READING RESPONSE YOUR NAME: Anisa Bici ARTICLE/CHAPTER TITLE: Seeing Cultural Groupings/ Chapter 4 AUTHOR: Jordan: Seeing Cultural Groupings SUMMARY OR ABSTRACT (one page/10 points): After reading the article Seeing Cultural Groupings‚ I realized how important it is to use the anthropological construct of culture in order to understand human behavior in business settings. The article starts off with a narrative paragraph collected by anthropologist Miriam Kaprow from a New York City
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limit perception of new situations‚ therefore resulting in a downward spiral of limited understanding. Many prominent examples of this gradual digression have presented themselves throughout history providing as support to the general statement seeing conditions what we believe: believing conditions what we see’ which I will discuss. The majority of human opinion of belief’ is formulated based on personal experience to which we apply our own understanding. Generally‚ human creativity appears
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Annie Leonard is the author of Plastic Microbeads: Don’t Use as Directed. She is the executive director of Greenpeace USA and investigates and explains environmental and social impacts of our stuff in words and film. In the article‚ her main arguement is that the manufactures of plastic tend to blame the consumer for not properly disposing or recycling the plastic products that they make but with microbeads they cannot lay that blame on us for the damage that microbeads are doing to the environment
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In John Berger’s “Ways of Seeing‚” his use of artist jargon makes it difficult for the casual reader to comprehend a lot of the points he makes. A section that demonstrates this can be found in the first full paragraph on page 145. Berger uses phrases such as “compositional unity” and “harmonious fusion” when analyzing the paintings Regents of the Old Men’s Alms House and Regentesses of the Old Men’s Alms House. His language can be understood by different readers in drastically different ways‚ which
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Clarence Delano B. Juanico 7-Tindalo Novel Report in PLE (Philippine Language in Literature) Without Seeing the Dawn I. Author’s Background Stevan Javellana was born in 1918 in Iloilo. He fought as a guerilla during the Japanese invasion of the Philippines. After the World War II‚ he graduated from the University of the Philippines College of Law in 1948. He stayed in the United States afterwards but he died in the Visayas in 1977 at the age of 59. II. Setting
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Annie Wilkes displays many symptoms consistent with schizotypal personality disorder. For one‚ she is highly isolated as she lives on her own in a secluded area away from town. It is apparent that she has no friends or family that she associates with‚ and she prefers the company of her pig‚ misery‚ rather than the company of other people. Her behavior is exaggerated and odd as she only speaks very formally at all times. She hates profanity and is maddened by the mere idea of someone using it. When
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Throughout Seeing Race in Modern America‚ scholar Matthew Pratt Guterl explores how cultural “sightlines” (Guterl 2) resist change over time in the way we see race as he argues that race is a “social construction of color” (Guterl 3)‚ dependant on visual cues. Guterl uses a myriad of visual culture‚ such as advertisements‚ movies‚ and popular culture as evidence that making race visual is what causes its longevity. In his analysis of “sightlines that challenge the eye‚” (Guterl 128) he turns to movies
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Professor Michael Garbarini Seeing and Making Culture: Representing the Poor What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them‚ or help assist‚ in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read‚ “Seeing and Making Culture:
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Throughout all these diverse cultures of art‚ I was questioning myself and started to wonder how I could understand art beyond others’ opinion about them. Moreover‚ I realized that it was a question John Berger‚ critic of art and author of the Ways of Seeing‚ raised in his essay‚ and it is a question that will always be raised while demanding how to understand a certain art. Walking through a room where various French artists had their paintings exposed‚ I fell in front of the artwork (see above) painted
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brought harm to the inhabitants of the land they controlled by destroying their traditions‚ cultures‚ and sense of self. As a former subject of imperial England‚ Kincaid critiques this parasitic relationship that dominated her childhood memories in “On Seeing England for the First Time.” Kincaid employs diction‚ imagery‚ and repetition to portray her shifting attitude from conformity and slight doubt as a young girl to resentment towards England’s fabricated appearance as a grown adult. In her childhood
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