1. Ives structure doesn’t really use the true march structure. It has more of a five part sectional that brings back the opening march. Ives uses polytonality and polyrhythm for his music to make it seem like you are in the picture. This adds more energy and power to his pieces. One of the major achievements of the 20th century. He uses quarter tones that fiddlers play off beat. He is familiar with it and compares it to everyday American Life. He uses other music from other pieces and in his
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almost all pieces of literature. However‚ no piece of literature has a confidant character as complex as the Phantom in the musical "The Phantom of the Opera". The Phantom is a turn from the traditional confidant‚ who would be a friend of the heroine‚ or Christine in this case‚ and turns from a confidant to the main antagonist. The Phantom of the Opera used the Phantom as a confidant to add depth to his and Christine’s relationship‚ and also to be able to contrast the different ranges of human emotion
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other at the first glance‚ but if you study them close‚ they actually have many similarities. One of Donatello’s best-known work portrays David after he defeated Goliath by striking him with a stone and cutting his head off with Goliath’s own sword. Donatello was the first artist that created a nude life-sized sculpture since antiquity. His bronze sculpture of David indicates that he completely mastered the classical tradition of art. Particularly his sculpture reflects the style of Polykleitos who
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Opera and Musicals Opera and musicals are popular performing arts of the world. Since a majority of people think that musicals are a lighter and an easier genre of performing art than opera‚ musicals are more widely appreciated than opera in this century. Opera and musicals both consist of music‚ stage‚ story‚ performer and audience‚ however‚ there are numerous differences among these elements. Opera’s history begins in Italy in late 16th century with a group called Camerata. Camerata was
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|[Type the company name] | |Seventeenth Century Venetian Opera | |Cultural and Economic Factors | |
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if viewed or taken from another perspective. The Phantom of the Opera is a classic‚ musical romance film popular because of its emphasis on love‚ constant entertainment‚ and powerfully touching music. The Phantom of the Opera is a popular novel and play which is still determined as one of the longest running show in history‚ and one of the most lucrative entertainment enterprises of all time. Both versions of the Phantom of the Opera movie‚ having radical differences but still being of the same kind
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While opera had been thriving in Europe since its beginnings in the 16th century‚ 19th century America was still a relatively young‚ focusing its growth elsewhere. Musically‚ opera did not appeal to the common American‚ who was much more interested in simpler tastes. Interest in opera was mostly shared among the upper class elite‚ and due to the lack of a middle class‚ wasn’t largely established in the general public until the turn of the 20th century. Socioeconomic limitations reinforced the exclusivity
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weather is hot and great. There are amazing famous monuments to look at that have great history behind it. I would go and be like David Attenborough! This is because he’s interested in all nature and animals. He gets focused on the rare and beautiful views and living creatures. That’s what I want to do!! I would visit all the great famous places like Sydney opera house‚ Phillip Island‚ Sydney harbour and Ayers Rock. I really think that Australia is a caring‚ beautiful‚ friendly environment to live
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satirical matter to draw attention to hypocrisy. Opera in particular constantly reflects the already built social constructs around the composer and the time. It is like a self-fulfilling prophesy because that music broadcasts to the general population these constructs and they are then reflected in the music. Opera shows the public how men and women are supposed to act and art imitates life (and vice versa). A classic example of gender roles in opera is Monteverdi’s Orfeo and its argued role reversal
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