males for everything they want to do or even say. They were not allowed to move freely‚ which led to further reduction in the quality of women. The women of India still follow the traditional styles of their clothing. They like to wear things like a sari‚ Salwar Kameez‚ Lehenga and Choli‚ long skirt and top‚ western attire‚ dhoti and Kurta‚ pants‚ and modern attire (Para. 2‚ source 3). On the other hand‚ you can notice that the clothes
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Hindi muhavre Aag baboola hona Jale pe namak chidakna Sina taan ke khada hona Ghee ke diye jalane - bahut khushi manana Ayodhya ram aane par sab logo ne ghee ke diye jalaye Bhains ke aage been bajana Aankho mein dhool jhokhna Mitti mein mila dena Naak mein dum aa jana Din mein tare dikhna Ghutne tek dena- haar man lena Eid ka chand hona- kabhi kabhoi hi dikhai dena Aasman sir par uthana- bahut shorgul karna Tas se mas ne hona- apne zid par ade rehna Tang adana – bekar
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Indian state costumes are exclusive to the region and the culture of the particular state and vary to a great extent. Each Indian state has their traditional costumes and attires that are deeply rooted in the history‚religion‚ tradition‚ customs and culture of the specific state. Costumes of North Indian State The primary fibre used in North India is cotton. However‚ since this part of India experiences winter‚ woolen clothes are quite common as well. The costumes of Jammu & Kashmir are made
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Gharchola saris The Gharchola saris are among the most famous traditional wear of the women of the Indian state of Gujarat. This variety of silk saris has earned much popularity among the people from other regions of this country as well.The weaving technique of the Gharchola silk saris first came from the region around Cambay. These saris are first woven by using the silk and zari thread. Later they are either block printed or tie-dyed. The Gharchola saris of Gujarat are generally bought for
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References: • • • • THE SARI- By Linton linda http://www.unnatisilks.com/ http://www.pinterest.com/search/pins/?q=andhra%20pradesh http://www.apcofabrics.com/
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and husband. She became one of the most noticed wedding silk sari designers in south India. Her unique contribution appears to be her efforts to retain the pride of place for saris even in the face of onslaught from Western and North Indian fashions. Beena Kannan attracted attention when the longest ever silk sari created by her (half a km long) entered the Guinness Book of Records and Limca Book of Records in 2007. She has launched her sari designs in UAE (2007) and USA (2009).Her rapport with the
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the dresses worn by the people on the eastern side of western ghats. Traditional maharashtrian sari is nauvari sari‚ a nine-yards sari.Traditional maharashtrian male dress consists of a shirt‚ lungi or pyjama‚ and a topi. However‚ nowadays with the advent of modern and cosmopolitan fashion trends‚ the nine yard sari is mostly worn by the old ladies of previous generations. They call the sari as sadi or lugade. It covers about half the length of the back. Its width varies between 42 to 45
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CHAPTER I THE PROBLEM AND THE BACKGROUND OF THE STUDY A. Introduction Sari-sari store is the term used in the Philippines for small convenience store. It is from the tagalog word “sari-sari” which means “variety”. Such stores form important economic and social location in the Filipino community. It is present in almost all neighborhoods‚ sometimes in every street. The store is often attached to or part of the owner’s house but it may also be a freestanding store just in front of the owner’s
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RAJASTHAN Traditionally men wear dhotis‚ kurta‚ and paggar or safa (kind of turban headgear). Traditional Chudidar payjama (puckered trousers) frequently replaces dhoti in different regions. Women wear ghagra (long skirt) and kanchli (top). However‚ dress style changes with lengths and breaths of vast Rajasthan. Dhoti is worn in different ways in Marwar (Jodhpur area) or Shekhawati (Jaipur area) or Hadoti (Bundi area). Similarly‚ there are a few differences between paggar and safa despite both being
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For centuries‚ the beauty of Bengali women has been defined by their dark skin-tones‚ generous curves‚ sharp facial features and long‚ wavy hair. The traditional Bengali woman adorned herself with glass bangles‚ bindi‚ nupur and nose-pin and wore saris or more recently‚ salwar kameez. All of these together paired with her submissive attitude‚ were considered to be part of her beauty. However‚ this notion of beauty has changed drastically in the last few decades. Bangladeshi women no longer favour
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