Digital Cinema –Boon or Bane! In today’s fast paced age‚ with technology upgrading constantly‚ soon filmmakers will be opting for more digital rather than analog prints. Digitization is nothing but electronic software distribution without the use of any physical media‚ utilizing media like satellites & the internet. In the beginning of the decade‚ if the introduction of multiplexes gave the cinema industry a huge boost‚ then digitization will usher in the second phase in the resurgence of Indian
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that seized Morocco as their subject of writing and setting of shooting films down to its strategic and intercontinental locus. Going back to some historical reviews of the literature written about the representation of Morocco in the Anglo-American cinema and literature‚ we find that political‚ economic‚ and religious motivations are various pretexts that legitimize the western representation of Moroccan people together with their different cultural aspects. In Belated Travelers‚ Ali Bahdad has shown
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TURKISH CINEMA NAME : MUHAMMET SURNAME : TARHAN ID : 02031139 BEING A KURD IN TURKISH CINEMA “The best way of spreading and imposing culture‚ political behaviour and literature to other states is cinema” my father always says. Then he adds: “For instance‚ America introduced emperialism and it’s ‘power’ to the whole World via American movies”. Previously‚ i was not be able to comprehend that‚ however‚ after I started being interested in cinema‚ i realised
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Values and Traits of Filipino Films Philippine Cinema has unique values and traits. Don Jose as the Father of Filipino Films labeled the Filipino films as quality content and has a commercial appeal among movie goers. Many of the films created by Don Jose Nepomuceno were received the approval of the box office and win the heart of film critics. Nepomuceno has a mind-set in every movie that he will create that a content of a movie should have the combination of artwork and crass commercialism (Quirino
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century was an exiting time for this business that we call show. The film industry had not restricted itself to Hollywood. The film industry had spread its wings round the world at a fantastic rate. This term paper focuses on the early years of Russian cinema‚ the films that were made‚ and the directors that pushed the boundaries of Russian entertainment. We will trace a path through history; from the beginning of the silent era‚ the introduction of sound‚ and the sound of drums which heralded the beginning
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narrative of Krishna’s childhood is then unfolded revealing his divine self. At the end the great underwater sequence shows Krishna subjugating the demon snake Kaliya followed by the ritual of aarti and celebration. PIFF 2013 100 Years Of Indian Cinema Sant Tukaram Sant Tukaram 1936-35 mm-130-Marathi-Black And White-India Director: Vishnupant Govind Damle‚ Sheikh Fattelal Cast: Vishnupant Pagnis‚ Gouri‚ Pandit Damle‚ Kusum Bhagwat‚ Bhagwat‚ Master Chhotu‚ B. Nandrekar‚ Shankar Kulkarni‚ Shanta
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African Americans have been in American cinema for many years. Since the introduction of African American in cinema‚ there has always been a misrepresentation or negative outlook on this race in cinema. For instance‚ in early cinema there was a wide use of blackface in many films. Blackface was designed to represent a Black person by a White character. For example‚ the actors would dress as mammy’s‚ sing folk songs‚ or use improper language. This act was insensitive and misleading but was used as
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The type of cinemas listed is niche Genre‚ meaning they’re trying to attract a certain type of audience to market to. These niches genre are informative‚ it allows the viewers to get an insight into the culture‚ instead of relying on stereotypes‚ assumption‚ and prejudicial judgments. African American Cinema can sometimes be riddled with stereotypes and negativity of the race and culture. Seldom‚ there is a movie made about the African Americans in the journey into conceding in the corporate America
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Kyle Keitz Professor Mullens Film 221 March 5‚ 2013 Art Cinema Characteristics in Persona According to David Bordwell’s research‚ Hollywood had a basic outline on how they made their films. The classical narrative cinema follows narrative structure‚ cinematic style‚ and spectatorial activity. In Classical Hollywood Cinema there is usually a psychologically defined‚ goal oriented character that’s easy to like. Foreign countries had a different way of making film‚ post WWII‚ Europe reestablished
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TABLE OF CONTENTS CHAPTER I Problem and its Background . . . . . . . . . . . . . . 4 Introduction . . . . . . . . . . . . . . 4 Objective of the Study . . . . . . . . . . . . . . 5 Significance of the Study . . . . . . . . . . . . . . 6 Beneficiaries . . . . . . . . . . . . . . 7 CHAPTER II Conceptual Literature . . . . . . . . . . . . . . 9 Conceptual Framework of the Study . . . . . . . . . . . . . . 9 CHAPTER III Developing the Software Product
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