RUSHDIE‚ SALMAN. Salman Rushdie papers‚ 1947-2008 Emory University Manuscript‚ Archives‚ and Rare Book Library Atlanta‚ GA 30322 404-727-6887 marbl@emory.edu Descriptive Summary Creator: Title: Call Number: Extent: Abstract: Language: Rushdie‚ Salman. Salman Rushdie papers‚ 1947-2008 Manuscript Collection No. 1000 106.25 linear ft. (215 boxes) and 55 oversized papers (OP) Papers of British Indian writer Salman Rushdie‚ including writings‚ correspondence‚ photographs‚ audio-visual material
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After Salman Rushdie wrote The Satanic Verses in 1988‚ the Ayatollah Khomeini placed a fatwah upon him‚ causing Rushdie to adopt a life of separation and hiding. During his hiding‚ Rushdie broke his silence with Haroun and the Sea of Stories (1990)‚ a children’s book written as a means of explaining his situation to his son‚ largely through the use of his allegory. Rushdie’s experiences with censorship appear in the novel under the guise of the Old Zone section of the Sea of Stories and the division
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Terrorism in the novel Shalimar the Clown by Salman Rushdie Postmodernism is a concept that can be defined as the direct outcome of this modern Post-Colonial world‚ a world that has been witness to mass migration‚ cross-cultural conflict and amalgamation of various cultures into a hybrid multicultural society. Terrorism‚ the unofficial use of violence and intimidation in the attempt to gain the political aims of selfishness is the main fold of Post-modernism. Salman Rushdie’s fictions borrow a lot of ideas
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Haroun and the Sea of Stories is a magical realism novel in which elements of Salman Rushdie’s imagination are put together to demonstrate the importance and significance of storytelling. Through the story‚ Rushdie conveys to the reader what his notion of good story elements are. One of these elements is a story’s ability to possess antithetical relationships. Haroun and the Sea of Stories contains many symbols alluding to the value of complementary elements of a story; these symbols also being
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Say what you mean and mean what you say; this simple phrase has been reinforced to the youth of society for years. This and the inverse can be found in a story written by Salman Rushdie. Haroun and the Sea of Stories tells the tale of the journey of a boy called Haroun and his father‚ Rashid who is a storyteller. They adventure into the hidden moon of Kahani to redeem the story-telling power of Rashid‚ which he has lost. There‚ Haroun and his father find that the moon spins in a certain way that
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Mapping Imaginary Spaces in Salman Rushdie ’s Fiction Daniela Rogobete Today everything that derives from history and from historical time must undergo a test. Neither cultures ’ nor the consciousness ’ of peoples‚ groups‚ or even individuals can escape the loss of identity that is now added to all other besetting terrors nothing and no one can avoid trial by space. (Lefebvre in Burgin‚ 1996: 23) Space and its recontextualisation‚ its metaphoric representations
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religion has only caused harm to society. Salman Rushdie wrote an article discussing how the world would benefit from not having a religion. Rushdie sends a negative message to society as he suggests eliminating religion altogether. Rushdie begins by stating his theory to the six billionth living person “How did we get here? And‚ now that we are here‚ how shall we live?” He tells the six billionth person to imagine a heaven with at least one God. Rushdie proceeds to explain the different ways of
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crowds go wild at the very mention of his name. Girls swoon each time he flashes his bare torso on screen (which is quite often). Gossip rags work overtime fishing out juicy tidbits from his personal life: a brawl here‚ an alleged affair there.... And Salman Khan keeps mum through it all. The eldest son of writer Salim Khan claims he isn’t here to please anyone‚ and doesn’t care what the world thinks of him. He hates the press and loathes the idea of answering questions. But he’s one of Hindi cinema’s
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“Americans are likely to share Rushdie’s enthusiasm for migration‚ for the ‘hybridity’ and the transformation that comes of new and expected combination of human beings and cultures.” (27-31) Scott Russell Sanders does not agree with Salman Rushdie nor does he see the positives in migrating to a new place. He develops his views by showing how society has pushes migration all throughout history and explains all the potential harm that could come to environments and species. Sanders also takes the
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Salman Rushdie’s The Satanic Verses addresses much more than the infamous controversy within Islam. It is about nationalism‚ migration‚ religion‚ postmodernism‚ politics‚ rebirth‚ hybridization‚ transformation‚ compromise‚ and Islam. However‚ the great controversy of the Satanic verses‚ as portrayed in Rushdie’s novel‚ serves as the template from which all the other issues can be examined. Ayatollah Khomeini’s fatwa‚ likewise‚ can be seen as an expected response that seems to fit the themes addressed
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