Metropolis Homework Task 1 Definitions: Utopia - Utopia is an ideal community or society possessing a perfect socio-politico-legal system. The term has been used to describe fictional societies portrayed in literature. It has spawned other concepts‚ most prominently dystopia. Dystopia - dystopia is the idea of a society in a repressive and controlled state‚ often under the guise of being utopian. Dystopian societies feature different kinds of repressive social control systems‚ and various forms
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movie ever produced at Germany’s UFA‚ Fritz Lang’s gargantuan Metropolis consumed resources that would have yielded upwards of 20 conventional features‚ more than half the studio’s entire annual production budget. And if it didn’t make a profit at the time -- indeed‚ it nearly bankrupted the studio -- the film added an indelible array of images and ideas to cinema‚ and has endured across the many decades since its release. Metropolis had many sources of inspiration‚ including a novel by the director’s
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Dystopian texts portray worlds in which oppressive societal control and the illusion of utopia is maintained through propaganda and indoctrination at the expense of altruistic human values. Fritz Lang’s expressionist‚ science-fiction film Metropolis (1927) and George Orwell’s dystopic novel 1984 (1949) both critique the imposition of conformity and excessive control in society‚ as well as caution against misguided scientific hubris‚ whilst highlighting the significance of the individual. Through
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Georg Simmel‚ in his work “Domination and Freedom”‚ identifies domination as a form of interaction. He claims that both the superordinate and the subordinate parties interact intentionally. By this assumption‚ he concludes that domination never totally kills freedom unless there is a case of physical force executed on subjugated party. The aim of this work is to demonstrate that Simmel’s argument advocating that mentioned interaction is mutually determined is fallacious. Simmel definitely misses
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1. Introduction. While Simmel is generally not regarded as being as influential in sociology as were Marx‚ Weber‚ Durkheim‚ or even Parsons‚ several of the early United States sociologists studied with or were influenced by Simmel. This was especially true of those who developed the symbolic interaction approach including writers in the Chicago school‚ a tradition that dominated United States sociology in the early part of this century‚ before Parsons. Georg Simmel (1858-1918‚ Germany) was born
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Georg Simmels’‚ The Stranger‚ gives us an in depth view of who strangers are and how they affect the community they are apart of. It combines the seemingly contradictory qualities of nearness and farness and how they connect to the broader social communities. The behavior of a normal or "inside" group within a society is standard‚ thus causing every other behavior that is different to this norm to be negative. The stranger is valued for his or her objectivity‚ for being able to take a distanced
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Simmel’s Stranger The Stranger is a paper in human science by Georg Simmel‚ initially composed as an excursus to a section managing humanism of room in his book Sociology. In this article‚ Simmel presented the idea of the outsider as a one of a kind sociological class. He separates the outsider both from the outcast who has no particular connection to a gathering and from the wanderer who comes today and goes away tomorrow (Jackson‚ Harris & Valentine‚ 2017). The stranger comes today and does
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movement. George Orwell was inspired to write by the totalitarian regimes of his time such as Hitler and Stalin. He also wrote with his Democratic Socialist views in mind‚ advocating for those who were of the poorer classes. The 1927‚ silent film Metropolis‚ directed by Fritz Lang‚ has a divided society between the wealthier people in the city and the poorer‚ working class living underground and working long hours
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The first half of the twentieth century brought about rapid technological advancement in such a short time period. With these emerging technologies brought the increasing reliance of the machine. The dystopic futures of Fritz Lang’s Metropolis and George Orwell’s Nineteen Eighty Four foreshadows the impeding totalitarianism of a sentient machine. The dehumanising effect created by the machine widens the gap of the social hierarchies‚ increasing disparities between the working class and the upper
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Metropolis Fritz Lang’s Metropolis is a very influential movie that portrays several underlying meanings that allows the viewer to distinguish for himself. Metropolis was the first science fiction film made‚ which symbolized a new mark in the film industry. It was produced in Germany in 1927‚ directed by Fritz Lang. This film tells a story of the world of thinkers and workers. The thinkers are people who live in a life of luxury. The workers are the people who live underground
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