In the play‚ “Othello”‚ Shakespeare writes not only about the love between men and women‚ but exposes the character traits and flaws that are particularly vulnerable to the smooth talking of the archetypal devil or villain‚ Iago. Throughout the play we see and hear how the manipulation of character traits that we all possess can play out in all sorts of relationships. With each character‚ Shakespeare explores the possible outcomes for any person if he or she were to ‘feed’ that part of themselves
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OTHELLO ESSAY Shakespeare’s domestic tragedy Othello continues to engage audiences through its exploration of race and gender power plays- universal concerns that transcend time and place. Othello is a warning for those who attempt to usurp the Elizabethan chain of being power structure. Those people‚ who attempt to contravene the divinely constructed social order‚ are punished for their anomalous actions. Through extracting the perennial power relations of the play‚ a Marxist and Feminist paradigm
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Tragedy of Desdemona In the play “Othello the Moor of Venice” by William Shakespeare‚ Desdemona is the Venetian beauty who upsets her father Brabantio‚ a Venetian senator by eloping with Othello‚ a man several years her age‚ she is introduced confessing love for Othello to her father Brabantio before the Venetian senate‚ where she expressed her feelings toward her father and at the same time proved loyal to Othello. Desdemona is simply a good person‚ however during the course of the play her character
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Act 4‚ Scene 1 1. a) Othello falls down because he believes that Desdemona is cheating on him and passes out in fear b) Iago is very happy and proud of his work when Othello passes out 2. Iago tells Othello that if he listens to his and Cassio’s conversation he will get Cassio to admit that he is having an affair with Desdemona 3. a) Iago jokes with Cassio about Bianca so that it seems like Cassio is laughing about the affair he is having with
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MAJOR WORKS DATA SHEET | |Biographical Information about the Author | |Title: Othello_______________________________ | | |Author: Billy Shakespeare_____________________ |
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appearance vs. reality is apparent in the character of Iago as he is often described as being honest and having a trusting nature when in reality he is unfaithful and manipulative. Iago’s unfaithful character is established from the very first scene in Othello as he explains using a loyal tone‚ “I follow him to serve my turn upon him.” Iago’s two-faced character is further highlighted in the scene where he is having a conversation with Brabantio using hyperboles and symbolism to express his dishonesty‚
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of love‚ death‚ and betrayal. Shakespeare repeats these themes to set the mood through his works. It is important for Shakespeare to be consistent with his themes‚ or the plays would lose their meaning and mood. All of these themes are present in Othello‚ but the most dominant is the theme of jealousy‚ which presents itself multiple times throughout the play. We see the kind of jealousy which is envy of what others have‚ and as the kind of which is fear of losing what we have. According to The New
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challenging to have an inter-racial relationship because of the views humanity has against it. This view has always been present‚ even in the 1600’s‚ when the tragedy of Othello‚ by William Shakespeare‚ was written. Many questions occur when discussing this play like: Is the tragedy of Othello a racist play? Many people argue that indeed‚ Othello is a racist play‚ but it is not. The play does contain several racist remarks and characters‚ but Shakespeare’s intentions are not to make it a racist play‚ but
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Shakespeare’s Othello: Iago‚ the Master Manipulator William Shakespeare’s “Othello” is a play consumed with deception‚ jealousy‚ and revenge‚ mainly caused by a powerful “villain” named Iago (1.1.28). Although Iago presents himself as everyone’s honest friend‚ he is always trying to manipulate and deceive them‚ as shown in his words “Whip me such honest knaves” (1.1.50). This heartless character even manipulates everyone around him including his companions Cassio‚ Rodrigo‚ and the Moor‚ Othello intending
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“Toadstools‚ and butterscotch!? What a horrid combination! Why on earth would anyone wish to consume that together?” I flung down the folded (crumpled) letter. The first letter I received from my dearest friend Leonora in months‚ and she talked about how she and her mentor made a new potion with toadstool and butterscotch. Disgusting. “What are ye huffin’ about now‚ child?” My short‚ round mentor shuffled past me with her arms full of some large birds that twitched unnaturally. She was the kind
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