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    Samuel Richardson

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    SAMUEL RICHARDSON  (1689 – 1761) [pic] Samuel Richardson (1689 – 1761) was a self-educated tradesman who had little formal literary training‚ yet he made an impact on English literature which is nothing the less remarkable. He expanded the dramatic possibilities of the novel through an inventive use of the letter form (thus contributing to the emergence of the so-called “epistolary novel”) and was the promoter of sentimentalism[1]. Together with Daniel Defoe and Henry Fielding‚ he is credited

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    Styles and Themes of Samuel Richardson Samuel Richardson wrote his novels using the epistolary novel style‚ in which all the books are made up of letters. These letters are meant to be written during the time that the stories take place by the main character. They either described a scene or dialogue within the scene (Brophy 245). The stories used the themes of female dominance over the emotions of a man‚ and male dominance over the physicality of a woman. Also‚ many women in his stories are

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    Richardson vs. fielding

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    Richardson vs. Fielding” Born on August 19‚ 1689‚ Samuel Richardson was an 18th century English writer. Richardson was one of nine children‚ and came from a middle class and diligent family. Although his father wanted him to become a clergyman‚ Richardson eventually chose to be a writer due to financial restraints. Richardson began his career as an apprentice in a print shop and eventually published his own journal when he formed his own print shop. His publications included the Daily Journal and

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    Sexuality and Morality in Samuel Richardson’s novel Pamela‚ or Virtue Rewarded Samuel Richardson is a 18th century writer‚ famous for his three novels: Pamela‚ or Virtue Rewarded‚ Clarissa‚ or The History of a Young Lady and The History of Sir Charles Grandison. For the most of his life Richardson was an established printer and publisher. He wrote his first novel Pamela‚ or Virtue Rewarded thanks to a fortuitous turn of events‚ at the age of 51. Soon after that he became famous and admired

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    Monday‚ December 27‚ 2010 The Rise of the Novel in the Eighteenth Century Introduction: In the eighteenth century the years after the forties witnessed a wonderful efflorescence of a new literary genre which was soon to establish itself for all times to come as the dominant literary form. Of course‚ we are referring here to the English novel which was born with Richardson’s Pamela and has been thriving since then. When Matthew Arnold used the epithets "excellent" and "indispensable" for the eighteenth

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    governess for Samuel Richardson’s daughter‚ Patty‚ by 1750.[1] Richardson was impressed by her understanding of Latin and Greek along with her ability to perform her domestic duties.[1] During this time‚ Collier was living with Sarah Fielding‚ and Richardson would spend time discussing writing with them.[2] It was under Richardson’s employment that she wrote An Essay on the Art of Ingeniously Tormenting and then published it in 1753 by Millar.[1] It has been suggested that Richardson helped Collier

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    and Tutors in Tom Jones The History of Tom Jones‚ a Foundling‚ written by Henry Fielding‚ appeared in the 18th century‚ when the novel was only beginning to be recognized as a literary form‚ following the works of Daniel Defoe or Samuel Richardson. Samuel Taylor Coleridge appreciated Tom Jones “for having one of the most perfect plots ever planned”1‚ but the intricate plot is certainly not the only thing that makes this novel a masterpiece. Fielding creates a powerful narrator‚ who is omnipresent

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    Pamela

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    Published in 1740‚ Pamela‚ or Virtue Rewarded is a novel written by Samuel Richardson. The story unfold in a series of letters which gives the reader greater access to the character’s thoughts. Therefore the novel is categorised as being an epistolary novel. In Pamela though‚ unlike the other epistolary novels penned by Richardson‚ the reader’s access to the story is through the thoughts and actions of only one character‚ the protagonist‚ Pamela. Pamela or Virtue Rewarded is about the innocent

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    of eighteenth-century literature: the mock-heroic and neoclassical (and‚ by extension‚ aristocratic) approach ofAugustans such as Alexander Pope and Jonathan Swift; and the popular‚ domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on a variety of inspirations. Written "in imitation of the manner of Cervantes‚ the author of Don Quixote" (see title page on right)‚ the work owes much of its humour to the techniques developed by Cervantes‚ and its subject-matter

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    History Importance

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    caster bridge (b) Bhojpuri (d) Marathi Q.7: - The first modern novel in Malayalam is – (a) Sevasadan (b) (c) Indulekha (d) Q.8: - Who is the author of ‘Pamela’? (a) Leo Tolstoy (c) Thomas Hardy Pariksha Guru Rajesekhara (b) (d) Samuel Richardson Charles Dickens Q.9: - In which year was Emile Zola’s ‘Germinal’ published? (a) 1584 (b) 1885 (c) 1886 Q.10:-Who wrote the famous novel ‘Jungle Book’? (a) Rudyard Kipling (b) (c) Hunt Jackson (d) (d) 1874 R. L. Stevenson Jane Austen

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