(張愛玲著《金鎖記》Eileen Chang trans.‚ “The Golden Cangue”) Comparing Chinese and English versions in terms of Semiotics This essay is to analyze the semiotics used in Chinese and English versions of “The Golden Cangue” Semiotics is the study of signs‚ indication‚ metaphor‚ symbolism etc. “The Golden Cangue” is a story of the main character Tsao Chi Chiao as Second Mistress in the Chiangs. She was looked down upon because of her family background and being unhappy in Chiangs for thirty years.
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Clockwork Orange is written in 1961 by Anthony Burgess. It is a short‚ brilliant‚ dystopian polemic intended‚ he said‚ as “a sort of tract‚ even a sermon‚ on the importance of the power of choice”. (https://www.theguardian.com/books/2015/apr/13/100-best-novels-clockwork-orange-anthony-burgess ). The second‚ Stanley Kubrick’s A Clockwork Orange‚ is the brilliant cinematic adaptation; a controversial masterpiece‚ released in 1971.” A Clockwork Orange recounts the tale of Alex Beethoven-mad thug with
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CHAPTER 1: IMAGE‚ POWER‚ AND POLITICS I. Content Summary Introduction “Looking is a social practice.” The authors begin Chapter 1 by reminding us that we do not “look” at anything without participating in a practice formed by a variety of factors‚ including the historical moment‚ social meaning‚ and intent of the creator. Practices of looking are also formed by power relationships; even the act of choosing to look or not to look is an act of power. We engage in the practices of looking every
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The notion that media content reflects changing dominant discourses with regards to masculinity and femininity appears to be an on going debate‚ although traditional representations of men and women are still very much evident in media content‚ for example domesticity‚ motherhood and women’s role in the home‚ it is notable that due to shifts in a cultured society‚ one that claims to be of fairness and equality‚ that there are still repetitious marginalisation’s which currently proliferate within
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branded naxals and those who are closely related to them. The paper would explore crisis of identity in Govind Nihalani’s Hazar Chauirasi ki Maa thus studying the life of Naxalism in contemporary Bollywood. The study would take up a paradigmatic semiotic analysis of the films and construct various codes bringing to light the hidden meanings in the analysis and thus deconstructing the complexities of identity of the naxals in Bollywood. Introduction Cinema has been an influencing factor across the
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from A Study in Scarlet‚ Sherlock Holmes appears to employ the following four techniques (or philosophical strategies): the use of deductive reasoning‚ an analytical observation of details‚ a methodological problem-solving approach‚ and the use of semiotics to draw conclusions from the details he observes. All though all four of these approaches are similar in their use of details that could be construed as “signs‚” they all have specific‚ defining qualities. Sherlock Holmes has often been described
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understanding of are the representation of political ideologies on today’s contemporary popular culture. I intend to investigate the idea that the Constructivists created the blueprint for modern consumerism and methods of advertising. I will investigate semiotics and Marxism in context with my study. In today’s society of consumerist culture I think the topic of propaganda is interesting as I feel propaganda goes hand in hand with advertising. In today’s society we are relentlessly saturated with loaded
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is quite misleading in my opinion‚ as it does not necessarily refer to the majority of society‚ which I think many people would otherwise conclude. The author states that popular audiences engage in semiotic productivity because it reflects their social situation. But the fans transform this semiotic productivity into textual production thus better defining the fan community. And for that reason‚ fans create a fan culture with its’ own systems of production and distribution which draws similarities
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the text-interpretive and experimental traditions‚ rhetorical theory appears ideally suited to the task of generating specific predictions‚ amenable to experimental test‚ about the impact of stylistic variation in advertising visuals. With its semiotic foundation‚ the rhetorical tradition can provide a wealth of ideas for differentiating and integrating aspects of visual style (see‚ e.g.‚ Durand 1987). Furthermore‚ the practical bent that has characterized rhetoric from its beginnings facilitates
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------------------------------------------------- Abject Design ------------------------------------------------- A psychoanalytic/structuralist analysis of Julia Kristeva’s “The Old Man and the Wolves” Julia Kristeva’s The Old Man and the Wolves details the gradual degeneration of the fundamentally corruptible community of Santa Varvara. As described by the novel’s namesake‚ the Old Man Septicious Clarus‚ in terms of singularity‚ morality and—both metaphorically and palpably—humanity‚ each
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