Haan mei aurat hoon..... Concept- Written by- Character sketches:- Durga- The main protagonist of our story is bold and beautiful‚ aggressive‚ a good dancer‚ humane‚ outspoken‚ straightforward‚ takes her stand for what she feels is right‚ rebellious‚ selfless‚ sacrificing‚ helpful. Akanksha- She is a ministers daughter‚ she is very similar to Durga. The only difference between them is that Durga is Selfless and Akanksha somewhere is selfish. Vivek- Akanksha’s best friend‚ he’s a darrpok
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DECLINE OF STARDOM AND EMERGENCE OF REAL LIFE CHARACTERS IN MALAYALAM CINEMA: A STUDY BASED ON SALT AND PEPPER‚ TRAFFIC AND ADAMINTE MAKAN ABU INRODUCTION The Malayalam film had a glorious past of 80 years. It has gone through various phases of time and of success‚ failures in various aspects of film‚ of technical changes‚ treatment of the plot‚ editing styles etc. The black and white moving
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Hongkongism in Stephen Chiau Sing-chi’s cinema‚ Pastiche and Localism This article aims to show the Hongkongism in Stephen Chiau Sing-chi’s cinema by analyzing how he creates his own sense of humour and whether it has any type. Above all‚ I would like to correct the ’Reductionistic Reading’ which confuses Hongkongese identities with the political insecurities caused by restitution of Hongkong to China in 1997. Of course‚ nostalgic images in some of his movies may recall pre-1997 Hong Kong
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Odeon Cinemas www.odeon.co.uk Odeon Cinemas targets people who are interested in movies and the new releases updates of film world regardless of the age. Odeon cinemas has a slogan of "Fanatical about films" weaknesses 1- The colors are not eye-catchitng‚ the blue and white are not well-matched together. (design) 2- The font is small (design) 3- the windows of each movie on the home page is relatively space-consuming (design) 4- brand image (from the website too) 5- the steps of the
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How to Learn English Well Improve your English All English learners want to improve their English‚ but as you know‚ it can be difficult! For you to learn‚ you need to work on all areas. The four main areas for you to focus on are: Reading‚ Writing‚ Speaking‚ and Listening. Our English courses promote these ’core skills’ because all need to be worked on for you to learn English well. Here are some proven ways to help you learn. Good Luck! Speaking Speak as often and as much as possible
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Ultimately‚ Atwood and Carter intriguingly critique on the place of women in society at the time through their feminist texts (1980s) where the second wave of feminism looks beyond the right to vote due to complications arising on managing the domestic sphere and the workplace but also allow women to take control of their bodies and sexuality through for example the oral contraceptive. A contemporary feminist concern would also hold female sexuality as a prominent aspect of feminism to challenge
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I love movies. I especially adore those films with an artistic‚ literary quality that is timeless and classical. In my experience‚ Italian movies seldom fail to evoke such feelings in me‚ and Cinema Paradiso was no disappointment. This heartwarming story about a little boy’s love affair with movies‚ and his subsequent coming-of-age in the repressive environment of ecclesiastical censorship and hypocrisy stirred great emotion in me‚ as I expected it would. The young Toto made me feel his awe as
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“French New Wave”: Breathless (1959) The phrase “New Wave” was a blanket term given to a materializing film movement in Europe in the late1950’s and 1960’s‚ mainly in France‚ Italy‚ and England where an abrupt manifestation of brilliant films emerged. This movement consisted of two groups of directors‚ the Cahiers ‚ majorly consisting of critics turned filmmakers and the Left Bank who consisted of individuals who went straight into filmmaking. Jean-Luc Godard was within the Cahier division
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James Goodman 5 March 2005 Auguiste Communication Essay Jean Luc Godard’s Weekend as Didactic Self-Reflexive Cinema According to Stephen Prince in Movies and Meaning: an Introduction to Film‚ Screen Reality is a concept that pertains to the principles of time‚ space‚ character behavior and audiovisual design that filmmakers systematically organize in a given film to create an ordered world on-screen in which characters may act and in which a narrative may unfold.(262) One mode of cinematic
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and Qeysar by Masoud Kimiai. Nevertheless‚ it was following the Popular Revolution in 1979 that the Iranian New Wave movement (as it is known today) began to truly take shape. In parts two and three‚ I am going to ask how and why the post-revolution cinema‚ particularly works from auteur Abbas Kiarostami and Jafar Panahi‚ took on its genre defining conventions. Despite intense interior turmoil‚ the past thirty years have seen Abbas Kiarostami‚ Jafar Panahi and the Makhmalbaf family evolve into internationally
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