that my voice is heard regarding the the new sculpture being placed in our city. With the implementation of the new sculpture‚ we‚ as a city are digging ourselves into an economic hole. One example of this is the Picasso sculpture in Chicago. With all that money spent very few civilians were in favor of the painting. Given the size of the population of our city in comparison to that of Chicago‚ even the slightest number of people in favor this sculpture in our city will not compensate for the money
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back at both Verrochio’s and Donatello’s Davids‚ the sculpture was depicted standing over Goliath’s severed head. However‚ Michelangelo depicted David before the battle. Michelangelo’s David will become one of the most beautiful and ideal sculptures during the Renaissance. I think one of the reasons why Michelangelo’s David became so famous was because of the way it stood. David is the perfect example of contrapposto. If you examine the sculpture of David‚ you can see that the body is placing all of
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The historic and iconic marble sculpture‚ Aphrodite of Knidos‚ sometimes referred to as Aphrodite of Cindus‚ was created by the sculptor Praxiteles. Not much is known about Praxiteles for sure as the only definite dates in relation to him are found at the base of a portrait statue where he inscribed “Praxiteles the Athenian made it” or are written by Pliny the Elder in his monumental work‚ Naturalis Historia (Encyclopedia of World Biography). This work places him during the 104th Olympiad‚ or roughly
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Contents Introduction 2 History of Junk Art Sculpture 4 Chapter 1: Junk sculptors 8 Chapter 2: Interview 1 16 Chapter 3: Interview 2 23 Summary 27 Introduction From 5000 B.C to well into the 20th century A.D‚ most sculpture has reflected the wealth‚ religion or political stature of the country. Early Egyptian sculpture reflected the political regime of the land‚ and powerful ‘Pharaohs’ demanded monumental sized tombs and artefacts to show their wealth and status
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heavy period of transition through the 20th century. At the start‚ sculpture could be summed up in Johann Gottfreid von Herder’s consideration of sculpture as “a harsh reality.” Unlike painting and the other traditional media‚ sculpture was being redefined‚ both formally and technically. Painting‚ despite the many innovations and explorations that occurred in the 20th century‚ was still oil and pigment put on a flat surface. But sculpture‚ rather 3 dimensional arts‚ became so much more dynamic and expansive
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world. Portraying there significance through the contemporary structures of her sculptures‚ displayed through plates one and two. As seen in these plates her sculptures made entirely out of ceramic. Her use of Ceramics emphasises the sculptures earthen elements‚ and the birth of life from these basic elements. Ultimately the ceramics allow her to maintain full control over the sculptures form and shape. The Sculptures bulge and protrude with glassy angler and rounded shapes
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take daring ideas and turn them into images that were seductive in elegance and form. One of Canova’s sculptures stayed true to his neoclassical approach. His sculpture titled Psyche revived by Cupid’s Kiss (1802)‚ which is a great example of how he stayed true to the neoclassicism. What this sculptures purpose is to depict the love story of Psyche and Cupid. What is going to be done using the sculpture as an example‚ both a formal and contextual analysis. Formal analysis focuses on what elements
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This sculpture is called the “War God” and it was created by Philip McCracken in 1960. Philip McCracken was an American born artist‚ born in 1928. This amazing sculpture was created out of Cedar wood‚ where Philip McCracken carved the piece out then added a leather strap and blades along the body. This piece of art is currently on display at the Seattle Art Museum. The “War God” is a wooden sculpture and it was about 2 feet long and about 8 inches wide. The sculpture has lots of jagged edges and
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visual elements of the Picasso are the curved lines and diagonal angles of the sculpture; the straight
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and painting. Transplantation technique is the technique Michelangelo has used on many of his sculptures‚ that means he was taking a variety of different body parts and forming one man. It often was noticed because one couldn’t identify the age of the man in the sculpture because the face or body was a different age wise. “David” is a complete masterpiece created between 1501 and 1504. In the sculpture “David‚” his age is very unclear; he has a mature face‚ an old hand‚ and a torso of a young man
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