Kaitlyn Coleman Art History The deeper equation of Laocoön and His Sons Three-dimensional statues harbor the ability to capture in depth scenes giving a powerful appeal to historical figures and allowing them to communicate both factual and fictional scenes. In Greek sculptor’s Athenodoros‚ Polydorus‚ and Agesander of Rhodes’ piece titled‚ Laocoön and His Sons (Fig.1)‚ also known as the Laocoön Group‚ the artists created a three-dimensional statue of three men whose bodies are ensnared
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transcendental as it can alter the emotional state of the viewer and enhance the space in which the work is displayed. Sculptures involving an movement and action can help enhance the visual and psychological experience for the viewers. Movement in sculpture can be created through the style‚ posture‚ and materiality of the figures depicted but also externally as many sculptures encourage the viewers to physically move around the work. Movement can also help enhance the quality of a collection and
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Paying attention to subject matter and style‚ discuss the effectiveness of “Ozymandias” as a poem. An artist paints with colors; a poet uses lines and stanzas‚ and just as we must look deeply at a picture‚ our cursory reading of a poem cannot dictate our final opinion about the effectiveness of a poem. Accordingly‚ an in-depth reading of “Ozymandias‚” would make it possible for one to determine the effectiveness of subject matter while also seizing the opportunity to appreciate its style. At the
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Thesis: While both statues are depictions of Benjamin Franklin‚ they’re created in two different styles for social and historical representations. I. This statue is a great example of bronze sculpting in the way the artist applied the research of the subject’s background as well as how he developed the desired position from a model; these factors assisted in evoking the detail of the finished piece in relation to its theme. A. Benjamin Franklin in 1723 (or “The Young Franklin”)‚ Robert Tait McKenzie
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B.C. The Temple of Zeus was built with carved metopes and triglyph friezes. There’re many sculptures in the Temple of Zeus. These sculptures were curved between 480 B.C and 450 B.C‚ when the severe style was popular. The pediments and metopes on the top of the temple clearly showed the typical supreme and unparalleled creation of severe style at that age. On the west pediment of the temple‚ the sculptures showed a picture of chaos. It presented a battle between the Centaurs and Lapith people. The
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The Neo-Assyrian human headed lion called a Lamassu along with the human headed bull were the sole guardians and protectors of important doorways in the Assyrian palaces. Therefore‚ these human headed creatures needed five legs because they need to look intimidating along with their enormous wings so that they can confront any evil force that is hinging upon attacking the Assyrian palace. Also‚ the five legs were given to these creatures so that they can execute their job as guardians of the palace
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A straightforward question‚ what is good art? A complicated answer‚ but that is good art. How does a certain piece of artwork become recognized as "good?" What are some of the traits that make art good? What simply makes art good‚ and what makes art bad‚ in general? Does having a recognizable art or design "style" limit one’s creativity? Is an exact reproduction as good as the original? It used to be that anything called “Art” had certain meaning attached to it. Art was assumed to be beautiful‚ intricate
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"Name and discuss in detail two Gothic sculptures making references to the period in which they were produced‚ them‚ composition and style. Discuss briefly the role of a sculpture in a named Cathedral from the Gothic Period." The word "Gothic" was given to the style of architecture that evolved between 1150 and 1499 in Europe. It was invented by the Renaissance historians and artists to express their negative attitude to an art they thought was barbaric. Gothic culture was urban based unlike Romanesque
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Sango and Ere-ibeji figures are both carved with similar intentions. Commonly paired together because it is believed that Sango is the protector of all ere-ibeji‚ I intend to explore their one unique similarity: being a cultural tyrant who reached an untimely death and only then became an orisa. I will argue that the Sango and ere-ibeji figures are carved in order to represent the orisa’s negative standing within society and their abilities to wreak havoc if not worshipped properly. Activated only
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Throughout the history of art‚ there are many objects such as: sculptures‚ paintings‚ buildings‚ etc.. that talk for themselves in one glance‚ but there are many others with an interesting history to tell with the analysis of each element. Like the Palette of Narmer‚ it’s a palette for ceremonial purposes. This kind of objects were very common in ancient egypt‚ but the Palette of Narmer was a unique piece showing the unification of Lower and Upper Egypt. One side of the Palette shows Narmer wearing
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