English 100 14 September 2013 Memories From the Past The written text and photograph for Judith Ortiz "Silent Dancing" reflects back on Cofer’s unhappy confusing childhood. Cofer recalls most of her memories from a silent video; both the story and photograph paint a garden of grey memories of isolation‚ unsettling situations‚ the struggles of assimilation‚ and the sadness she experiences as a child. My goal of this essay is to compare and explain the similarities of Cofer’s text
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Ghost from the Nursery: A Book Review by Claudia Claudia Quezada-Commerford FSHS 305 Kansas State University Ghost from the Nursery: A Book Review by Claudia In the ‘Ghost from the Nursery: Tracing the Roots of Violence’‚ the authors set out with the goal to make readers aware of the importance of the first period of a child’s life. They are seeking to explain the rise of violence in the United States‚ with children being the fastest growing criminal population. The authors
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Essay Nonfiction Story In the short story Lessons of love‚ from Silent Dancing by Judith Ortiz Cofer; she uses literary devises to send the purpose of her love story. Cofer’s many literary devices where that of detail‚ simile‚ and personification to emphasize her message and the lessons she learned from her experiences. The use of Cofer’s simile being added helped the reader see better the description of the Italian guy. She mentions “He looked extraordinary like a young Marlon Brando – down
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The Dancing Girl Summary This story takes place in Bangkok‚ and is the story about a mans long lost love who goes away and comes back. Although the two never fell in love‚ he shared this love with her‚ but it was not returned back to him. This woman had been the prettiest girl in the village ever since she was a little girl. All the men showed interest‚ and tried there hardest to gain her attention‚ but she did not give any one of them any attention. She would work on her fathers boat‚ gutting
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Dancing Skeletons‚ written by the biological and nutritional anthropologist Katherine Dettwyler‚ is an ethnography about child nutrition and development in Mali. While conducting her ethnographic fieldwork‚ Dettwyler had to remain completely impartial and any avoid any ethnocentric feelings that she experienced‚ as well as practicing cultural relativism. Cultural relativism is the principle that people should not judge the behaviour of others using the standards of their own culture‚ and that each
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In the book “Dancing with Skeletons” by physical anthropologist Katherine A. Dettwyler‚ Dettwyler conducts a first hand study also known as ethnography in Mali which is located in West Africa. Dettwyler’s book consists of written information of her ethnography in places in Mali such as Macina‚ Bamako‚ and Timbuktu. Dettwyler writes in her book about the CARE health projects in the villages located around Macina in northern Mali. In this essay I will be discussing the goals of the CARE health projects
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Shay Conley 11/09/2011 Research Paper Dancing “Fun.” “ Flowing.” “ Elegant.” “Wild.” “Graceful.“ “Beautiful.” These are all words describing a body movement to the rhythm and beats of music. “Dancing is your pulse‚ your heartbeat‚ your breathing. It’s the rhythm of your life. It’s the expression in time and movement‚ in happiness‚ joy‚ sadness and envy.” ( “What is the Meaning of Dancing“) Dancing can be done with a partner or alone. The origins‚ styles‚ and important forms
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spirit can survive and triumph even in the most difficult of circumstances. My last image of Ami‚ the one I will always carry in my heart‚ is of a small child‚ all smiling face and waving arms‚ bursting with affection and goodwill‚ undaunted.” (Dancing Skeletons p. 1409) This example influenced me to consider Cultural Anthropology as an option of work. I would want to create friendships like how Kathy was able to with Ami‚ the little girl she
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SILENT MOVIES Talk to people who saw films for the first time when they were silent‚ and they will tell you the experience was magic. The silent film‚ with music‚ had extraordinary powers to draw an audience into the story‚ and an equally potent capacity to make their imagination work. They had to supply the voices and the sound effects‚ and because their minds were engaged‚ they appreciated the experience all the more. The audience was the final creative contributor to the process of making a film
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also be ceremonial‚ competitive or erotic. Dance movements may be without significance in themselves‚ as in ballet or European folk dance‚ or have a gestural vocabulary or symbolic meaning as in some Asian dances. “There is a bit of insanity in dancing that does everybody a great deal of good.” Edwin Denby. Dance has not left behind identifiable artifacts that prove when dance was created. It is not possible to place a date on when it became part of human culture. For billions of years people
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