"Scarface camera angles" Essays and Research Papers

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    There are two written assignments (within Weeks 4 and 8) during the quarter. For your written assignments you can answer all the subjects provided or you can choose any of the subjects listed. Please follow the rubric to guide you regarding what you need to write for your subjects. If you choose to answer all of the subjects you need to give required information for each of the subjects. If you choose only one subject than you will give the required information along more detailed information regarding

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    watching. Low camera angles would show a powerful character that was either in danger or a serious moment. In The Public Enemy (1931) a high camera angle in the scene would show a vulnerable or weak character. This can be seen when the Tommy confronts Putty in his apartment. The high camera angle shows Putty as his weakest point‚ begging for mercy. These camera angles and lighting direction are described well in John Alton’s first book called Painting with Light

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    The Reason Behind the Scene –Why We Keep Choosing “If the outlaw hero’s motto was ‘I don’t know what the law says‚ but I do know what’s right and wrong‚’ the official hero’s was ‘We are a nation of laws‚ not of men” (Ray 62). A Certain Tendency of the Hollywood Cinema‚ by Robert Ray‚ looks at the various opposing values in America through the history of Hollywood films and cinema‚ which one vital value is the dichotomy of outlaw hero versus official hero. Official hero tends to be an idealogy

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    A woman lies dead on the floor; the flash of the reporter’s camera brings us to a darkened room with an undisclosed location. Ronnie‚ a man with a shady past and a criminal record is being interrogated for the murder of a young woman. As the charismatic good cop questions Ronnie‚ we learn fragments of that night‚ told through memories of drinking‚ smoking and gambling. With Ronnie not co-operating and the good cop loosing his cool‚ the bad cop within finally emerges to corner poor Ronnie and get

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    are Basically the key elements to what make up crime fiction texts or any text in particular. Conventions help keep the viewer intrigued whilst adding tension and creating copious amounts of suspense. Examples of these Conventions in films are Scarface‚ Breaking Bad‚ The Taken series‚ The Godfather and the one which I’m currently analysing‚ The Dark Knight. Christopher Nolan’s‚ The Dark Knight is not fiction in the usual way the superhero films are. There is no godlike alien wandering the Earth

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    studios and allowed them to produce big-budget films; MGM’s epic Ben Hur (Wallace’s adaptation) was one of the most ambitious projects; famously known for its chariots race (filmed in a huge sets‚ some in Italy‚ and a battery of cameras which covered the scene from many angles). But unlike Paramount‚ MGM did relatively well during 30-45 because it had a smaller theatre chain‚ thus less debts. MGM was managed by Nicholas Schenck 1927 until 1956 and was proud that it had more stars under contract “more

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    Kauffman’s review of Flight of the Innocent he talks about the “egregious huge close-ups‚ pointless slo-mo‚ intrusive fantasies‚ irrelevant prettinesses”. I strongly agree with this opinion because throughout the film you see horrendous close ups of Scarface (especially when he died because of the atrocious acting)‚ awful slow motion of Vito running away from the attackers because that creates a lack of suspense that is needed at a faster pace. The useless fantasy of Vito dreaming of a peaceful life

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    Video games began modestly‚ in a primitive age that had a littile yellow dot scour a maze "eating" little white dots. Since then‚ video games have expanded exponentially. These games even spand genres‚ including action‚ adventure‚ sports‚ etc. In their progression‚ many video games have attempted to simualte really‚ emersing the gamer into this puesdo-reality. Although some attempts were unsuccessful in fully depicting reality‚ one game managed to bring this vision to fruition. The Grand Theft

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    For my paper I have decided to view the original "Scarface" which was directed by Howard Hawks. This film stars Paul Muni‚ Ann Dvorak and George Raft. This film was made in 1932 and was in black and white. The film was to take place in Chicago and show a realization of the prohibition era. This was about the organized crime in Chicago and loosely base on the life of Al Capone. This film is a certain character that moves up on the mob ladder until his own weaknesses catch up with him. The main character

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    the creative freedom at their finger tips as no one had created any rules or knew how to shoot a movie. The pioneers of film are the Lumière brothers who were the first people to ever record moving images from a camera in 1895. The simplicity of their first movie was incredible with a camera set outside a factory and workers streaming out of the front door. It was in black and white‚ had no sound and had no cuts and yet thousands of people flooded to the cinema to see these images. However from this

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