1) Allan Kaprow “Yard” 1961 Martha Jackson Gallery’s backyard‚ New York The beginnings of the Environmental Art and “Happenings” Movement Allan Kaprow filled the outdoor courtyard with tires. This work was named “yard” and it became known for enlightening modern art on the expanded sculpture’s possibilities. It was also an attempt for art to create a new physical engagement with viewers‚ allowing them the interaction between themselves and art. This incorporation of interaction with viewers allowed
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Regarding multiplicity‚ this component is based on the idea that regardless of who you are‚ your status‚ gender‚ ethnicity‚ and etc.‚ you realize that everyone comes from a different position in life (Cheney‚ 2010). The basis of minimalism is knowing your beliefs and what you stand for‚ yet‚ when entering in dialogue with others‚ you are open minded about their beliefs and opinions (Cheney‚ 2010). This brings to the table possible shared interests and/or new information‚ or different
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Although short in duration‚ the piece is enormously dense and complex‚ thus making it difficult for an uneducated listener to thoroughly enjoy. An example of total serialism‚ Babbitt employs a variety of textures‚ pitches and dynamics. To a person with an untrained ear‚ this may make the piece sound chaotic and overwhelming. Furthermore‚ the work is so complex that one must listen to it many times to appreciate. The
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is situated in realistic American environment in what could be the present‚ because of the modern things mentioned such as the TV and the phone. Carver’s writing style is to make the story complicated and simple at the same time; the so-called minimalism. An example could be when the mother finds a bloody t-shirt in the trunk of her son’s car. The mother doesn’t like it‚ but the son says: “I forgot to tell you (…) I had a bloody nose.” Not every detail is mentioned in that event or any other event
Free Short story Anton Chekhov Raymond Carver
‘Compare style‚ technique and compositional approach between an early and a late work by Xenakis.’ Xenakis was a forward thinking composer of the 20th century who progressively developed his own ideas of composition. This essay compares the style‚ technique and compositional approach between two pieces written by Xenakis: Metastasis (1953) and Tracees (1987). With both pieces being orchestral‚ comparing the pieces will show Xenakis’s true development. During his studies with Messiaen at the Paris
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is known by his minimalistic writing. The minimalism in the story is shown by the lack of communication‚ and the fact that the story is based on everyday life. The body language is an important tool in the minimalism. The body language brings another kind of communication to the plot. “The humiliation started in his face […]” (page 103 l. 8-13). His emotions are based on the description of his body language‚ and that is a typical mark for minimalism. “I never said anything before‚ she said”
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After several decades of various composers in the like of Debussy‚ Schoenberg‚ and Stravinsky fearlessly challenging the establishment through their own thresholds for dissonances‚ the 1960’s saw a new‚ contrasting approach to rebelling against previously defined boundaries. Unlike the majority of movements found in Western Art music‚ this new movement did not immerge from the depths of European circles‚ but instead‚ in the United States. While there are several parallels that can be drawn between
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[1] The year is 1976 and in the world of postmodern art‚ conceptualism and minimalism were king. These modes of art focused on the ideas behind creating pieces and did not concern themselves much with the piece’s actual aesthetic value. Many contemporary artists stuck to this mold‚ however‚ for Jean-Michel Basquiat‚ the current state may have seemed appealing‚ but he was ready for a change. Art historian Jordana Saggese describes Basquiat as a revolutionary artist. He was at the forefront of hip-hop
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Assessment 5 There are many major developments that one can consider when discussing the influence that contemporary classical music‚ particularly the language of chromaticism‚ pan-tonality‚ atonality and serialism have had on the impact of Jazz. In this piece I intend to focus on developments in modern and post-modern culture that have seen contemporary classical music flourish into a proliferation of new styles and sounds. To help explain this I will give a brief history as well as use examples
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London. * The title means ‘A sudden reversal’- refers to the fact that ideas from the start of the movement return in reverse order towards the end. * A new edition of the work Schoenberg wrote in 1922 * Schoenberg later developed serialism- 12 tone technique using a tone row. * This tone row can be transformed in 3 ways- retrograde‚ inversion‚ retrograde inversion. MELODY * Angular or disjunct melodies‚ Schoenberg uses octave displacement‚ unexpectedly moving individual
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