The Yellow Wallpaper and The Strange Case of Dr.Jekyll and Mr.Hyde represent the gothic genre‚ it can be viewed as too simplistic because of the complexity within the Gothic genre; both showing clear distinct differences between each other. ‘Dr.J+Mr.H’ explores the Duality of man through the beast like character of Mr. Hyde‚ with clear conventions of the Classic Gothic. TYW on the other hand representing the modern Gothic‚ replacing the supernatural with the irrational‚ which is not seen as monstrous
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French Architecture France is a country rich in architecture. You can spend all your days day walking through the streets of Paris‚ or any other region‚ visiting the museums‚ and taking pictures next to one of the many impressive monuments. France has many old monuments and some of them they are in well good condition like the Maison Carrée and the Pont du Gard near Nîmes. The Carolingian dynasty of Charlemagne was a period of innovative buildings‚ using the Romanesque architecture‚ which gave
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The Evolution of Architecture due to several analyzed themes (Gothic architecture and Modern architecture) Abstract This paper contains a comparative analysis of the evolution of architecture in relation to Gothic revival and Modern Architecture. In this comparative analysis the similarities and differences of each style are highlighted and discussed. It further discusses and illustrates the elements which are unique to each style. The buildings which are the subject of this analysis includes:
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Gothic sculpture was closely tied to architecture since it was used primarily to decorate the exteriors of cathedrals. The earliest Gothic sculptures were figures of saints‚ and the Holy Family and were used to decorate the doorways‚ or portals‚ of cathedrals. At Rimes‚ the facade covers a large area and is one of the most opulent groupings of sculpture in any Gothic church is more relaxed and naturalistic appearing‚ a trend that culminated in the sculptural decorations of the Reims Cathedral. The
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There were many differences and similarities between the rise of the Islamic and Byzantine Empires. Both of these empires rise to power was greatly influenced by military force. The Byzantine Empire had both a strong navy and military‚ while the Islamic Empire had the Rashidun Army. Another key similarity in the rising of the two empires was the influence of trade. Both of the empires helped develop and come to be through traveling merchants along the Silk Road. Even though how the empires cam to
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The Gothic Age Introduction The Gothic Age As the third year that followed the year on thousand grew near‚ there was to be seen over almost all the earth‚ but especially in Italy and in Gaul‚ a great renewal of church buildings; each Christian community was driven by a spirit of rivalry to have a more glorious church than the others. It was as if the world had shaken itself‚ and casting off its old garments‚ had dressed itself again in every part in a white robe of churches. Raoul Glaber‚ Historia
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During the Emperor Justinian’s reign‚ from 527 until 565‚ the Byzantine Empire expanded in wealth‚ power and prestige. Much of this was due to Justinian’s skilful rule. There were also periods of retrenchment and plague which often makes the period seem an unsuccessful one‚ although I believe these times showed his quality as an Emperor. One reason that the Empire expanded under Justinian was because of his ability to pick exceptional advisors. The men that he gave power to owed this to him and
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Gothic Cathedrals Basilica Church of Saint-Denis‚ built by Abbot Suger and completed in 1144‚ is often cited as the first truly Gothic building. Gothic Cathedrals represented a new style of architecture‚ and reflected the social change going on in the medieval times. The elaborate walls and colorful glass show the change beginning to occur. Before we got to the wonderful cathedrals we see now‚ everything was described as “Romanesque” type of architecture. Then once we get to 1144 Abbot Suger is
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01.05 The Byzantines: Objectives Who Were the Byzantines? The Roman Empire had stretched so large by the fourth century CE that it had several provincial capitals. The two most important political centers were Rome in the West and Constantinople in the East‚ which had formerly been called Byzantium. The emperor‚ Constantine the Great‚ rebuilt Byzantium to resemble “Old Rome‚” and so this political center became known as the “New Rome.” Although those who lived in Constantinople referred to themselves
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culture‚ it is also no longer the expression of our culture”. This move‚ which separates ornament and culture‚ links Modernist architecture to the culture of modernity. Reading this now two things emerge. The first is a statement of intent – Modernist architecture clearly defines itself in relation to culture. The second is a question – how today can the relation between architecture and culture to be understood? Despite the clarity of the Loos’s definition‚ this contemporary question has a persistent quality
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