"Schubert symphony no 5" Essays and Research Papers

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    The San Bernardino Symphony has been Inland Southern California’s longest running professional orchestra. It was originally founded by nationally recognized conductor James K. Guthrie in 1929‚ and has provided world-class symphonic music for audiences around the region for 87 years. On Saturday‚ May 28‚ 2016 they performed their season closing “Finale Bravura”‚ which featured Wolfgang Amadeus Mozart’s “Magic Flute Overture”‚ Pyotr Ilyich Tchaikovsky’s “Rococo Variations”‚ David Popper’s “Hungarian

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    The main thing that pops out with this state of affairs is the main objective. The symphony is attempting to interpret what has caused a fixed degeneration in attendance. I’m not sure this exact survey on this evening at a free concert is the finest method to discover what the problem is. First off‚ this is not the symphony’s primary group of spectators; many of these people will not be attending another event‚ so their statistics shouldn’t be held so highly. Next‚ this group of attendees will not

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    I attended the EIU Wind Symphony concert on December 4‚ 2015. It started seven in the evening and was in Dvorak hall in the Doudna Fine Arts center on Eastern’s campus. Alicia Neal was the conductor of the symphony. It was a symphony composed of some of Eastern’s best music majors and it showed their skill throughout the entire performance. The symphony was composed of woodwinds‚ brass‚ and percussion. On the woodwinds‚ they had piccolos‚ flutes‚ oboes‚ bassoons‚ clarinet‚ bass clarinet‚ alto saxophone

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    The symphony orchestra‚ Peter and the Wolf by Sergei Prokofiev is a story based concert with a variety of instruments. Sergei Prokofiev constructed this orchestra to help teach young children about what certain instruments sound like together and by themselves. A narrator instructs the audience what instruments represent each character or mood. The concert begins with a lento and mezzo-piano type of mood because the string family starts playing first. These elements combined with the beautiful blend

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    emotional experience while offering a technical structure intelligent enough to sate most musicologists. This can especially be seen in Movement One of Brahms’ Third Symphony‚ where he clearly uses a specific pattern to encapsulate both of these aspects.
     First and foremost‚ it is important to understand that Brahms’ symphonies (as well as much of his music) fits the definition of absolute music. This is similar to composers of earlier times in the romantic

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    for Piccolo‚ 2 Flutes‚ 2 Oboes‚ 2 Bassoons‚ Contrabassoon‚ 4 Clarinets in B-Flat‚ Bass Clarinet‚ B-Flat Contrabass Clarinet‚ 2 Alto‚ Tenor and Baritone Saxophones‚ 3 Trumpets in B-Flat‚ 4 Horns‚ 2 Tenor Trombones‚ Bass Trombone‚ Euphonium‚ 2 Tubas and 5 Percussions. The duration of the work is 13 minutes and would be a great choice of a piece to program on the first half of the concert. This work was commissioned by the confederation of following University Wind Ensembles: Arizona State University‚

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    The Stony Brook Symphony Orchestra and Fady Deeb Saturday‚ October 6‚ 2012 Lontano by György Ligeti This piece has an eerie and dissonant aura throughout the piece‚ without having much musical resolve in its sounds. The entire orchestra was included in this piece‚ except for the percussion section. These polyphonic sounds of this piece were played extensively‚ reflecting no noticeable tempo or rhythm‚ therefore creating ambiguous sounds. However‚ the dynamic range was wide enough to create

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    during the classical era of music‚ but his compositions led to the end of that period and to the start of the romantic era. He helped greatly to develop tonal music. One of the amazing things about Beethoven was that he was deaf. At his last symphony‚ “Ninth Symphony”‚ he had to turn around and look at the audience to see if they were clapping. He was greatly influenced by the composers Haydn and Bach. He greatly influenced his music with the power of romanticism.  Beethoven’s father‚ Johann Van Beethoven

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    Beethoven’s use of Sonata form in his 1st Symphony Beethoven‚ in common with his predecessors Haydn and Mozart‚ uses the Sonata form in the first movement of his first symphony. This was Beethoven’s first attempt at the symphonic form having composed chamber music and two piano concertos. Beethoven made the sonata form more expressive through his use of dynamics and more extreme key relations. Beethoven started this piece with a slow introduction. It is not unknown

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    The Moran Woodwind Quintet was on Tuesday‚ November 17. The performers included John Bailey‚ William McMullen‚ Diane Barger‚ Jeffrey McCray‚ and Alan Mattingly. Bailey played the flute‚ McMullen played the oboe‚ Barger was on the clarinet‚ McCray played the bassoon‚ and Mattingly played the horn. The first piece was called Quintet in g minor‚ Op. 56‚ No. 2. It was by Franz Danzi. The first movement was an Allegretto. It was in a major mode and in triple meter. It started with polyphonic texture

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