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    Communication and Dialogue

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    and ethnicity have come together to work in an organisation‚ dialogue is indeed an important way of communication. Many researches have proved the fact that differences in culture may inculcate a difference in the thinking pattern or stem into differential analysis of a situation. In an organisation where values and growth are related to each other‚ differences in opinion may lead to altercation and conflicts if not addressed well. Dialogue‚ a bidirectional flow of communication where emphasis is laid

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    Analysis of the Main Indian Characters in Orientalist Discourse in A Passage to India Abstract: E. M. Forster is one of the most outstanding British writers in the early twentieth century. His novel A Passage to India was published in 1924 and it aroused much criticism at the time. With the publication of Edward Said’s Orientalism (1978)‚ this novel has been reinterpreted from a new prospective —— Orientalist criticism. Applying Orientalist criticism‚ this paper intends to reveal Forster’s double

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    importance of Discourse and discourse community The concept of Discourse and discourse community is very important in English reading and writing. Discourses are group members’ shared “ways of being in the world” (Gee 484). According to the authors we studied‚ Porter‚ Gee‚ Swales‚ Johns and Porter‚ we willingly or unwillingly are part of many different discourse communities or Discourses. Almost everything we do in our everyday life requires involvement in some discourse community. Discourse or discourse

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    Dialogues

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    COMMODUS Rise‚ rise.  Your fame is well deserved‚ Spaniard.  I don’t think there has ever been a gladiator to match you.  As for this young man. Lucius is now standing in front of Commodus‚ Commodus arms affectionately holding the boy close. COMMODUS He insists you are Hector reborn‚ or was it Hercules?  Why doesn’t the hero reveal himself and tell us all your real name.  You do have a name? MAXIMUS My name is Gladiator. He turns to leave‚ his back to Commodus.  He will not attempt to harm

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    Dialogue

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    In what sense is this a ‘winner-takes-all’ industry? A “winner-takes-all” market refers to a market that is dominated by a single supplier and is subject to significant network externalities. Network externality in simplest terms is the value of a product to an individual customer that is affected and dependant on the number of other users of that product. Thoroughly assessing the case study we came up with the conclusion that the notion behind the market being considered a “winner-takes-all” market

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    Kotler 4P’s of marketing Faculty of Business and Management University of Balamand January‚ 2011 Copyright © 2011 All Rights Reserved Acknowledgement Thank you Dr. Fadila for your continuous support and the perseverance‚ tolerance that you have provided us throughout the semester. Table of Contents Acknowledgement ii Table of Contents iii Chapter 1 1 Introduction 1 Chapter 2 4 Body 4 Chapter 3 7 Model Application 7 Chapter 4 9 Conclusion 9 List of References:

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    Dialogue

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    Bobby: For how many hours do you watch TV everyday? Aman: Mostly for one hour. On holidays I may watch for even two hours or more. Bobby: Why do you watch television? Aman: I watch it for information and entertainment. Bobby: Do you watch movies too? Aman: I don’t have enough time to watch movies. I hardly watch one movie a month. Bobby: Are movies good for our society? Aman: Most of them are not. They waste our time and energy. People don’t learn anything good from them.

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    dialogue

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    - Now‚ I’d just like to say that no other art form has had quite the impact on our lives that the motion pictures have. Cinema is one of the best types of art and cinematography is considered to be one of the rare wonders. To many people in the twentieth century that was the golden age of the cinema. - Yes‚ I agree entirely here. Indeed‚ the movies are truly an art of our time — they were born and have come of age in the twentieth century‚ and they now demand the serious consideration given to

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    Language‚ Memory and Identity in the Discourse of the Immigrant: A Dialogue Between Marlene Nourbese Philip and Ana Miranda Daniela Cordeiro Soares Silva Universidad Federal de Minas Gerais‚ Brasil Diaspora women are caught between patriarchies‚ ambiguous past‚ and future. They connect and disconnect‚ forget and remember‚ in complex‚ strategic ways. James Clifford Marlene Nourbese Philip and Ana Miranda are two contemporary authors writing from two different contexts. Philip‚ an immigrant

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    Dialogue

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    Doctor: Hi‚ what seems to be the problem? Patient: I’ve been having a chest pain for about four hours. Doctor: Ok and did you have any other problems? Patient: Yes‚ during my sleep I was woken up by a pressure in the middle of my chest‚ and it spread to the left shoulder and back four hours ago. I also had shortness of breath‚ sweating‚ nausea‚ and vomiting. Doctor: The pressure in the middle of your chest is a retrosternal pain. Did you take any medication during that time? Patient: Yes‚ I

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