Finding Leadership in the Movie Seabiscuit Traditionally‚ analysis on roles for effective leadership surround corporate or military settings with clearly defined problems‚ discernable issues‚ and areas where hypothesis can be made‚ models formed‚ predictions tested‚ and outcomes verified. Analyzing a film like Seabiscuit for the roles of leadership present many interesting questions about leadership and what it means to be a leader. The film Seabiscuit chronicles the lives of individuals as they
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Seabiscuit is about a surprisingly small horse that had crooked legs‚ and was considered a bad-racing horse‚ and how he became America’s lift during the great depression by making a comeback that no one even imagined was possible. The horse was ridden by a jockey‚ Red Pollard‚ who was half-blind and didn’t win any races before Seabiscuit. A man named Charles Howard bought the horse after going through a tragic loss of his son and divorcing his wife. He originally owned a bicycle shop then afterwards
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The definition of “racehorse” never fit Seabiscuit other than his breed‚ Thoroughbred‚ which classified him as one. He was a smaller horse and‚ at first‚ was not able to keep up with the larger ones. He developed a reckless‚ untamed nature around people. Seabiscuit’s first owner treated him with a lack of proper care because he was disgusted with the horses lack of potential to win. Ironically‚ Seabiscuit was used to train other horses how to ride and win their races. He was their leader and motivator
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The story was unique and it had inspired a whole country in a time where inspiration was scarce‚ and entertainment was out of mind. Seabiscuit‚ a losing horse that was underweight at the end of his rope as an athlete and racehorse had his luck change when Charles Howard purchased him in 1936. Originally Mr. Howard tried owning a bike shop in San Francisco and ended up dealing more with
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Despite it all‚ Seabiscuit appears at Santa Anita to compete once again for the title of greatest money winner of all time. During the race‚ however‚ the horse Count Atlas pulls alongside‚ pushing Seabiscuit toward the wall. The act is an obvious foul‚ but the horses are out of view of the reviewing stand‚ so the foul goes undocumented. As Woolf pulls away‚ his first reaction is to whack the other jockey with his whip. It works‚ and regaining his competitive spirit‚ Seabiscuit dives down the track
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better future. Laura Hildebrand‚ Emily Dickinson‚ and George Frederick Watt use literary devices and a unique art style to assert their own interpretations and representations of hope in their own individual pieces. Laura Hildebrand‚ in her book‚ Seabiscuit: An American Legend‚ illustrates a theme of resilience in the depths of hopelessness and anguish. Additionally‚ in “‘Hope’ is the Thing with Feathers‚” Emily Dickinson reveals how hope is everlasting‚ no matter the conditions. Both Hillenbrand and
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were having trouble finding ways to have a good time. Horse racing had only just become popular in America‚ but there was something new about horse racing. An unlikely prospect out of California had emerged as a very popular prize-winning horse. Seabiscuit was a horse that was too old and undersized to become a great racehorse. Once he started to win‚ he gained recognition as an emerging star. His jockey‚ Jack Pollard‚ “wanted superstardom‚” that could not be “achieved by racing alone.” (Laura Hillenbrand
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directors saying the purpose is to make money not be historians. It is important to tell students do not accept what you see as fact. In the chapter “In Praise of the Biopic‚” the author talks about: “Reds‚ They Died with Their Boots On‚ Little Big Man‚ Seabiscuit‚ Cinderella Man‚ and The Grapes of Wrath.” These movies have a common theme of following a central character‚ all the while ignoring the other character and using events as the setting. This devotion is symbolized
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One contrast that seemed to jump out at me when comparing the movie of Seabiscuit to class lectures and videos‚ was the portrayal of hoboes during the Great Depression. There is a short clip in the movie showing several hoboes in a box car on a train (Ross‚ 25). In this scene‚ there is melancholy music in the background‚ and the men’s facial expressions seem to be filled with a look of hopelessness. We have also discussed in class lectures the sad predicaments that men left their families in when
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meeting Zamperini Hitler remarked‚ " Ah‚ you’re the boy with the fast finish." Such words would prove to be prophetic - Zamperini indeed has had a fast finish but survived inordinate atrocities to get there. Laura Hillenbrand‚ made famous by her book Seabiscuit‚ has marvelously captured his journey
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