the Islamic revolution in the 1980’s. Her literary work‚ Persepolis‚ works as an expression for the ones who were oppressed during the Islamic revolution. Marjane Satrapi grew up under oppression‚ this is already shown from the first page of the graphic novel. On the first pages of the novel she introduces herself‚ she introduces herself by showing what the troubles of the Islamic revolution were by using the symbol of the veil.
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describe her relatives being whipped and burnt? Lessons that not even adults have learned‚ this girl has experienced‚ but has also shared her stories with the world. Marjane Satrapi‚ the main character in the graphic novel Persepolis‚ demonstrates gender roles‚ religion‚ and social classes‚ through drawings and words. Right from the start of the book‚ Marjane Satrapi gives an example of gender roles. She explains her younger self’s view on the veil. “Then came 1980: The year it became obligatory
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In the graphic novel Persepolis by Marjane Satrapi‚ the author uses words as well as illustrations in order to deliver the story of a young Iranian girl raised by a modern family in a traditionalist country. Satrapi composes her illustrations to reflect the current emotion or state of her character in order to accentuate certain events. She often uses splash frames and incorporates Persian flourishes into her artwork. Some character issues that are expressed through panel composition are Marjane’s
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proper techniques. Unfortunately‚ I encountered some constraints when signing up for this paint lesson. Leisure constraints are obstacles or barriers that may prevent an individual from taking part in an activity. The three categories of leisure constraints are intrapersonal‚ interpersonal and structural constraints. Intrapersonal constraints refer to the individual and beliefs that may affect one’s decision to participate. Interpersonal constraints focus on someone hesitating to participate in an activity
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yet it can also be amplificatory procedure engaged in addition‚ expansion‚ accretion‚ and interpolation.” (Sanders p.18) Persepolis the comic and Persepolis the movie can be considered an adaptation. The movie version of Persepolis stays true to the overall tone and style of the graphic novel‚ however‚ its intention is slightly different. Marjane Satrapi’s graphic novel‚ Persepolis‚ uses real events and real personal experiences
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Role of Women in Persepolis In the book‚ “The Complete Persepolis” written by Marjane Satrapi every woman had a prescribed role. The role of Marji’s maid was to show that social class differences do exist and to show what happens within these social class differences. Marji’s mother’s role was to support Marji and make sure that she was well off‚ while her grandmother’s role was also to support her and give her words of wisdom. Her school teachers’ role was to make sure that the female children
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What if an entire nation revolted against its government‚ only to be faced with a new government that is even worse than the one overthrown? This is exactly what happened in Persepolis: The Story Of A Childhood by Marjane Satrapi. Persepolis: the Story of a Childhood is a story of a young girl’s life in Iran during the Islamic Revolution. After many organized and fatal protests The Shah is finally overthrown and a new Islamic Regime takes control and just like that the peoples’ lives were turned
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David Miller Oppression on Women in Margaret Atwood’s The Handmaid’s Tale and Marjane Satrapi’s Persepolis Marjane Satrapi‚ in Persepolis writes about a memoir of a little girl growing in Iran. She refers to a secular pre-revolutionary time through contrast‚ the oppressive characteristics of the fundamentalist government upon women in specifics. In comparison‚ her work is very similar to Margaret Atwood’s‚ A Handmaid’s Tale‚ in which the central character‚ Offred‚ reflects upon her former life’s
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Satrapi’s early experiences have helped to form the unique perspective acknowledged throughout Persepolis. Throughout the novel‚ Satrapi uses graphic images to allow the readers to visualize the various dramatic events that the young Satrapi (once) witnessed. Satrapi’s informal diction and simple graphics force the readers to perceive Persepolis from the same childlike perspective she had. However‚ special attention is pulled towards Satrapi’s use of black and white graphics as a symbol of internal
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At one of the lower social standing in Middle Eastern culture‚ the Iranian government uses many methods to keep women from climbing up the proverbial social ‘ladder’. The degradation of women through the entirety of Persepolis is seen when the author highlights how the rights of women are slowly taken away and the obvious superfluous reasoning behind it. Early on in the novel‚ it is decreed that all women must wear veils in order to‚ “protect women from all the potential rapists” (Satrapi 74). The
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