from text‚ video games‚ or even previous adaptations‚ leading to the phrase “reboot”. This new form of narrative has become immensely popular due to the wide reaching media that now accompanies these films releases‚ creating hype and leading to the cinema becoming more of an event. This new form of film lends itself to the discussion of three key terms; cross media‚ transmedia and intertexuality. In exploring these terms‚ key discussions of the films releases‚ accompanying merchandise‚ sequels and
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Rant about going to the cinemas! The things that infuriate me when going to the cinemas 1. People who take forever deciding what they want. They get their ticket and then what goes on after that goes on ceaselessly. Their like Richie Rich ordering his Christmas list. 2. Anyway after I buy my long awaited ticket I look to see what screen my film is in and BOOM! It’s at screen 2473! Yh thanks for that Odeon. It’s like you want me to run 10‚000m before I go to watch the film. Who do you
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World Cinema CMT 369E 10/30/08 Jean-Pierre Jeunet Jean-Pierre Jeunet is a modern filmmaker born in France in 1953. He is a self taught filmmaker that treats the medium as an art form. His stylized vision shows that form and craft of every detail are just as import as the subject matter‚ if not more. Even with a short list of films under his belt‚ he has already established himself as a master of the craft having been nominated for and winning several awards during his career thus far.
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Cinema Only Entertains; But Does Not Educate the Masses Cinema is one of the major upcoming entertainments in this global village. There are prodigious numbers of films released worldwide every year. It was in those days that cinema both entertained and educated the masses; but in these days it is only just meant for entertainment and it does not teach moral values to the people. There is no doubt that cinema from Hollywood to Kollywood entertains the masses; but it does not educate them
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all have something in common; they all had a science consultant to help filmmakers get the science part of their fictional world right. In this chapter of Kirby’s book Lab Coats in Hollywood: Science‚ Scientist‚ and Cinema he argues the strong connection that exist between the cinema/filmmakers and science institutions/communities. In a world where science meets fiction it is important that the science is accurate to the highest degree. Even animated movies need to the help of a science consultant
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George Melies and his contributions to cinema history The film industry encompasses technological and commercial organizations of filmmaking. The story of the Kelly Gang was the first feature film to be produced and its production was done in Australia. This film was produced and directed by Charles Tait and Dan Barry in 1906. By 1911‚ other countries were also beginning to show some interest in feature films. The modern film industry has evolved over the years and it is still evolving. Famous
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the largest chain of cinemas in Malaysia‚ Golden Screen Cinemas (GSC). It was founded in 1981 as Golden Communications Circuit‚ while the Cathay is the one of the oldest cinemas in Malaysia until 1998. At the same time the website has been launch in 1981. Besides‚ GSC was founded in 1998 as a merger of Golden Communications (GC) Circuit and Cathay Cinemas. The merger has resulted in the biggest single entity in the Malaysian cinema entertainment business. The first GSC cinema to operate in Malaysia
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Classical Hollywood Cinema era took place after the silent cinema era. This was roughly between the late 1920s and 1960s. The start of this “Golden Age of Hollywood‚” began with the film‚ The Jazz Singer‚ which was released in 1927. It was the first movie to have used synchronized voices as a vitaphone talkie. This was how they brought sound into the films. Unfortunately‚ the vitaphone ended up putting the silent film actors out of work‚ eventually putting an end to the silent cinema era. After The
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In the article Visual Pleasure and Narrative Cinema‚ published in 1975‚ Laura Mulvey‚ a British film critic‚ has set out the concept of visual pleasure named scopophilia (Mulvey 485) and explained its presence in Hollywood cinema. She points out that this scopophilia is taken from “the pleasure in using another person as an object of sexual stimulation” (Mulvey 487)‚ explains that when men looked at women‚ men as the subject can get scopophilia by looking at women in the object position. In contrast
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of opening is synonymous with transnational cinema as it lets the viewer know exactly what to expect without the film even starting yet. It is through this that the audience know how to watch the film and critically engage it. Brazilians watching are made aware that the intent of the film-makers is to appeal to other nations as well as their own. The construction of the opening of a national film differs only slightly from that of transnational cinema in that any and all production companies shown
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