Words to avoid in proposals Crutch words – used when writers don’t understand what to say We understand… Never use the word “understand” in a proposal‚ other than in a section heading. To say “we understand your requirements” obfuscates any understanding and is‚ by definition‚ an unsubstantiated claim. On the other hand‚ if you say something insightful about how you will fulfill the requirements‚ the reader will see that the bidder understands the requirements. Understanding should be demonstrated
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paradox. While everyone was flustered I would have been oppressed and I’m not a very hardy person. I would have felt melancholy‚ but back to learning about the universe. It is true that we only have 8 planets. However‚ the solar system is comprised of 100s of different miscellaneous worlds which are very adequate. Some of the moons and minor planets are more massive than Mercury. Some have active volcanoes and oceans of liquid methane which is quite hazardous and random. Almost every planet and some
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100 Words for Facial Expressions 1. Absent: preoccupied 2. Agonized: as if in pain or tormented 3. Alluring: attractive‚ in the sense of arousing desire 4. Appealing: attractive‚ in the sense of encouraging goodwill and/or interest 5. Beatific: see blissful 6. Bilious: ill-natured 7. Black: angry or sad‚ or see hostile 8. Bleak: see grim and hopeless 9. Blinking: surprise‚ or lack of concern 10. Blissful: showing a state of happiness or divine contentment 11. Blithe: carefree‚ lighthearted‚ or heedlessly
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I really enjoyed reading A Loss for Words: the Story of Deafness in a Family. I found the book to be a pleasurable and extremely fast read. Lou Ann Walker definitely has an impacting touch on anyone who reads her story. This story highlights the challenges of being different. Her parents being deaf really caused a strain on her lifestyle. Also‚ the reactions of others affected her tremendously. Lou Ann really opens the eyes of those who do not understand deafness. How the deaf community functions
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“THE DREAM OF THE ROOD”: The poem is arranged as the narrator having a dream and in his dream he is communicating with the cross on which Jesus was crucified. The stanzas are split up into separate sections. Around section one‚ the storyteller has a vision of the cross (a sign). At first when the dreamer sees the cross‚ he summaries how it is covered with gems. The dreamer is also mindful of how vile he is compared to how magnificent the tree is. In spite of this‚ he occurs to him that among the
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by adding‚ subtracting‚ or modifying something‚ what would you change? Present your answer and explain the reasoning that justifies it in a 100-200 word response. A. 2. Recall an incident in which you or an acquaintance experienced a communication breakdown because of a verbal or non-verbal linguistic barrier. Chronicle this incident in a 100-200 word response. 3. This chapter questions the statement that no people can see the same thing because the statement is self-discrediting. If the
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research on children in the 1960’s. 7.at best 充其量，最多 Hunting is at best a precarious way of procuring food‚ even when the diet is supplemented with seeds and fruits. 8.at intervals 相隔一定距离 However‚ at intervals of 10 to 100 years‚ these glaciers move forward up to 100 times faster than usual. 9.at the expense of sth 在损害…的情况下 A multitude of microorganisms make their livings directly at the expense of other creatures. 10.at the height of sth 在…最鼎盛时期 The violin had reached the height of
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Fry’s First 100 Words 1. the 2. of 3. and 4. a 5. to 6. in 7. is 8. you 9. that 10. it 11. he 12. was 13. for 14. on 15. are 16. as 17. with 18. his 19. they 20. I 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. at be this have from or one had by words but not what all were we when your can said 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. there use an each which she do how their if will up other about out many then them these so
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‘100’ Dramaturgy Playwrights Biographies ‘100’‚ started with an email from the Arcola Theatre in London‚ in July 2001 (Heimann‚ C. 2002)‚ is a play that was written by Neil Monaghan‚ Christopher Heimann and Diene Petterle‚ a television/film producer and director. The play was produced by “The Imaginary Body” at the Edinburgh Festival Fringe; which Monaghan‚ Heimann and Petterle‚ have written the piece for. Christopher Heimann has directed Interior at the Young Vic Theatre in London‚ while directing
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HolgateG 2010-10-06 20:23:53 -------------------------------------------- MigrationConfirmed set by HolgateG Qualitative Research THE READER’S COMPANION WORKSHEET Article Title: Author(s): TITLE Topic of interestYes ❏ Method of interest Yes ❏ Population of interest Yes ❏ No ❏ No ❏ No ❏ Maybe ❏ Maybe ❏ Maybe ❏ ABSTRACT Results usefulYes ❏No ❏Maybe ❏ INTRODUCTION Why is the study being done (i.e.‚ the problem‚ concern‚ issue)? What is the purpose of the study or the question(s)
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