Chapter 5: Lines Types of Line: can create value in drawing Analytic AKA: descriptive or classical Like contour lines‚ describe edges of objects in space or simply divide space Expressive Don’t describe any actual objects but are records of movement of the artists’ brush highly personalized Implied Line (2 types) * “Function of Line of Sight” – lines that are not drawn but are suggested by movement or poses within a painting * Broken section in a drawing where the eye will complete
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God of Father‚ and angels. Next is colours‚ it shows warm and cool colours. The cool colours are blue‚ white‚ and green. The warm colours are dark red which is shoes the big cloak cover around by children and the God. The fourth is texture‚ it shows simulated texture which is imitate to the muscular shape because it is looks realistic. Last one is value‚ it shows are 3D value and high key value. The 3D value is the muscular shape and shadow shows more 3D. The high key shows bright colours which is
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TEXTURE • Refers to the perception of touch which distinguishes a wide variety of surface qualities. Texture can be imaginary. • It exists as a literal surface we can feel‚ but also as a surface we can see‚ and imagine the sensation might have if we felt it. • Texture can also be portrayed in an image‚ suggested to the eye which can refer to our memories of surfaces we have touched. TEXTURE IN 2D • The tradition of rendering simulated textures goes back to classical antiquity in the paintings
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KATHY BUTTERLY Tiffany Botts Written for ART IN AMERICA I chose this magazine because it focuses on the contemporary art world. This includes the artist’s bio and style‚ information about movements in art‚ show reviews and event schedules. It is designed for artists‚ art professionals‚ collectors‚ vendors‚ and other consumers who are interested in every aspect of the art world. The magazine contains thorough descriptions and opinions of painting‚ photography‚ and sculpture. The art of Kathy
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block of stone on the floor that Michelangelo is leaning on. I also see some illusionism giving a sense of space going on as pertaining to the use of one point perspective‚ through the floors and the coffers and the celling. The use of simulated and actual texture and repetition in these areas also help create some of these illusions. There are different
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Design Analysis of Paul Klee’s Possibilities at Sea Artist: Paul Klee Title: Possibilities At Sea Size: 24” by 24” Year: 1932 Line: There is heavy use of contour line and line as symbol. The entire concept and composition are defined primarily through the heavy use of line and linear elements. The boat is constructed from thin red and white lines – the white lines defining the shape of the boat and the red lines providing a supporting structure vertically and horizontally. There’s also
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Different lines encourage this. Line Types Contour - Line which are brief descriptions of an object. Calligraphic - Captures the expressive qualities of an object‚ quick flowing marks. Tonal - Represents shapes‚ form and textures in objects Visual - Represents texture Tactile - Drawings as themselves can be textile Line Direction Circles‚ curved lines - movement ‚ progression. Vertical - Elevation‚ formality. Horizontal - Intimacy‚ restful and peaceful. Moderately curved - Harmony‚ graceful
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one part to another in a definite order. Proximity is another unity design elements‚ all the parts of the art are grouped together‚ clustered‚ and enclosed into sets (Malloy‚ 2014). The art displays harmony‚ where related materials‚ colours‚ and textures are used. The unity design is brought about by harmony‚ whereby‚ the related colours and materials are utilised in the elements‚ such as flowers. In the Indian artwork‚ the unity is displayed through proximity; the elements of the artwork are grouped
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depth in her work‚ Edmari uses overlapping‚ when one object covers part of a second object. Furthermore‚ she uses a lot of primary colors‚ yellow‚ blue‚ and red‚ to depict the coral under the water. Her coral has visual texture‚ impression of actual texture or simulated texture‚ that shows the different ridges and craters. This artist and her work was very interesting to learn about. Her transition from painting figures to doing water and then combining them to doing figures in the water was very
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1.1 What is *Haptics*? Haptics refers to sensing and manipulation through touch. The word comes from the Greek ‘haptesthai’‚ meaning ‘to touch’. The history of the haptic interface dates back to the 1950s‚ when a master-slave system was proposed by Goertz (1952). Haptic interfaces were established out of the field of tele- operation‚ which was then employed in the remote manipulation of radioactive materials. The ultimate goal of the tele-operation system was "transparency". That is‚ an user
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