The Arnolfini Portrait‚ created by Jan van Eyck‚ is a complex oil painting that was created in 1434. It is a representational work because it references real life events‚ which in this case‚ are the marriage rituals of that day in age between husband and wife. For the very first time in history‚ van Eyck became the perfect eye-witness in the truest sense of the term. This portrait is very complex due to the fact of its iconography. It is very symbolic and has been interpreted in several‚ countless
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“A Portrait of the Artist as Filipino” Nick Joaquin Act I ”Bitoy Camacho‚ an old friend of the Marasigans‚ pays them a visit one afternoon after many years of absence. He is greeted by the two daughters of Lorenzo Marasigan‚ a famous painter‚ who in his declining years has been living in isolation and abject poverty. Recently‚ he finished his latest and perhaps last major work of art‚ a painting he entitled Portrait of the Artist as Filipino. The sisters Paula and Candida welcome Bitoy. They
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someone asks “who are you?” have any of you ever considered what it is that shapes our identities or even the role that people around us play. In my 2 chosen texts; the movie “Catch me if you can” directed by Steven Spielberg and the artwork “ Self Portrait (but I always wanted to be one of the good guys” by Gordon Bennett both the protagonist and the artist show people struggling with their true identities. Identity can be forced on a person. As seen in the film “catch me if you can” the protagonist
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A Portrait of the Artist As Filipino First Scene Nick Joaquin THE SCENES FIRST SCENE: The sala of Marasigan house in Intramuros. An afternoon towards the beginning of October‚ 1941. THE PEOPLE Candida and Paula Marasigan‚ Cora‚ a news photographer Spinster daughters of Don Lorenzo Susan & Violet‚vaudeville artists Pepang‚ their elder married sister Don Perico‚ a senator Manolo‚ their eldest brother Doña Loleng‚ his wife Bitoy Camacho‚ a friend of the family Patsy
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On A Portrait Of A Deaf Man. Structure and language Form This poem is an elegy. Structure This poem is eight stanzas written in ballad metre. Lines one and three also have more beats in them than lines two and four. (If you want to get a bit more technical‚ one and three are tetrameters‚ two and four trimeters! Tetrameters have four stresses‚ trimeters have three stresses). Sound As a reminder of ballad metre‚ think of the Christmas carol O Little Town of Bethlehem. Using ballad metre means
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A personal trainer increases self-esteem in obese individuals. In the direction society is headed today‚ many individuals are looking to personal trainers to get back the lives they once had. The way of this sedentary living has been paved by the user-friendliness of technology‚ and its ability to do our complex jobs without our needing to get up to actually do anything. According to Waitley (2010)‚ “Self-esteem is confidence in and respect for yourself” (Self-Esteem‚ p. 122). Most obese individuals
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ICT as an enabler of Socio-Economic Development Tahir Hameed* School of Engineering‚ Information & Communications University‚ 305-732‚ Daejeon‚ Republic of Korea. Abstract: Today’s is a world of many divides‚ one of the most typical being the Digital Divide which in itself has given birth to or is worsening other economic and social divides. In this world more suffer and less are able to benefit from technology. This paper fosters the importance and need of international cooperation for use & promotion
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A Portrait of the Artist as a Young Man is above all a portrait of Stephen Dedalus. It is through Stephen that we see his world‚ and it is his development from sensitive child to rebellious young man that forms the plot of the novel.<br><br>There are many Stephens‚ often contradictory. He is fearful yet bold‚ insecure yet proud‚ lonely and at the same time afraid of love. One Stephen is a romantic who daydreams of swashbuckling heroes and virginal heroines. The other is a realist at home on Dublin’s
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Analysis of the archetype in O. Wilde’s novel "Portrait of Dorian Gray" The scale of the realization of ideas through the archetype of an animated portrait allows one to compare "Portrait of Dorian Gray" and Gogol’s "Portrait" as manifestoes of related epochs. In the first chapter‚ an analysis of the archetype in Gogol’s story was conducted‚ we will try to discover the archetype in Wilde’s novel by the same characteristics: • the inclusion of the archetype in ontological issues; • reflection of
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How to Read a Roman Portrait SHELDON NODELMAN from E. D’Ambra‚ ed.‚ Roman Art in Context. NY: Prentice Hall. 1993 pp. 10‐20 Like all works of art. the portrait is a system of signs; it is often an ideogram of “public’ meanings condensed into the image of a human face. Roman portrait sculpture from the Republic through the late Empire-the second century BCE. to the sixth CE -constitutes what is surely the most remarkable body of portrait art ever created. Its shifting montage of abstractions from
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