unjust. Through the experiences of prisoners of war‚ Bridie and Sheila‚ the audience is presented with a grim picture of the nature of war. In Act One‚ Scene Five‚ a photograph of skin-and-bone children who are dressed in rags is projected. The graphic image shocks the audience as it shows the harsh conditions that these children were put in. This creates a sense of empathy for the children. The mistreatment id then emphasised through Sheila presenting a chop bone. The chop bone represents the harsh and
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Bridie | | | Shelia | | | ACT & SCENE | Spine Summary (3-4 lines) | Quotations | Act 1‚ Scene 1 | | | Act 1‚ Scene 2 | | | Act 1‚ Scene 3 | Eg. Women find themselves in the water and the song ‘Young Jerusalem is sung by young Sheila …. | | Act 1‚ Scene 4 | | | Act 1‚ Scene 5 | | | Act 1‚ Scene 6 | | | Act 1‚ Scene 7 | | | Act 1‚ Scene 8 | | | Shoe Horn Sonata Act ONE Analysis Re read each scene and write a short summary outlining the ‘spine’ of the scene
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attract and engage more customers‚ community‚ individual supporters‚ partners and foundation trusts from all over Britain such as royalmail‚ Lloyds STB‚ The treasure‚ first bus. This allows them to spread the word and raise their image. According to (Mant Head of Development) Furthermore‚ to raise its popularity 2007 Bristol zoo took part a programme or scheme called “businesses in the south west region” the main reason for this was to increase the support they get from partners and
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Sheila struggles because she is broke with 3 kids on welfare single mother and her husband is druggie running in out of the kids life. Sheila is going to classes for her welfare check to help pay for food and water. It’s a once a month paycheck so it’s tough for her. Sheila is struggling when her kids aren’t old enough to work yet. Bo the father of the kids (Arthur‚ Sweetie‚ and Tomekia) and Sheila husband didn’t care about anyone beside himself. It’s the tough time they have to go through everyday
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Rooms Division Management Case Study#3: 10% Total /40 MarksThe Safe Deposit Box That Wasn’t Amanda stood beh... Rooms Division Management Case Study#3: 10% Total /40 Marks “The Safe Deposit Box That Wasn’t Amanda stood behind the front desk of the Metropolitan‚ a 376-room upscale hotel‚ and tried to ignore the butterflies in her stomach. It was just her second day on the job‚ and there was so much to remember! She glanced over at Ron‚ standing at the other end of the
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cold and unfriendly atmosphere; these characteristics very much reflect the family itself. There is a significant contrast between the older and younger generations throughout the play. An early hint of this is evident at the start of the play when Sheila says she would hate it if Gerald became “purple faced” which also indicates to the audience that Gerald will end up like the older generation. The attitude of the Inspector towards each the characters differs significantly which shows the audience
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“This is a fear that is inexpressible‚ incomprehensible to those who have never experienced it‚ a dread that strikes at the root of one’s survival – an existential fear.” Experiences suffered by women and children in WWII Japanese POW camps are reflected in John Misto’s play‚ The Shoe-Horn Sonata. This is shown through a wide range of distinctively visual techniques such as stage directions‚ language‚ lighting‚ music and sound effects that are designed to put the audience in his characters positions
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explored by Priestley in ‘An Inspector Calls’. Priestley uses the characters in the play to present these various types of conflicts. For example: He uses Mr Birling and the Inspector to show conflict within society and the continuous arguments between Sheila and Mrs Birling present the conflict within the family. When we first meet the Birlings in Act 1‚ everything seems calm and they look like a perfect family. However‚ nearer the end the family gets left behind in a mess after the Inspector leaves
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protagonists Bridie and Sheila describe their first sightings of each other as they desperately float at sea‚ Bridie describes her multiple attempts of saving Sheilas life as she “nods off”‚ Bridie hits her with her shoe-horn‚ as Sheila describes “whack‚ whack‚ whack” and “tap‚ tap‚ tap”. Through the use of repetitive hyperbolized onomatopoeia and the heroic symbolism of the shoe-horn‚ Misto has cleverly juxtaposed these characters to show such heroism as Bridie realistically saves Sheila by such an emblematic
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Horn Sonata‚ John Misto highlights the horrific ordeals sheila had to experience in order for her to keep Bridie alive. Survival is a sustained theme throughout this scene which is demonstrated when Sheila states “ Every night when I fall asleep lipstick Larry is waiting. He calls to me and I go to him and no one can change that not even you”. Misto utilises truncated sentences and stage directions to emphasise the traumatic experience sheila went through to save her friends life. Subsequently this
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