeh Chung-cheng: The Tin Woodman Chang Tun-wei: The King of Oz and Park Keeper Lai Kuan-ling: Dorothy ——————————————————————————– SCENE I (This is a park; there is a tree in the middle of the stage. There is a bush on the right hand side of the stage. Some children are on the stage. They look
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One of the strongest interpersonal skills that we have is empathy. When someone is feeling sad for a specific reason‚ it really helps to talk with someone else who has gone through the same experience. That’s why there are groups like Alcoholics Anonymous and Mothers Against Drunk Driving. People who have gone through a similar situation to yours understand the emotions that you feel and the questions that you have. Don’t get me wrong‚ other friends are good to have around to listen to you‚ but
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by using collaboration scripts. Collaboration scripts can be represented by different sciences; computer sciences‚ cognitive psychology and educational sciences. This paper describes how collaboration scripts affects learning and interaction in CSCL from the perspective of educational sciences and cognitive
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As stated by Cohn in her article " ’Endgame’: The Gospel According to Sad Sam Beckett" there is much evidence given relating to the many comparable instances between the Bible and Beckett’s "Endgame." With this interpretation as well as the discussion about the significance of the title‚ and the constant reference to the end of the world‚ it is nearly impossible to see Beckett’s "Endgame" as anything other than a post-apocalyptic tale. I found particularly interesting Cohn’s relation to Beckett’s
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ONE HELL OF A NIGHT is a supernatural horror script. It’s driven by the theme of survival. The goal for the heroine is clear and the stakes are life and death. The script uses some of the techniques that make for a successful horror tale‚ such as a contained setting (the lake house)‚ creepy noises‚ and spooky visuals‚ as well as tease attacks and gruesome murders. While there are definite strengths to the storytelling‚ the script would benefit from more development. Because there are so many similar
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Professor D English 1001 February 1st‚ 2010 Poetic analysis of To a Sad Daughter The poem‚ "To a Sad Daughter" written by Michael Ondaatje‚ sends a powerful message regarding a father ’s love‚ and his hockey idolizing daughter. Through analysis it is clear that Ondaatje does not use many overt poetic devices‚ but his subtle figurative language and specific word choice makes for an extremely effective poem. His decision to use common language and keep it simple helps to relate and understand his
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ActionScript® 3.0 for ADOBE® FLASH® PROFESSIONAL CS5 CLASSROOM IN A BOOK® The official training workbook from Adobe Systems w ww.adobepress.com ActionScript 3.0 for Adobe® Flash® Professional CS5 Classroom in a Book® © 2010 Adobe Systems Incorporated and its licensors. All rights reserved. If this guide is distributed with software that includes an end user agreement‚ this guide‚ as well as the software described in it‚ is furnished under license and may be used or copied only in accordance
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