SENTENCE PATTERNS: SAMPLES 1. S--Vi--(Adv.) (Subject--Intransitive Verb--Adverb‚ usually optional) The man coughed (loudly). The audience laughed. The guest has arrived. The children walked down the street. The waiter hurried away from the door. Note: An intransitive verb is an action verb that does not require a direct object or a complement to complete its meaning. The word "intransitive" literally means "does not carry across." Therefore‚ the action of the verb does not transfer
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according to Chomsky‚ is its creative nature. The last sentence (and‚ in fact‚ this one) have probably never been produced before in the history of the world. the same is true for much of what we say every day. So‚ we do not seem to learn or to speak language by purely imitating other people. How are we able to judge whether a sentence sounds okay? Can we literally have a list of sentences in our mind against which we check each new sentence we hear? Chomsky argues not‚ since our brains are
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"wh-" questions about the underlined parts of the following sentences: 1. The English teacher gave us a test last week. 2. People often go to pubs in London because they have accessible prices. 3. The top model is wearing a silver dress tonight. 4. The weather was warm and sunny yesterday. 5. Nothing has happened so far. 10 points (5 x2p= lOp) SUBJECT II Find the mistake and write the correct sentences on your answer sheet. (Some sentences may be correct). 1. A snake hasn’t got legs. 2. When
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Dream Deferred”) by Langston Hughes has many similes and instances of personification. The poem’s first simile is a question about what happens to a dream that is put on hold: “Does it dry up like a raisin in the sun”. This comparison suggest that just as a raisin loses its physical substance‚ so too does a dream deferred lose its meaning. The “dream” that Hughes probably has in mind here is for African Americans gaining equal rights. The poem’s third simile occurs in lines 5 and 6:“Does it stink like
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Aeneas and Mezentius Book ten of The Aeneid incorporates varied similes on the heroic figures of Aeneas and Mezentius. These similes further illustrate to its audience the character and nature of Aeneas and Mezentius. Lines 778 to 783 offers an epic simile of Aeneas‚ “Just as Aegaeon‚ who had a hundred arms and hands-they say-and fire burning from his fifty mouths and chests‚ when he clanged at Jove’s thunderbolts with his fifty shields‚ each one just like the other‚ and drew as many
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emphasise the politeness of the birds in the first two sentences. The phonology of the passage is that onomatopoeia is used in the word “whistling” and in the phrase “rustling like silk”. The phrase is emphasising how softly and smoothly the birds are flying. “As the slow sea socked at the shore” is another example of sibilance to show how polite these birds are. Passage one begins with an antonym‚ “black and white”. This shows that the sentences are broken into clauses‚ which shows the agitation. The
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Sentence Structure and Avoiding Run-on Sentences Sentence Structure Depending on the number and type of clauses they contain‚ sentences are classified as simple‚ compound‚ complex‚ compound-complex. 1. Simple Sentences A simple sentence contains only one independent clause. Without dancing‚ life would not be fun. A simple sentence can also contain compound elements (subject‚ verb‚ object). Evil enters like a needle and spreads like an oak. (compound verb) 2. Compound sentences
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CONDITIONAL SENTENCES (‘if’ sentences) A.G.N.Sudath (JP) Bachelor of Education‚ National Diploma in Teaching English Former National Trainer at the PIC at the Ministry of Education Visiting Lecturer of English – University of Sabaragamuwa Conditional Sentences Structure : A conditional sentence is composed of 2 parts : If-clause + Main Clause Example : If it rains tomorrow‚ we will not come. If-clause Main Clause These sentences are in two halves (clauses): The if part - (if clause)
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the bounty of Autumn whereas the extract has 2 paragraphs which is known as continuous pros. He introduces the reader to the market with the opening sentence e.g.:’’ so up we went and found ourselves in the vegetable market.’’ This function is a discourse marker ‘’up’’ - prepositions - because he changed word order around. It’s got stress on the sentence along with inverted syntax that takes us up on to narrative stance. Conferring to text B the Narrative stance‚ he uses are reflective pronouns - ourselves
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it brought may now have the chance to comprehend it. The entire poem is a single sentence and the overall structure is unusual‚ with no rhyme‚ rhythm or pattern. This means the readers can read it as their own thoughts‚ enabling anyone who underestimated the war and its consequences to now develop some idea of how meaningless the masses of deaths were and how little recognition they were given. With sentences like All day‚ day after day‚ they’re bringing them home‚ and‚ they’re bringing them in
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