Aesthetics Aesthetics (also spelled æsthetics or esthetics) is commonly known as the study of sensory or sensori-emotional values‚ sometimes called judgments of sentiment and taste.[1] More broadly‚ scholars in the field define aesthetics as "critical reflection on art‚ culture and nature."[2][3] Aesthetics is a subdiscipline of axiology‚ a branch of philosophy‚ and is closely associated with the philosophy of art.[4] Aesthetics studies new ways of seeing and of perceiving the world.[5] *
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given a Catholic burial‚ although between baptism and burial he was neither a practicing nor a believing Catholic. Wittgenstein is considered by some as the greatest philosopher of the 20th century. His early work was influenced by that of Arthur Schopenhauer and‚ especially‚ by his teacher Bertrand
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Vedas Jump to: navigation‚ search "Veda" redirects here. For other uses‚ see Veda (disambiguation). The Vedas (Sanskrit वेदाः véda‚ "knowledge") are a large body of texts originating in ancient India. Composed in Vedic Sanskrit‚ the texts constitute the oldest layer ofSanskrit literature and the oldest scriptures of Hinduism.[1][2] The Vedas are apauruṣeya ("not of human agency").[3][4][5] They are supposed to have been directly revealed‚ and thus are called śruti ("what is heard")‚[6][7] distinguishing
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me God’s Grace on a daily basis. What we have together defies all doubt in it. “Every person mistakes the limits of their own field of vision for the limits of the world.” ~ Arthur Schopenhauer ---------------------------------------- The Middle Point The yogini closes her outer eyes‚ Her inner eyes open to a realm Of luminescence and infinity. She rides the electric current between The inner realms and the outer world
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Journal of English and literature Vol. 2(7)‚ pp. 166-173‚ September 2011 Available online http://www.academicjournals.org/ijel ISSN 2141-2626 ©2011 Academic Journals Review Anita Desai’s ‘in custody’: Unlocking the web of time and space Bhasha Shukla Sharma Department of Humanities‚ University Institute of Technology‚ Rajiv Gandhi Proudyogiki Vishwavidyalaya‚ Bhopal. (M.P)‚ India. E-mail: Bhasha.shukla@gmail.com. Tel: 9826090200. Accepted 6 August‚ 2011 This paper attempts to semiotically
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English: This is a manuscript of an English poetry written by Swami Vivekananda (1863-1902). The full poetry is: The mother ’s heart‚ the hero ’s will‚ The sweetness of the southern breeze‚ The sacred charm and strength that dwell On Aryan altars‚ flaming‚ free; All these be yours‚ and many more No ancient soul could dream before -- Be thou to India ’s future son The mistress‚ servant‚ friend in one. With the blessings of Vivekananda Swami Vivekananda From Wikipedia‚ the free encyclopedia
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1 Zarathustra in Nietzsche’s Typology Yunus Tuncel In this essay‚ I present a reading of Zarathustra as a type within the context of Nietzsche’s typology which permeates his works from the first to the last; I claim that there is a line of thought in Nietzsche’s philosophy‚ despite the many turning points in it‚ which pertains to types and which I call typology.1 This typology culminates in Thus Spoke Zarathustra which is considered a work of typology‚ for the purpose of this presentation
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Journal of Social and Clinical Psychology‚ Vol. 28‚ No. 3‚ 2009‚ pp. 307-340 LACK OF LIFE MEANING Fahlman et al. Does a lack of life meaning cause boredom? Results from psychometric‚ longitudinal‚ and experimental analyses Shelley A. Fahlman‚ Kimberley B. Mercer‚ Peter Gaskovski‚ Adrienne E. Eastwood‚ and John D. Eastwood Existential theory and previous qualitative research have suggested that a lack of life meaning and purpose causes boredom‚ as well as other types of negative
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UNGS 2030 MATERIALISM Table of Contents 1.0 INTRODUCTION .......................................................................................................... 2 2.0 DEFINITION OF MATERIALISM ............................................................................... 3 3.0 HISTORY OF MATERIALISM .................................................................................... 3 3.1 PERSPECTIVE OF MIND ...........................................................
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Throughout history the unspoken but highly evocative language of music has exerted powerful influences on individuals and societies alike. Felix Mendelssohn once remarked that music is more specific about what it expresses than words written about those expressions could ever be. That music has the power to express‚ convey and illicit powerful emotions is without question‚ however the issue of music’s moral and ethical power‚ and how that power affects individuals and societies‚ is one that receives
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