modules - a nonstop module supported by Temenos was installed to enable users/Customers have access to T24 when COB is in progress. 2. Creation of new branches - Successful setup of new branches and other parameters e.g. Akure/Lagos/Kano/Onitsha/Benin 3. Resolution to Provisioning issues bank-wide – Provisioning for Asset classification into standard‚ sub-standard‚ doubtful and loss was resolved (Automated process). 4. Subroutine for Recoding of Account Officers /SBU code for Area 8/P&M customers
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9/1/13 India: Teak log prices firm at local auctions the timber network Help Contact English Search ALL FORDAQ Marketplace Home > Market Info Directory Market Info Our Services Not a member yet? Join Fordaq Log in News Search India: Teak log prices firm at local auctions June 22‚ 2011 • Source: ITTO’s Tropical Timber Market Report • View s: 10761 Advanced search Archive Auction sales at Government Forest Depots in Gujarat and Central India are
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heavy period of transition through the 20th century. At the start‚ sculpture could be summed up in Johann Gottfreid von Herder’s consideration of sculpture as “a harsh reality.” Unlike painting and the other traditional media‚ sculpture was being redefined‚ both formally and technically. Painting‚ despite the many innovations and explorations that occurred in the 20th century‚ was still oil and pigment put on a flat surface. But sculpture‚ rather 3 dimensional arts‚ became so much more dynamic and expansive
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Renaissance Sculpture at NGA Paper One: An Antiquity of Imagination: Tvillio (Tullio) Lombardo and the Venetian High Renaissance Sculpture at NGA Tullio Lombardo‚ one of the most gifted sculptors of all time‚ brought his art alive by integrating classical antiquity and contemporary Renaissance Venice in all his works. People appreciated his creativity because he took the risk of stepping out from the culture of paintings‚ which were popular at his time‚ and emerged the art of sculpture into the
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The sculpture that I decided to reflect upon is L’Offrande (The Offering) by Robert Wlerick. The sculpture is situated in a grassy meadow area in between the academic buildings of Stein and Beaven. The scale of the piece seems to be larger than life. The proportions of the sculpture are larger than an average sized woman and appears almost like an Amazon woman. The Offering is representational and it depicts a nude woman sitting on a step. It appears the sculpture is made out of bronze and has been
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edges (4). The powerful body in action has the muscular look of a man. This is suggested‚ as the piece is very solid looking by having big toned thighs‚ and a big muscly looking back. Its smooth curved body and rippling lines outwardly give the sculpture its fluidity and aerodynamic form (3). The figure also appears to be simplified due to the lack of detail and features in the body‚ including it lacking a discernibly real face. The sculpture’s surface has been made smooth and glossy as it helps
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would mean that the object was in motion. From that definition it is safe to say that kinetic art is moving art. Now don’t mix the thought that kinetic art must always being a physical moving piece. Kinetic art can also be expressed not only through sculpture‚ but also through drawings‚ and light. If that drawing you are observing appears to be moving then it is also a form of kinetic art. Kinetic art is so diverse in fact‚ that you can include almost any form of art into it. Take for example‚ drawings
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Introduction Understanding that sculpture is the art of carving‚ modeling‚ welding‚ or otherwise producing figurative or abstract works of art in three dimensions‚ as in relief‚ intaglio‚ or in round gives us the ability to describe‚ compare and contrast two or more sculpture. This paper compare and contrast two sculptures known as “The Royal Acquaintances Memi and Sabu”‚ and “Statue of Gudea”. Overview of the sculptures The sculptures are quite captivating with each signifying something different
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bronze sculpture. Bronze statue of Artemis and a deer depicts a woman
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world. Portraying there significance through the contemporary structures of her sculptures‚ displayed through plates one and two. As seen in these plates her sculptures made entirely out of ceramic. Her use of Ceramics emphasises the sculptures earthen elements‚ and the birth of life from these basic elements. Ultimately the ceramics allow her to maintain full control over the sculptures form and shape. The Sculptures bulge and protrude with glassy angler and rounded shapes
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