Rameshwaram town. For stay‚ there is the choice of the classiest and the most pocket friendly 4 star hotels in Rameshwaram. Nearby Attractions Ramanathaswamy Temple (2 kms)- one of the finest examples of dravidian architecture‚ it is dedicated ti Lord Shiva and is the holiest temple here. Agnitheertham (3 kms) - one of the sixty four scared baths‚ it is located it forms the eastern sea shore opposite the Ramanathaswamy Temple - tourists from the world over come for a holy dip here. Dhanushkodi Beach (10
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Dr.K.R.Seethalakshmi Asso. Professor & Head Dept of Music Queen Mary’s College Chennai – 600 004. INDALA PAN & MIRACLES IN TEVARA TIRUPPADIGAMS Abstract: gz;ZsPuha; ghl;Lk; MdPh;’ PANNULIRAI PATTUM ANIR gj;jh; rpj;jk; gutpf; nfhz;Bh; PATTAR CHITTAM PARAVIKKONDIR (TIRUVENKADUPADIGAM – SUNDARAR) ‘PAN’ is the divine gift endowed with the power of miracles. It is the language of pure sound‚ capable of expressing subtle thoughts‚ delicate shades of feelings‚ sublime ideas effectively
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The word Muniandi is a combination of two words‚ Muni and Andi. The word Andi could be defined in two ways. One referring to slave of God and the other ruling (as in ruler). The second explanation could be derived from the word Aandavar which literally means he who rules. The reason for this explanation is the word Andi being used for other Gods in the Tamil Hindu pantheon. Please refer to the following examples: Brahma - Virumandi Vishnu - Mayandi Siva - Peyandi Murugan - Malayandi As such
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My class is full of wonderful characters that make all of us cheerful to study. There are twenty-two students in my class and only seven of them are boys. Our form teacher is Encik Azmi bin Nusi. We have a wonderful monitor who does every job given to her responsibly. She is Uma Devi a/p Nagiah and she never complains about doing jobs without an assistant. Most of the students are Malays. There are only four Indian girls and four Chinese students. Our class is one of the noisiest class because of
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The very first elaborate account of the holy city of Gaya (then Gaya-kshetra) is in the concluding section of the Vayu-Purana (Hindu Religious text‚ dedicated to the wind God‚ Vayu)‚ which comprises a total of eight chapters (Source : Barua‚ Benimadhat; Gaya and Buddha Gaya‚ Volume -1‚ 2014). In the Vayu-purana‚ “Brahma is said to have declared that the entire tract of Gaya was 5 krosas (a distance of two miles) [2] in extent; that Gaya proper representing the inner zone of the tract of Gaya was
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Religions unites and fulfills basic functions of a society. Many aspects that make up a Religion can be applied to sports‚ family events‚ and important life events‚ such as marriages or births. Hinduism in India can develop a riff between people based on caste but also fulfills the basic function of its society. Three of the most intriguing aspects of Hinduism that I am able to connect to my personal experience are the use of the Puranas‚ the Ganga river‚ and their view and response to death.
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In the Victory over Vritra‚ the myths involved seem to have an overwhelming biased when the story telling begins. Vritra is obviously the unflavored‚ while Indra is clearly the opposite. Indra is described as a noble warrior‚ while Vritra is portrayed as a coward and fool to challenge such a god like Indra1. Indras powers are also depicted as all-powerful and swift. The way Indra deals his blows is described in such a way that Vritra is the god that is at a disadvantage. Indra deals a blow from his
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Upon closer examination of the Vishnu sculpture shown above‚ one can begin to understand how the artistic aspects of expression/anatomical configuration‚ symbol‚ material‚ and scale both reflect and illuminate specific facets of the historical context in which it was created. The Hindu god Vishnu‚ preserver and protector of the cosmos‚ is said to take on the form of an avatar in order to combat the “destructive forces” that threaten to extinguish moral order (Kossak and Watts 2001: 16). In this piece
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Detailed Deva Puje Paddhathi- 1 Reference: Deva Puja (Madhva Sampradaya) By Sri T. G. Ramachandra Rao Chennai‚ 600 018 Tel # 24995664 PREFACE: The pancharathra is the source for the puja for prathimas. Jagad Guru Sri Madhvacharya in his work Tantrasara sangraha has given detailed guidelines in 442 shlokas‚ for performance of devapuja by individuals dailly at home as well as the procedure for installing a deity in a temple & its puja procedure. Sri Jayatheertha (Teekacharya) has in a brief
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When finding a definition for ‘art’ the only phrase that comes to my mind is the expression of one’s creative skill and imagination. The word imagination brings out this thought of largeness and expressiveness to me and therefore when viewing a large painting‚ one immediately gets drawn towards it and tries to create a connection with the painting. Shahzia Sikander was an artist who was known for her embrace of miniaturist paintings in the Indo-Persian style. To many‚ miniature paintings seemed somewhat
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